The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
While Andy is away at summer camp Woody has been toynapped by Al McWiggin, a greedy collector and proprietor of "Al's Toy Barn"! In this all-out rescue mission, Buzz and his friends Mr. Potato Head, Slinky Dog, Rex and Hamm springs into action to rescue Woody from winding up as a museum piece. They must find a way to save him before he gets sold in Japan forever and they'll never see him again! Written by
Anthony Pereyra <email@example.com>
Production of this film lead to a major disagreement between John Lasseter and Disney chairman Michael Eisner. At the time of production, Pixar Animation was in the midst of a 5-picture deal with Disney. Pixar Animation had initially contracted with Disney to produce and distribute five computer animated films, three of which had already seen release: Toy Story (1995), A Bug's Life (1998)& Monsters, Inc. (2001). Though this movie was produced while Pixar and Disney were operating under the same contract, it was counted as its own entity since the original agreement specified five original films, not sequels. Consequently, production on the final two movies of the initial deal, Finding Nemo (2003) and The Incredibles (2004) was delayed. When Disney, which owned all the characters, decided to move ahead with a low-budget direct-to-DVD sequel, Lasseter intervened, offering Pixar's services to produce the film. Lasseter assumed it would be counted as part of Pixar's 5-picture contract, but Eisner refused, forcing a tense renegotiation between the two studios. It also led to Pixar's refusal to renew it's distribution contract with Disney, though Disney eventually bought Pixar Studios and integrated its creative staff into studio management. When producers saw the first results of the considerably lower-budget direct-to-DVD production they were dissatisfied and gave the project back to the makers of the original for a cinematic release. See more »
When Al faxes the Polaroid pictures to Japan, he feeds them in face up. While most fax machines are fed face down, some are fed face up. See more »
[landing on Zurg's planet]
Buzz Lightyear to mission log: All signs point to this planet as location of Zurg's fortress, but there seems to be no signs of intelligent life anywhere...
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Starting December 25th, there are "bloopers" running over the credits. See more »
Entertains adults just as much as it will children. One of the years best films. ***1/2 out of ****
TOY STORY 2 (1999) ***1/2
With the voices of: Tom Hanks, Tim Allen, Kelsey Grammer, Joan Cusack, Jim Varney, & Wayne Knight Director: John Lasseter Running time: 85 minutes Rated G
By Blake French:
In an era where audiences are given such few family movies, and in a time where such films are seldom given decent scripts, "Toy Story 2" is a jolt of lightening in the fast fading genre of unobjectionable entertainment. Over the past several years we've received filmmaker's poor attempts at granting us enjoyment with an orphaned raised by jungle apes, bouncy green slime, a massive gorilla reeking havoc on a major city, a child fending off robbers by himself near Christmas, a small boy's attempts to rescue a battered dog from his cruel owner, a canine playing football, a colony of ants in trouble, a talking mouse, and even a film version of an old cartoon about a man filtered with countless gizmos. None of those desperate family tales work. I think you can understand through these examples that when a great children's film does finally open, and entertains adults equally as much as it mesmerizes its target audience I give it the honor of being one of the years best movies.
"Toy Story 2" continues the traditional lives of the characters brought to our attention in the original movie released in 1995. What makes "Toy Story" unique is the fact that the characters are mostly toys. The familiar faces include everyone's favorite cowboy Woody, Buzz Lightyear, Hamm the piggy bank, Mr. Potato Head, Rex the cowardly Tyrannosaurs Rex, the Army Sergeant, Little Bo Peep, and the Slinky Dog. The sequel film introduces several new characters in its presence consisting of Prospector Pete, Jessie the Cowgirl, and antagonists, a greedy human named Big Al and robotic video game figure called Zurg. The plot has to do with several of the toys rescue attempts to save Woody from a money hungry thief who intends to sell him to a different country.
Just a few days ago I screened the somewhat similar, although unsuccessful, family comedy "Stuart Little." That movie failed because it attempted to blend our human world with the likes of pure fictional fantasy; a talking mouse that acts like a human. It is hard to except something like that without an explanation--giving the filmmakers no choice but to get into a complicated, logical explanation that would bore the majority of an audience. "Toy Story 2" needs none of that explication. It contains its illusion outside of our world, creating a tale that inspires our imagination. The filmmakers do not try to compare the likes of toys being alive with reality. It creates its own atmosphere which seems unfamiliar and magical. It is a place that lives within our dreams; everyone has hoped for their toys to come alive at one time or another. "Toy Story 2" brings this world to life to the quality of the original "Toy Story." This movie is a landmark in the gender of animated family comedies that should be treasured for all that its worth.
Brought to you by Walt Disney Pictures.
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