A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Agent James Bond 007 is on a mission which includes a media tycoon, his former lover and a Chinese agent. Elliot Carver wants to complete his global media empire, but in order for this to work, he must achieve broadcasting rights in China. Carver wants to start up World War III by starting a confrontation over British and Chinese waters. Bond gains the help of Wai Lin on his quest to stop him, but how will Bond feel when he meets up with his former lover, who is now Carver's wife. Written by
The opening arms bazaar sequence was originally intended to appear in the earlier James Bond movie The Living Daylights (1987). The weapon being sold at the arms bazaar were described as a Chinese Long March Scud Rocket and on the jet aircraft were Soviet SP-5 Torpedoes. Neither of these weapon systems actually exist, however. The Long March program was an Chinese program designed to launch missiles into space, and the "SP-5" nuclear torpedo simply doesn't exist in Russian or the former Soviet arsenal. See more »
In the opening sequence, after firing the missile, the ship reports back that they have lost contact with the missile because it is out of range and thus it cannot be destroyed. Moments later, back at HQ, M & Co are seen watching the missile's on-board camera as it flies through the mountains towards its target. If the missile can relay images back to base, they could relay a message to the missile it to self-destruct! See more »
Our man's in position on the center camera. It's like a terrorist supermarket. Chinese Long March Scud, Panther AS-565 attack helicopter, a pair of Russian mortars, and the crates look like American rifles. Chilean mines. German explosives. Fun for the whole family.
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Tomorrow Never Dies is almost everything we expect from a James Bond film. It has little more than that, but that's fine. It's certainly a fun and well-made film and definitely worth two hours of your life. The movie contains the standard Bond film formula. A megalomaniac wants to take over the world, Bond is sent to stop him, he seduces some women and kills some men on the way, causes thousands of dollars worth of damage, confronts the villain and foils his plot (and life), and gets the girl. The film doesn't really do anything new with the formula, but it executes it well. Pierce Brosnan goes on his second outing as Bond, and he's quickly become comfortable with the role, becoming one of the best Bonds ever. He has the suaveness and toughness of Sean Connery, the comedic timing and charm of Roger Moore, the coldness and brutality of Timothy Dalton, and he adds his own touch of gentleness and humanity to the role. He's very entertaining and even actually kind of sympathetic, and when he's on screen, he simply is James Bond. He's able to take on any challenge and survive any action sequence. As an action piece, Tomorrow Never Dies is fantastic. There are some fantastic and inventive action sequences. The stuntwork is wonderful, and the usual great Bond car chases are present. A scene that sticks out strongly is a chase in a multiple-story garage, with Bond driving his car via remote control in the back seat, as henchmen fire their pistols and bazookas at him, and he uses the car's dozens of hidden gadgets against them, such as spiked balls to take out the tires of other cars, and the hidden guns at the front of his own car. The film doesn't do much new with the Bond formula, but it does it well. It has an original idea for a villain, him being a media mogul, but not much is done with this concept, although actor Jonathan Pryce revels in being a megalomaniac. Tomorrow Never Dies is a fun movie, offering little new, but as long as it's fun, that's OK, isn't it?
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