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Urs Peter Halter
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This is a small, slow-paced, poised, beautiful movie only the French can make. Of course, the old buildings, paint-flaking doors, and the sounds of the French language help to set the tone.
It is about childhood and priesthood, friendship and love, honesty and lack of malice, and how a religious, heterosexist culture can mess them up. It is worth watching even if you don't buy the whole catholic/theological argumentation (I don't).
It also alludes to the oft-pointed fact that the Church - while despising same-sex love/sex - has been a safe haven for those God-fearing individuals who cannot act/feel otherwise.
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