Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Ulee is called one day by his incarcerated son, Jimmy, asking for a favor. Jimmy will repay his debts if they save his wife, Helen, from hoodlums. Ulee must now risk his and his family's lives to save Helen. Written by
Robert Krzanowski <email@example.com>
When Ulee is being knifed the perpetrator uses an underarm swing, which would place the wound in his lower back. The view changes to inside the truck and the perpetrator's arm is shown as over handed which would cause a wound near the shoulder where it is shown to be. See more »
Surely one of the best human dramas of the last few years, Peter Fonda is great as Ulee Jackson, a deeply wounded but incredibly strong man who by sheer strength of will reaches out to drag back together a shattered family. His performance is a masterpiece of understatement; we can almost physically sense the roiling depths of anger and resentment that lie below his cold, almost imperturbable exterior. The crime subplot never takes precedence over the gripping family drama that is the movie's core. It is wonderful to see the various characters gradually becoming re-integrated into a functioning family; i.e. the daughter's appearing late at night in the work area to help Ulee, whose restrictions up to then she has mightily resented, with his backbreaking work.
Few have commented on the double entendre of the movie's title. Ulee's "Gold" is, on its surface, the honey he works to produce. It is clear, at the film's conclusion, that the "Gold" is, in actuality, the family he has brought together again. (I suppose we could have a triple entendre in that it might also refer to the long-lost money that is at the crime subplot's core).
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