A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
Just before the boat stops, we see the number "139" prominently displayed on its sail. The ensuing dialogue between Truman and Christof contains some paraphrased references to Psalm 139, as do many other aspects of the film. See more »
When Christof touches the huge screen with the image of Truman sleeping, his hand casts a shadow. The control room is not sufficiently lit to cast a shadow. The huge screen, acting as a light source, would cancel out the shadow. This reveals that the scene was composited using a blue screen. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
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In the end credits, the cast is divided between Truman's World, Christof's World and The Viewers See more »
I asked a friend to describe The Truman Show. He said, "No, it's not a comedy, well...not exactly." I didn't quite understand until I watched it myself. Truman takes on a tone quite different than any parody/comedies I've seen lately. The point (the media and its destructive powers) is subtlely relayed through dark humor, and you don't feel like the director is smashing you over the head with his morals. Peter Weir demonstrated his artistic genius in Dead Poets Society and here as well. The soundtrack is great, Ed Harris is stellar (what were they THINKING at the Academy?) and for once I actually liked Jim Carrey. His performance wasn't ribald for once. The final scene--I will not reveal it--is a majestic, long-awaited finish to an intellectual movie. Some people will insist that it was boring or pointless. Those are the same viewers who prefer slapstick, obvious humor to the subtle layers presented here. This is a thinking person's movie. If you can't see the underlying message here, of course you won't like it!
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