3 items from 2017
Writing out the plot of Catfight makes it sound absolutely insane: The satire stars Sandra Oh as wino trophy wife Veronica and Anne Heche as failed artist Ashley, one-time college frenemies who run into each other years later and end up in a brawl that leaves Veronica comatose. Two years later, she wakes to find that she's lost everything and Ashley is now thriving. The two re-meet, another brawl ensues, Ashley goes into a coma and everything changes...again. There is also a war on terror, a not-so-subtle Trump diss, and a character called the Fart Machine. Then again, when you have a chance to watch the indie film (out March 3), it is that insane. Et sat down with the stars for a freewheeling discussion about their movie, why Oh doesn't want to talk about Grey's Anatomy and losing roles to each other.
MaryAnn’s quick take… A terrific legal procedural about defending factual truth and smacking dishonest sowers of doubt. An essential film for our era of “alternative facts.” I’m “biast” (pro): nothing
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)
Not all opinions are equal,” says historian Deborah Lipstadt in Denial. “The Earth is round, the ice caps are melting, and Elvis is not alive.” And six million Jews really were killed by the Nazi death machine in World War II, which is the pertinent point of this riveting docudrama. This is the true story of the 2000 libel trial in which Lipstadt, a professor at Atlanta’s Emory University who specializes in Holocaust history, was forced to defend herself against professional Holocaust denier David Irving, who didn’t like that she dared to cast him »
- MaryAnn Johanson
Simon Brew Jan 27, 2017
Mick Jackson has lived through several chapters of his directorial career. His background was television, in particular the stunning Threads, and his classy adaptation of Chris Mullins’ A Very British Coup. Then he went to Hollywood, directing the likes of L.A. Story, The Bodyguard and Volcano.
He’s been away from cinema for a while, courtesy of some intriguing television projects. But he returns to the big screen this weekend with Denial, a classy courtroom drama that brings the story of Holocaust denier David Irving’s infamous libel action to the cinema. We snagged a chat with him ahead of its release, with the promise of further conversation about his 90s output at a later date too.
Can you talk us through this particular film, and why you wanted to bring it to the big screen? »
3 items from 2017
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