When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
The film is studied in Media Ethics courses, particularly focusing on the characters of creator Christof, best friend Marlon and the "prostituting" of Truman's wife, Meryl. See more »
When the neighbors are walking arm and arm in search lines, the audio is of footsteps marching in perfect synchronization. However, the people's heads are bobbing up and down out of synchronization, and when their feet are shown, they are walking out of step. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
See more »
Opening credits are for the "real" Truman Show, with lines like "starring Truman Burbank as himself" and "created and directed by Christof". See more »
Having been bandied about the release schedules for the best part of a year, Carrey's first semi-dramatic film finally got a UK release last October. He plays Truman Burbank, a vaguely unhappy insurance salesman in the perfect little seaside town of Seahaven. Following some strange occurrences, Truman starts to think that he is being watched. Little does he know that his entire life is secretly filmed, his town is a gigantic sound-stage, everyone he has ever known was an actor and that his every waking and sleeping second is broadcast around the world as a top-rated docu-soap.
Critics have been lavishing enormous praise on this movie since it opened in America last June, and probably rightly so because it is a superbly crafted piece of work. Weir's direction is outstanding, frequently viewing events from the point of view of hidden spy cameras, such as the one in Truman's car radio. One stunning shot has the town's main street full of motionless extras, waiting for Truman to turn the corner. Jim Carrey's performance has been singled out for particular praise, and though his acting is of a much higher standard that his usual comedy antics, it is not exactly Laurence Olivier. This said, an Oscar nomination would have been well deserved.
The setting of a chirpy small town from which escape is impossible echoes cult 60's series The Prisoner, but the balance of reality and poetry is much more restrained here than it was then. The opening credits are especially clever, using those of the actual `show' (e.g. Truman Burbank as Himself). There are, however, a few problems. The film is simply too short to adequately explore Truman's situation, and the character of Meryl, his `wife', disappears about half-an-hour from the end. This kind of slightly sloppy scripting was not something I expected from writer Andrew Niccol, whose previous film Gattaca, which he also directed, was such an immediate classic. Gripes aside, this is an extraordinary and highly original film that really is worth seeing several times to fully understand the director's message. It doesn't even matter if you never liked Jim Carrey before. You will now.
88 of 114 people found this review helpful.
Was this review helpful to you?