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Tiré à part (1996)

6.1
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Ratings: 6.1/10 from 138 users  
Reviews: 6 user | 1 critic

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(novel), (scenario), 2 more credits »
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Title: Tiré à part (1996)

Tiré à part (1996) on IMDb 6.1/10

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Edward Lamb
Daniel Mesguich ...
Nicolas Fabry
...
Nancy Pickford
...
Georges Récamier
...
John Rathbone
...
Doris
...
Farida
Gérard Bôle du Chaumont ...
Auteur Grunge
Charles-Antoine Decroix ...
Docteur Bloch
Arno Feffer ...
Avocat Nancy
Emmanuel Fouquet ...
Journaliste Radio
Huguette Maillard ...
Yasmina
Sophie Mounicot ...
Fabienne
Brigitte Morel ...
Pilar (as Brigitte-Hélène Morel)
Eric Prat ...
Maitre Leriche
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Storyline

Add Full Plot | Add Synopsis

Genres:

Thriller | Drama

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Details

Country:

Language:

|

Release Date:

1 November 1997 (Japan)  »

Also Known As:

Limited Edition  »

Box Office

Budget:

FRF 23,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

"Casta diva"
from "Norma"
Music by Vincenzo Bellini
Performed by Eva Urbanová
Conducted by Jirí Belohlávek
Courtesy of Supraphon
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User Reviews

 
Absorbing but clinical
27 April 2004 | by (Tasmania) – See all my reviews

Terrence Stamp - one of those very good actors who frequently and inexplicably appears in rotten movies - is terrific in this rather odd film about rape, suicide, love, revenge and literary forgery. I'm not going to go into great detail about the storyline, because in my view the person who wrote the current front-page review did as good a job as I could do. Suffice to say that for a thriller about aforementioned topics, this is a curiously dispassionate film - mostly because of Stamp's often almost emotionless performance as the vengeful ex-lover. Clearly there is a smouldering fury below the surface, but Stamp keeps it so screwed down that he seems more like a secret agent dispassionately doing his job. An odd effect, but not off-putting.

There is nothing remarkable about the other performances or the production. For a European film it plays more like an episode of Inspector Morse, minus any excess of emotion, except the increasingly desperate histrionics of Stamp's 'victim', which play off well against Stamp's stoic performance.

6.5 out of 10. Certainly worth a look, though don't expect it to change your life.


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