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| Jim Carrey | ... | Truman Burbank | |
| Laura Linney | ... | Meryl Burbank / Hannah Gill | |
| Noah Emmerich | ... | Marlon | |
| Natascha McElhone | ... | Lauren / Sylvia | |
| Holland Taylor | ... | Truman's Mother | |
| Brian Delate | ... | Truman's Father | |
| Blair Slater | ... | Young Truman | |
| Peter Krause | ... | Lawrence | |
| Heidi Schanz | ... | Vivien | |
| Ron Taylor | ... | Ron | |
| Don Taylor | ... | Don | |
| Ted Raymond | ... | Spencer | |
| Judy Clayton | ... | Travel Agent | |
| Fritz Dominique | ... | Truman's Neighbor | |
| Angel Schmiedt | ... | Truman's Neighbor | |
| Nastassja Schmiedt | ... | Truman's Neighbor | |
| Muriel Moore | ... | Teacher | |
| Mal Jones | ... | News Vendor | |
| Judson Vaughn | ... | Insurance Co-Worker | |
| Earl Hilliard Jr. | ... | Ferry Worker | |
| David Andrew Nash | ... | Bus Driver / Ferry Captain | |
| Jim Towers | ... | Bus Supervisor | |
| Savannah Swafford | ... | Little Girl in Bus | |
| Antoni Corone | ... | Security Guard | |
| Mario Ernesto Sánchez | ... | Security Guard (as Mario Ernesto Sanchez) | |
| John Roselius | ... | Man at Beach | |
| Kade Coates | ... | Truman (4 years) | |
| Marcia DeBonis | ... | Nurse | |
| Sam Kitchin | ... | Surgeon | |
| Sebastian Youngblood | ... | Orderly | |
| Dave Corey | ... | Hospital Security Guard | |
| Mark Alan Gillott | ... | Policeman at Power Plant | |
| Jay Saiter | ... | Policeman at Truman's House | |
| Tony Todd | ... | Policeman at Truman's House | |
| Marco Rubeo | ... | Man in Christmas Box | |
| Darryl Davis | ... | Couple at Picnic Table | |
| Robert Davis | ... | Couple at Picnic Table | |
| R.J. Murdock | ... | Production Assistant | |
| Matthew McDonough | ... | Man at Newsstand | |
| Larry McDowell | ... | Man at Newsstand | |
| Joseph Lucus | ... | Ticket Taker | |
| Logan Kirksey | ... | TV Host | |
| Ed Harris | ... | Christof | |
| Paul Giamatti | ... | Control Room Director | |
| Adam Tomei | ... | Control Room Director | |
| Harry Shearer | ... | Mike Michaelson | |
| Una Damon | ... | Chloe | |
| Philip Baker Hall | ... | Network Executive | |
| John Pleshette | ... | Network Executive | |
| Philip Glass | ... | Keyboard Artist | |
| John Pramik | ... | Keyboard Artist | |
| O-Lan Jones | ... | Bar Waitress | |
| Krista Lynn Landolfi | ... | Bar Waitress | |
| Joe Minjares | ... | Bartender | |
| Al Foster | ... | Bar Patron | |
| Zoaunne LeRoy | ... | Bar Patron | |
| Millie Slavin | ... | Bar Patron | |
| Terry Camilleri | ... | Man in Bathtub | |
| Donna Hardy | ... | Senior Citizen (as Dona Hardy) | |
| Jeanette Miller | ... | Senior Citizen | |
| Joel McKinnon Miller | ... | Garage Attendant | |
| Tom Simmons | ... | Garage Attendant | |
| Susan Angelo | ... | Mother | |
| Carly Smiga | ... | Daughter | |
| Yuji Okumoto | ... | Japanese Family | |
| Kiyoko Yamaguchi | ... | Japanese Family | |
| Saemi Nakamura | ... | Japanese Family | |
| rest of cast listed alphabetically: | |||
| Courtney Pakiz | ... | German linguist / interpreter | |
| Jake Eberle | ... | Classical Clive (uncredited) | |
| Melissa Fitzgerald | ... | Girl Dancing with Marlon (uncredited) | |
| Marc Macaulay | ... | (uncredited) | |
| Mickalean McCormick | ... | Assistant to Christof (uncredited) | |
| Lorin Moore | ... | Ticket Handler (uncredited) | |
| Kevin D. Ross | ... | Talk Show Caller (voice) (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits(WGA) | ||
| Andrew Niccol | (written by) | |
Produced by | |||
| Edward S. Feldman | .... | producer | |
| Andrew Niccol | .... | producer | |
| Lynn Pleshette | .... | executive producer | |
| Richard Luke Rothschild | .... | co-producer | |
| Scott Rudin | .... | producer | |
| Adam Schroeder | .... | producer | |
Original Music by | |||
| Burkhard von Dallwitz | (as Burkhard Dallwitz) | ||
Cinematography by | |||
| Peter Biziou | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
| Lee Smith | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| Richard L. Johnson | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Marilyn Matthews | |||
Makeup Department | |||
| Kathleen Berkeley | .... | additional makeup artist | |
| Ron Berkeley | .... | supervising makeup artist | |
| Hazel Catmull | .... | supervising hair stylist | |
| Stephanie Eastburn | .... | additional makeup artist | |
| Bette Iverson | .... | supervising hair stylist | |
| Elizabeth F. LaVallee | .... | additional hair stylist | |
| Anne Morgan | .... | hair stylist: Mr. Carrey | |
| Sheryl Ptak | .... | makeup artist: Mr. Carrey | |
| Ron Scott | .... | additional hair stylist (as Ronald Scott) | |
| Randa Squillacote | .... | additional hair stylist | |
| Brad Wilder | .... | supervising makeup artist | |
Second Unit Director or Assistant Director | |||
| David M. Bernstein | .... | second second assistant director (as David Bernstein) | |
| Susan Carpenter | .... | additional assistant director (as Susan L. Carpenter) | |
| Alan B. Curtiss | .... | first assistant director | |
| Robert Huberman | .... | assistant director: second unit | |
| Michael J. McAlister | .... | second unit director (as Micheal J. McAlister) | |
| Jill Southern | .... | additional assistant director (as Jill Musser) | |
| Jonathan Watson | .... | second assistant director | |
| Scott Andrew Robertson | .... | second second assistant director (uncredited) | |
Art Department | |||
| Donald R. Abblett | .... | production painter (as Don Abblett) | |
| Richard F. Anderson | .... | assistant set dresser (as Richard Anderson) | |
| Paige Augustine | .... | assistant set decorator | |
| Keith David Bragg | .... | greens foreperson (as Keith D. Bragg) | |
| Thomas E. Brown | .... | paint supervisor | |
| Melanie S. Chretin | .... | assistant property master | |
| James M. Davis | .... | construction foreperson | |
| Guillaume DeLouche | .... | assistant property person (as Guillaume Delouche) | |
| Scott Getzinger | .... | assistant property master | |
| Daniel J. Gillooly | .... | greens coordinator (as Dan Gillooly) | |
| Joe Griffith | .... | storyboard illustrator | |
| Doug Harlocker | .... | property master (as Douglas Harlocker) | |
| Gail Laskowski | .... | art department coordinator | |
| Larry Laurent | .... | paint foreperson (as Laurence Laurent) | |
| John Leone | .... | labor foreperson | |
| Leslie 'Tinker' Linville | .... | set dresser | |
| James P. Meehan | .... | set dresser | |
| Thomas Minton | .... | set designer | |
| Odin Oldenburg | .... | set designer (as Odin R. Oldenburg) | |
| Jeff Passanante | .... | construction coordinator (as Jeffrey J. Passanante) | |
| Eric Rosenberg | .... | graphic designer | |
| Marco Rubeo | .... | assistant art director | |
| Dan Schulz | .... | assistant set dresser | |
| Andrew M. Scudier | .... | paint foreperson (as Andy Scudier) | |
| Brian Shupper | .... | assistant set dresser | |
| Patrick R. Siembieda | .... | construction auditor | |
| Mark Sparks | .... | lead carpenter | |
| Mark Weissenfluh | .... | leadman | |
| Pedro Barquin | .... | greensman (uncredited) | |
| Sean Bernard | .... | painter (uncredited) | |
| William F. Gambill | .... | scenic artist (uncredited) | |
| Michael J. Hall | .... | construction foreman (uncredited) | |
| Robert Loring Jr. | .... | stand-by greens (uncredited) | |
| John W. Morgan | .... | plasterer (uncredited) | |
| Michael Mosley | .... | art department assistant: Florida (uncredited) | |
| Dan Stewart | .... | carpenter (uncredited) | |
| Michael A. Wells | .... | construction foreman (uncredited) | |
Sound Department | |||
| Bob Baron | .... | adr mixer | |
| Rodney Berling | .... | sound apprentice | |
| Nick Breslin | .... | assistant sound editor (as Nicholas Breslin) | |
| Mark C. Grech | .... | cable person (as Mark Grech) | |
| Phil Heywood | .... | sound re-recording mixer | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Tim Jordan | .... | dialogue editor | |
| Rick Lisle | .... | sound effects editor | |
| Linda Murphy | .... | boom operator | |
| Steve Murphy | .... | stereo sound consultant: Dolby | |
| Martin Oswin | .... | sound re-recording mixer | |
| Julie Pearce | .... | foley recordist | |
| Andrew Plain | .... | dialogue editor | |
| Art Rochester | .... | production sound | |
| Maureen Rodbard-Bean | .... | assistant sound editor | |
| John Simpson | .... | foley walker | |
| Lee Smith | .... | sound designer | |
| Peter Townend | .... | sound effects editor | |
| Karin Whittington | .... | supervising adr editor | |
Special Effects by | |||
| Larz Anderson | .... | special effects | |
| Michael Arbogast | .... | special effects crew: Florida (as Mike Arbogast) | |
| Chad Baalbergen | .... | special effects crew: Los Angeles | |
| Peter Chesney | .... | boat effects designer | |
| Blaine Converse | .... | image engineering coordinator | |
| James Fredburg | .... | special effects crew: Los Angeles (as Jim Fredburg) | |
| Thomas Kittle | .... | special effects crew: Florida | |
| Roland Loew | .... | special effects crew: Los Angeles (as Roland Lowe) | |
| Durk Tyndall | .... | special effects crew: Florida | |
| Thomas R. Ward | .... | special effects crew: Los Angeles (as Tom Ward) | |
| Paul Corbo | .... | special effects technician (uncredited) | |
| G. Peter King | .... | special effects (uncredited) | |
| Leone Marucci | .... | special effects assistant (uncredited) | |
| Leone Marucci | .... | special effects crew: Los Angeles (uncredited) | |
| Karl Nettmann | .... | special effects technician (uncredited) | |
| Daren Rouse | .... | special effects technician (uncredited) | |
| Tim Walkey | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ted Andre | .... | digital artist: Cinesite | |
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Travis Baumann | .... | digital compositor: CFC | |
| Richard A. Benoit | .... | digital effects associate producer: Cinesite | |
| Stella Bogh | .... | digital compositor: CFC | |
| Bruce Bullock | .... | digital imaging schedular: Cinesite | |
| Dylan Carter | .... | digital compositor: CFC | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World | |
| Christopher Evans | .... | chief digital matte artist: Matte World (as Chris Evans) | |
| David Fuhrer | .... | digital artist: CFC | |
| Caroleen Green | .... | digital matte artist: Matte World | |
| Laura Hanigan | .... | digital artist: Cinesite | |
| Gokhan Kisacikoglu | .... | CGI animator: Cinesite | |
| Karen Klein | .... | rotoscope supervisor: Cinesite | |
| Richard Klein | .... | CGI animator: Cinesite | |
| Brad Kuehn | .... | digital visual effects supervisor: Cinesite | |
| Roger Kupelian | .... | concept matte artist: Cinesite | |
| Mark Tait Lewis | .... | rotoscope artist: Cinesite (as Mark Lewis) | |
| Ariana Lingenfelser | .... | digital visual effects producer: Cinesite | |
| David Lingenfelser | .... | digital compositor: Cinesite | |
| Kevin Lingenfelser | .... | digital effects supervisor: Cinesite | |
| Patrick Lin | .... | motion control photographer: Matte World | |
| Martin Matzinger | .... | visual effects producer: Matte World | |
| Michael J. McAlister | .... | visual effects supervisor (as Micheal J. McAlister) | |
| Brett Northcutt | .... | digital matte artist: Matte World | |
| Joe Pasquale | .... | 3D supervisor: Cinesite | |
| Eric Pender | .... | CGI animator: Cinesite | |
| Paul Rivera | .... | digital composite supervisor: Matte World | |
| Ken Rogerson | .... | effects editor: Matte World | |
| Tony Sgueglia | .... | digital technician supervisor: Cinesite | |
| Todd Siechen | .... | 3D models and textures: Matte World | |
| Eduardo Silva | .... | CGI animator: Cinesite | |
| Janek Sirrs | .... | digital compositor: CFC | |
| Todd R. Smith | .... | digital compositor: Matte World | |
| Morgan Trotter | .... | 3D modeler: Matte World | |
| Jason Wardle | .... | CGI animator: Cinesite | |
| Eric Weinschenk | .... | digital compositor: CFC | |
| Juliette Yager | .... | visual effects producer | |
| Janet Yale | .... | digital compositor: CFC | |
| Mieko Yoshida | .... | CGI animator: Cinesite | |
| Jonathan Alvord | .... | Avid editor (uncredited) | |
| Jeff Chung | .... | CGI animator: Cinesite (uncredited) | |
| Erin M. Cullen | .... | roto artist (uncredited) | |
| Charles Darby | .... | matte paintings (uncredited) | |
| Matt Dessero | .... | digital artist (uncredited) | |
| Mark Gutterud | .... | visual effects cameraman (uncredited) | |
| Christopher Horvath | .... | digital compositor: Matte World Digital (uncredited) | |
| Tim Ketzer | .... | computer graphics animator: Cinesite (uncredited) | |
| Michael Kory | .... | CG supervisor (uncredited) | |
| Kevin LaNeave | .... | digital runner (uncredited) | |
| Vincent Lavares | .... | technical assistant supervisor (uncredited) | |
| Richard Lund | .... | digital compositor (uncredited) | |
| Cristin Pescosolido | .... | match move supervisor (uncredited) | |
| Tristan Tom | .... | technical support: Cinesite (uncredited) | |
| James Valentine | .... | rotoscope (uncredited) | |
| Susumu Yukuhiro | .... | visual effects production assistant (uncredited) | |
Stunts | |||
| Reese Banta | .... | stunts | |
| Ann Bellinger | .... | stunts | |
| Jake Brake | .... | stunts | |
| Charlie Brewer | .... | stunts | |
| Mike Christopher | .... | stunts (as Michael Christopher) | |
| Shane Dixon | .... | stunts | |
| Tim Gilbert | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts (as Sandra Gimpel) | |
| Martin Grace | .... | stunts | |
| Al Jones | .... | stunts | |
| Lee Nashold | .... | stunts (as Byron Lee Nashold Jr.) | |
| Larry Nicholas | .... | stunts | |
| Pee Wee Piemonte | .... | stunts (as Peewee Piemonte) | |
| Steve Santosusso | .... | stunts | |
| Jimmy Waitman | .... | stunts | |
| John Zimmerman | .... | stunts | |
| Pat Banta | .... | stunt double: Jim Carrey (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting (as Sandy Alessi) | |
| Barbara Harris | .... | voice casting | |
| Ellen Jacoby | .... | location casting | |
| Dana McFadden | .... | casting associate: Florida | |
| Meredith Tucker | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | costumer | |
| Cheryl Beasley Blackwell | .... | set costumer | |
| Mary C. Lane | .... | costume supervisor | |
| Robert Mata | .... | costumer: Mr. Carrey | |
| Linda Pierce | .... | costumer | |
Editorial Department | |||
| Liam Anderson | .... | apprentice editor | |
| Todd Fulkerson | .... | apprentice editor | |
| John Lee | .... | lightworks assistant | |
| Paula Lourie | .... | assistant film editor | |
| Padraic McKinley | .... | lightworks assistant | |
| Mike Milliken | .... | color timer | |
| Basia Ozerski | .... | assistant film editor | |
| Marie-Pierre Renaud | .... | assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Kevin D. Ross | .... | additional film editor | |
| Jim Sevin | .... | editor: video | |
| Phil Voss | .... | telecine operator | |
| Noelleen Westcombe | .... | assistant film editor | |
| Jeff Consiglio | .... | editor: main titles, TruTalk open sequence (uncredited) | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Philip Glass | .... | composer: additional music | |
| Kurt Munkacsi | .... | music producer: Philip Glass music | |
| Robin Gray | .... | music scoring engineer (uncredited) | |
| Daryl McKenzie | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Steve Brodsky | .... | transportation coordinator | |
| Randy Peterson | .... | transportation captain (as Randall Peterson) | |
| Kevin C. Scott | .... | transportation captain | |
| Steve Brill | .... | transportation dispatcher (uncredited) | |
| John H. Stephens | .... | local transportation captain (uncredited) | |
| Timothy Stephens | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation: Florida (uncredited) | |
Thanks | |||
| Daryl Davis | .... | appreciation to | |
| Robert Davis | .... | appreciation to | |
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| City of Shoulders and Noses | Big Fish | The Miracle of Morgan's Creek | Notes on a Scandal | The Nanny Diaries |
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Truman Burbank is an ordinary guy in an ordinary little seaside town of Seahaven Island where nothing really happens. Everything is clean, everything is perfect, he knows people but never really connects to anyone. The one woman he ever really loved is not his wife and has long since left for the other side of the world where he longs to visit but feels he can never go. Paralysed by his fear of water since seeing his father die on a boating accident, Truman still feels he is missing something. A strange light falling from the sky, a man who reminds him of his dead father, a strange radio broadcast and the feeling that the world really stops when he shuts his eyes all combine to make him feel something is wrong but what is it that he seeks but feels he cannot find?
When I first saw this film it was with my girlfriend (who would then become my wife, then ex-wife!) and I remember how she and our friends felt a little bit cheated by the film that they had expected to be yet another wacky Jim Carrey comedy. In fairness to her and the others, it was easy to do this at the time who would have thought that Jim Carrey would be able to act certainly not the marketing department that sold this film on the basis of it being a hilarious film as opposed to the thoughtful and rewarding film it turned out to be. The plot can be viewed on so many levels that it is honestly easier to leave it to each viewer to take what they will from it. On the most obvious level it satirises the media, the emotional façade of television and (the increasingly relevant) look at reality shows. To others it will say as much about God, the empty drone of life and the things that we all desire. Of course to others it will just be a comedy with general comments to make and there is nothing wrong with that whatsoever; in fact the multi-level approach works to make it appeal to many audiences.
Starting as a comedy, I am always taken by how well the film moves to become more and more interesting but yet never loses sight of those audience members who have come for the basic story. Hence it delivers an enjoyable and engaging central narrative that, plainly put, makes for a comic and involving yarn we grow to care for Truman and this makes the ending an emotional and satisfying one even if some viewers will bemoan the fact that (to them) it appears 'open ended'. That it is also a very thought-provoking affair is only a bonus, with the satire working on many levels. Of course by seeming to tackle so many subjects and issues in such a short running time, the film never really gets its teeth deep into any one of them but this is not a major problem because it leaves us to do that in our heads after the film finishes.
The cast is roundly superb even if the majority of them are in minor roles. Of course it is easy now to look back at Carrey and accept that he can act straight but at the time it seemed so unlikely and few felt it was a good casting choice. Of course, seeing the end result it is clear that he can and he delivers such a great performance that he really makes the film work.
He is comic but yet serious, sympathetic but not worthy of pity it is a great delivery and one that basically meant that I now look at his Ace Ventura stuff as the 'other' category and see his acting as his real work (6 years ago that was vice versa). Carrey carries the film, being on screen for almost the entire film but he has good support from Linney, Emmerich, Krause and others who play it well despite being stuck in the necessary stiff and unreal roles. The controller etc roles are all well played and feature a collection of well known faces including a great support role from Harris through to roles for Giamatti, Shearer, Baker Hall and a few others. It may be Carrey's show but the support certainly helps.
Overall this is a great film that can be appreciated as much for what it is on the surface (a great little comic story) as it can for the issues that it hints at all the time. There was a time when some viewers may have looked to a Carrey film to be a load of mugging an crude, basic laughs but this was the film that saw that change. Thought provoking, funny, entertaining, short, enjoyable and well acted throughout well worth seeing and well worth coming back to several times.