Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Bobby's car breaks down in the desert while on the run from some of the bookies who have already taken two of his fingers, he becomes trapped in the nearby small town where the people are stranger than anyone he's encountered. After becoming involved with a (unbeknownst to him) young married woman, her husband hires Bobby to kill her. Later, she hires Bobby to kill the husband. Written by
Jason Ihle <firstname.lastname@example.org>
Towards the very end, the camera and crew are reflected in an extreme close-up of Grace's eyes. See more »
I'm here to get my car back.
You got the money?
[Bobby gives him the money]
Two hundred dollars in hundred dollar bills, this morning you was flat out broke.
That's none of your fucking business.
I don't want no dirty money. I run a clean business!
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Brilliant & hallucinatory cinematography, impeccable use of music, and a handful of dark, edgy character sketches all work together very nicely to make this bleak, dark-humoured desert noir an overlooked highlight of Oliver Stone's career. The highly evocative atmosphere plays out against the Arizona desert in a way that (in addition to foreshadowing some of the work done in Terry Gilliam's own twisted little masterpiece 'Fear & Loathing in Las Vegas') seems to mirror, in a more subtle and tasteful manner, much of Stone's work in 'Natural Born Killers'. However, rather than hitting us over the head with whatever socially charged 'message' he may have been attempting to convey in that film, here he is simply content to let it build up a thick and steamy ambience that moves our hapless comrades on towards their own impending personal apocalypse. Nick Nolte, Sean Penn, and Jennifer Lopez all turn in great performances and Billy Bob Thornton's eccentric character sketch elevates what may be defined as a bit part to a far more relevant status. Modern noir with a few dark twists and a taste all it's own that's well worth digging into...for those who have a taste for this kind of thing, if you know what I mean.
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