When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
The man who bursts out of the Christmas box is Mark Ruben, who is also the Assistant Art Director of the film. See more »
When Meryl gets in the car with Truman and he drives off to the traffic circle, the above shot shows Meryl wearing her seat belt. A few seconds later as they are driving around the circle, the camera shot from within the car shows Meryl putting her seat belt on. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
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In the end credits, the cast is divided between Truman's World, Christof's World and The Viewers See more »
Piano Sonata No. 11 in A Major (K. 331) (300), Third Movement: Alla Turca
by Wolfgang Amadeus Mozart
Performed by Wilhelm Kempff, piano
Courtesy of Deutsche Grammophon Gesellschaft mbH., Hamburg
by arrangement with PolyGram Film and TV Music See more »
I asked a friend to describe The Truman Show. He said, "No, it's not a comedy, well...not exactly." I didn't quite understand until I watched it myself. Truman takes on a tone quite different than any parody/comedies I've seen lately. The point (the media and its destructive powers) is subtlely relayed through dark humor, and you don't feel like the director is smashing you over the head with his morals. Peter Weir demonstrated his artistic genius in Dead Poets Society and here as well. The soundtrack is great, Ed Harris is stellar (what were they THINKING at the Academy?) and for once I actually liked Jim Carrey. His performance wasn't ribald for once. The final scene--I will not reveal it--is a majestic, long-awaited finish to an intellectual movie. Some people will insist that it was boring or pointless. Those are the same viewers who prefer slapstick, obvious humor to the subtle layers presented here. This is a thinking person's movie. If you can't see the underlying message here, of course you won't like it!
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