When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
Three diverse characters, for the most part intellectually challenged, find a deserted plane with a bag full of millions of dollars inside. They devise a simple plan to keep the money if no-one claims it. Ofcourse, nothing turns out simple... Written by
Between 1994 and 1996, Ben Stiller was set to direct this film with Nicolas Cage to star. When Cage's salary began to affect the film's overall budget, Stiller walked away. The reins were then given over to John Dahl who later left the project to be replaced by director John Boorman. Meanwhile, Emma Thompson was considering the part of Sarah Mitchell but, after a while, declined. Finally, Thomas signed on and Raimi replaced Boorman and production was set to go... three years after the rights were sold to Mike Nichols for a reported $250,000 (U.S.) "against" $750,000. See more »
Damage to front of pickup truck after hitting tree. See more »
This is not the film to see if you're looking for a feel-good Hollywood anesthetic to cope with the end of the holiday season. If, however, you wish to experience a great film, then I highly recommend *A Simple Plan*. Its disturbing twist on the American dream may be too difficult for some--especially the very dark ending--but that is part of what makes the film such quality fare. Scott B. Smith's screenplay is tight and flawless. Sam Raimi's inspired direction may finally reveal to the rest of the film industry what fans of the Evil Dead trilogy have known for years: that, though his tongue is often firmly in his cheek, Raimi is a fine and grossly underrated filmmaker. Especially impressive is the way he and cinematographer Alar Kivilo approach the snow-covered landscapes. There is an immensity to the frozen wastelands of the film's crucial scenes that is almost worthy of David Lean. Also commendable is Raimi's skillful use of animals (among them crows and foxes) for symbolic purposes.
But the cast, not to be outdone by their crew, is equally notable. Billy Bob Thornton gives his best performance to date, surpassing even his award-winning role in *Sling Blade*. Bill Paxton is phenomenal as a straight-laced-family-man- turned sociopath, and Bridget Fonda's convincing portrayal of Paxton's determined wife complements him well.
Audiences at the screening I saw were commenting on the film's similarities to *Fargo* as they exited the theater, and seemed to belittle *A Simple Plan* for its lack of "originality." Granted, *A Simple Plan* is not entirely original. There are indeed vague shadows of *Fargo*, as well as *Macbeth* and Robert Frost, among others. But there is no such thing as an entirely original work, as great art is made by standing on the shoulders of giants. Make no mistake, this is NOT a cheap replay of *Fargo*. The differences are too numerous to note here, but suffice it to say that *A Simple Plan* is a great work in its own right, and deserves to be appreciated as such.
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