A young punk drifter heading to Vegas to pay off his gambling debt before the Russian mafia kills him, is forced to stop in a Arizona town where everything that can go wrong, does go wrong for him.
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A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.
Director:
Martin McDonagh
Stars:
Elizabeth Berrington,
Colin Farrell,
Brendan Gleeson
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized; over 10 years later, they get their chance for revenge.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Director:
Roger Donaldson
Stars:
Jason Statham,
Saffron Burrows,
Stephen Campbell Moore
When Bobby's car breaks down in the desert while on the run from some of the bookies who have already taken two of his fingers, he becomes trapped in the nearby small town where the people are stranger than anyone he's encountered. After becoming involved with a (unbeknownst to him) young married woman, her husband hires Bobby to kill her. Later, she hires Bobby to kill the husband. Written by
Jason Ihle <jrihl@conncoll.edu>
Though a long shot, Oliver Stone attempted to cast Marlon Brando as the Blind Man, the eccentric Navajo character. Jon Voight, a much more realistic choice, was eventually cast. See more »
Goofs
Towards the end, some birds can be seen toward a grey and cloudy sky. In the next shot, we can see the sun shining. See more »
Quotes
Jake McKenna:
[having sex with Grace from behind]
Oh, fuck it away, fuck it away! But it ain't ever gonna go away!
See more »
"Your Cheatin' Heart"
Written by Hank Williams, Sr.
Performed by Patsy Cline
Courtesy of MCA Records
By Arrangement with Universal Music Special Markets See more »
In "U-Turn," Oliver Stone narrows his focus from the broad-canvass projects he typically produces. Those seeking the knowing profundities of "JFK" or "Nixon" will be disappointed. This is a genre picture of the desert southwestern potboiler variety, a much-updated "Painted Desert" kind of film. Lots of bad luck, scorpions, whiskey, sexual perversity, bullying, greed, lots of sweat and very little shaving. The basic questions begged by a movie like this one are these: Who will have sex? Who will live? Who will die? And who will end up with the money? By the final reel, all these questions are very satisfactorily answered. For a picture of this type, "U-Turn" is very good indeed.
Sean Penn is smashing, Nolte has never been creepier, and Jennifer Lopez is, er, extremely effective in this film's only real female role. John Voight, buried in the role a mystic Indian, is most entertaining. And we get another patented oddball performance by Billy Bob Thornton that is absolutely worth the price of admission. For good measure, Juaquin Phoenix and Claire Danes deliver a too-brief but electrifying turn as a young couple adept at creating trouble. As if Sean Penn, in this picture, didn't have enough already.
Sure, the predictable desert atmospherics are a bit overdone. But the solid script by John Ridley, the letter-perfect performances, and Stone's sure directorial hand make this one of his better films.
This movie is out of the theatres, so one word to you parents about "U-Turn." This is not one to watch in the presence of the kiddies. It contains very graphic and violence and sexual material clearly unsuitable for young folk or the sensitive soul of any age.
But if you like your film noir with sand and scorpions thrown in for good measure, this is a sure-fire rental that will leave you fully satisfied.
43 of 50 people found this review helpful.
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In "U-Turn," Oliver Stone narrows his focus from the broad-canvass projects he typically produces. Those seeking the knowing profundities of "JFK" or "Nixon" will be disappointed. This is a genre picture of the desert southwestern potboiler variety, a much-updated "Painted Desert" kind of film. Lots of bad luck, scorpions, whiskey, sexual perversity, bullying, greed, lots of sweat and very little shaving. The basic questions begged by a movie like this one are these: Who will have sex? Who will live? Who will die? And who will end up with the money? By the final reel, all these questions are very satisfactorily answered. For a picture of this type, "U-Turn" is very good indeed.
Sean Penn is smashing, Nolte has never been creepier, and Jennifer Lopez is, er, extremely effective in this film's only real female role. John Voight, buried in the role a mystic Indian, is most entertaining. And we get another patented oddball performance by Billy Bob Thornton that is absolutely worth the price of admission. For good measure, Juaquin Phoenix and Claire Danes deliver a too-brief but electrifying turn as a young couple adept at creating trouble. As if Sean Penn, in this picture, didn't have enough already.
Sure, the predictable desert atmospherics are a bit overdone. But the solid script by John Ridley, the letter-perfect performances, and Stone's sure directorial hand make this one of his better films.
This movie is out of the theatres, so one word to you parents about "U-Turn." This is not one to watch in the presence of the kiddies. It contains very graphic and violence and sexual material clearly unsuitable for young folk or the sensitive soul of any age.
But if you like your film noir with sand and scorpions thrown in for good measure, this is a sure-fire rental that will leave you fully satisfied.