| Photos (see all 23 | slideshow) |
| Élodie Bouchez | ... | Isabelle 'Isa' Tostin | |
| Natacha Régnier | ... | Marie Thomas | |
| Grégoire Colin | ... | Chriss | |
| Patrick Mercado | ... | Charly | |
| Jo Prestia | ... | Fredo | |
| Francine Massenhave | ... | La gardienne | |
| Zivko Niklevski | ... | Le patron Yougoslave | |
| Murielle Colvez | ... | Le chef d'atelier | |
| Lyazid Ouelhadj | ... | Le vendeur de billets | |
| Frédérique Hazard | ... | La mère de Marie | |
| Jean-Michel Lemayeux | ... | L'interne | |
| Louise Motte | ... | Sandrine Val | |
| Rosa Maria | ... | La première infirmière | |
| Corinne Masiero | ... | La femme du Hollywood | |
| Xavier Denamur | ... | L'homme des patins | |
| Juliette Richevaux | ... | Solène | |
| Stéphanie Delerue | ... | Léa | |
| Mireille Bidon | ... | La seconde infirmière | |
| Christian Cailleret | ... | Monsieur Val | |
| Gérard Beyrand | ... | Le contremaitre | |
| Benoît Tiberti | |||
| Francine Nero | |||
| Luc Langlet | |||
| Claude Ulieghe | |||
| Gricha Kowalewski | |||
| Diane Dufour |
Directed by | |||
| Erick Zonca | |||
Writing credits | ||
| Erick Zonca | (writer) & | |
| Roger Bohbot | (writer) | |
| Virginie Wagon | (artistic collaboration) | |
| Pierre Chosson | writer | |
Produced by | |||
| François Marquis | .... | producer | |
| Michel Saint-Jean | .... | associate producer | |
Original Music by | |||
| Yann Tiersen | |||
Cinematography by | |||
| Agnès Godard | |||
| Dominique Le Rigoleur | |||
Film Editing by | |||
| Yannick Kergoat | |||
Casting by | |||
| Antoine Carrard | |||
Production Design by | |||
| Jimmy Vansteenkiste | |||
Costume Design by | |||
| Françoise Clavel | |||
Makeup Department | |||
| Laurence Grosjean | .... | makeup artist | |
| Christian Gruau | .... | hair stylist | |
| Sarah Guetta | .... | hair stylist | |
| Stéphane Malheu | .... | hair stylist | |
Production Management | |||
| François Lamotte | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Hubert Barbin | .... | first assistant director | |
| Alexandre Billon | .... | second assistant director | |
| Cristina Zonca | .... | second assistant director | |
Art Department | |||
| Philippe Bonnard | .... | props | |
| Patrick Colpaert | .... | assistant decorator | |
Sound Department | |||
| Jean-Luc Audy | .... | sound engineer | |
| Nicolas Becker | .... | foley artist | |
| Olivier Busson | .... | boom operator | |
| Nicolas Chaudeurge | .... | assistant foley artist | |
| Diane De Pirey | .... | assistant sound editor | |
| Fred Mays | .... | post-synchronization | |
| Muriel Moreau | .... | sound editor | |
| Stéphane Thiébaut | .... | sound mixer | |
Camera and Electrical Department | |||
| Philippe Andron | .... | grip | |
| Raphael Bauche | .... | second assistant camera (as Raphaël Bauche) | |
| Abdellah Belbecir | .... | grip | |
| Alain Grestau | .... | gaffer | |
| Amar Kabouche | .... | electrician | |
| Luc Pallet | .... | first assistant camera | |
| Galatae Politis | .... | first assistant camera | |
| Olivier Regent | .... | gaffer | |
Editorial Department | |||
| Pierre Berlot | .... | color timer | |
| Sophie Henocq | .... | assistant editor | |
| Laure Meynet | .... | assistant editor | |
Other crew | |||
| Nicolas Becker | .... | effects | |
| Sophie Goldman | .... | production assistant | |
| Eric Gueret | .... | production coordinator | |
| Maureen Meyer | .... | continuity | |
| Rémi Roy | .... | production accountant | |
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| Little Athens | Buena vida, La | Eureka | The Heart of Me | Choses secrètes |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
At the risk of sounding like a quote whore, if I see ten films better than this one released this year, 1999 is going to be an excellent year. First time director Erick Zonca has made an absolutely stunning debut, which not only resonates while you watch it, but gets you thinking afterwards (for example, I didn't get that last shot right away, but after thinking about it, I did). And while there's a philosophical point to be made, this is not what I would call a "nothingness of being" movie, where the primary interest of the filmmaker would seem to be either lecturing the audience, or in self-indulgent symbolism. Instead, Zonca makes his points lightly and carefully, allowing them to build up for us later.
Of course, it also helps that he has the services of Elodie Bouchez and Natacha Regnier, who deservedly shared the Best Actress Award at Cannes last year(and if there's any justice, will be nominated for an Oscar this year). Bouchez's Isa is hooked on life, in a dreamy way, and is open to all the possibilities, yet she sees how fleeting it all is. Regnier's Marie, on the other hand, doesn't expect much from the hand she's been dealt, and enters a bad relationship because of it, but there's enough there that we desperately wish she could find the peace Isa wishes her near the end. I forget who said great acting is in the eyes, but Bouchez and Regnier certainly qualify there; you can see the life in Bouchez's, and the cold resignation in Regnier's. This is an outstanding film.