Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
Something unspeakably chilling is ultimately starting to heat up at The City of Los Angeles! Beneath the famed La Brea Tar Pits, a raging volcano has formed, raining a storm of deadly fire bombs and an endless tide of white-hot lava upon the stunned city! Written by
Anthony Pereyra <firstname.lastname@example.org>
I find it's impossible to write a review of a Mick Jackson movie without pointing out that in 1984 he shocked the nation of Britain with his nuclear holocaust docu-drama THREADS . Anyone who saw that on its BBC broadcast will never forget the grim , bleak , depressing and powerful depiction of the end of humanity . Seeing as THREADS was set in the Yorkshire town of Sheffield and filmed on a budget of what appeared to be three dollars fifty cents you'd think he'd use some of his unquestionable talent and VOLCANO's $90 million budget to make a convincing scenario of a city devastated by events beyond its control
But Jackson has been there , done that , bought the T-Shirt and written his name in broadcasting history with THREADS and the last thing he wants is to make another grim shocker where millions of city dwellers die . Picking the dumbest script imaginable Jackson has decided he's going to enjoy himself this time and filmed the complete opposite to his nuclear holocaust horror show .
Remember in THREADS a myriad of scientific advisers were used ? It goes without saying that no scientific bodies were consulted in the making of VOLCANO . Mind you this may actually work in the context of the story since the characters are so dumb , there is a logic to having a bunch of underground workers being burned to death and no one saying " Hey these men were killed by lava . If we don't evacuate the city millions of people are going to be burned alive by a volcanic eruption "
Remember in THREADS after the bomb drops its everyman for himself ? That was probably the most terrifying thing about the docu-drama , of having your throat cut for your meager supplies of food . But not here where the guardians of law and order are not only noble enforcers of justice throughout the movie but also make sure no one is discriminated on the grounds of race and culture . You've also got the feeling that if looters existed in this movie they wouldn't be shot but given a place on a counseling program
There's also a similar aspect to the above . In THREADS people are left in the rubble to die since it's not practical to save them . Here the laws of physics have been changed so that if anyone is trapped under a burning truck a passer by can magically lift up the truck with one hand thereby rescuing the injured party . There's even a scene of self sacrifice that has to be seen to be believed , not that the scene was in any way believable to start with
The English speaking world are obsessed with their pets and Jackson used this to harrowing effect in THREADS . We saw family pets suffocating in firestorms . If you didn't feel sorry for the human beings killed you'd feel sorry for the poor animals . In VOLCANO we're treated to several scenes of pets in peril being rescued . I'm not sure how many people die on screen but I'm certain not one single type of mammal dies on screen apart from homo sapiens
I don't believe for one moment that Mick Jackson's contrast between this and THREADS is coincidental - It's done entirely on purpose with the only connection being a scene of irony . In THREADS this takes the form of characters standing in front of a billboard advertising life insurance while in VOLCANO a character reads a book on writing screenplays . You won't need life insurance when the bomb drops while VOLCANO shows being able to read a book on screenplays doesn't mean you're capable of writing one
Unfortunately VOLCANO flopped at the box office and only made half its production costs in American cinemas which effectively ended Mick Jackson's successful Hollywood career which is shameful . I don't know about you but anyone who can direct two pieces of totally contrasting work is a literal genius in my opinion
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