The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
The emotional story of a young man in a mental institution for teens who begins to understand his psychosis in the environment of others with mental and emotional problems. He finds ... See full summary »
Howard Da Silva
It's 1896. Yankel Bogovnik, a Russian Jew, emigrated to the United States three years earlier and has settled where many of his background have, namely on Hester Street on the Lower East ... See full summary »
Jon Lansdale is a comic book artist who loses his right hand in a car accident. The hand was not found at the scene of the accident, but it soon returns by itself to follow Jon around, and ... See full summary »
When Bobby's car breaks down in the desert while on the run from some of the bookies who have already taken two of his fingers, he becomes trapped in the nearby small town where the people are stranger than anyone he's encountered. After becoming involved with a (unbeknownst to him) young married woman, her husband hires Bobby to kill her. Later, she hires Bobby to kill the husband. Written by
Jason Ihle <firstname.lastname@example.org>
Towards the beginning, we briefly see a sign that reads "Rutowski for council." It's a reference to co-producer Richard Rutowski, who also briefly appears as "Biker #2" around that same moment. See more »
Near the first of the movie, where Cooper's car passes a vulture eviscerating a dead animal, the vulture clearly has a leg ring with an attached band that is being yanked. See more »
Black humour of a kind rarely seen in mainstream Hollywood
As usual before adding my two ha'porth-worth of comment, I looked at other comments (including Roger Ebert). And, although I didn't read all of them (there are very many), I was surprised that none I read seemed to pick up what was perfectly obvious to me: this is a very funny film, but done in a deadpan style. So deadpan, in fact, that I'm not surprised that might be news to many. I have, coincidentally, recently been buying up on DVD quite a few classic film noir (Build My Gallows High, The Strange Love Of Martha Ivers) and like everyone else thought that the era of film noir had come and gone and that such films were no longer being produced. Well, blow me if I'm not very wrong: this is quintessential film noir (though done in colour and with the proviso that most film noir is not intended to be funny). It would be pointless to recount the plot, but if you liked all those classic Mitchum/Bogart/Van Helin/Edwrad g Robinson etc films, you will love this. Sean Penn never disappoints. By the way the very final twist in the plot had me laughing out loud. Go for it: you won't be disappointed.
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