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A Thousand Acres (1997)

 -  Drama  -  19 September 1997 (USA)
6.0
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Ratings: 6.0/10 from 3,996 users  
Reviews: 32 user | 50 critic

"King Lear" set on a farm in Iowa.

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(novel), (screenplay)
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Title: A Thousand Acres (1997)

A Thousand Acres (1997) on IMDb 6/10

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Nominated for 1 Golden Globe. Another 1 win. See more awards »
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Cast

Cast overview, first billed only:
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Caroline Cook
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Jess Clark
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Ty Smith
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Peter Lewis
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Harold Clark
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Ken LaSalle
Anne Pitoniak ...
Mary Livingstone
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Charles Carter
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Pammy
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Linda
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Marv Carson
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Doctor
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Storyline

A THOUSAND ACRES is a drama about an American family who meets with tragedy on their land. It is the story of a father, his daughters, and their husbands, and their passion to subdue the history of their land and its stories. Written by Jason Englisbe <zzenglisbej@winthrop.edu>

Plot Summary | Add Synopsis

Taglines:

Best friends. Bitter rivals. Sisters.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some strong sexual language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 September 1997 (USA)  »

Also Known As:

1000 Morgen  »

Filming Locations:

 »

Box Office

Opening Weekend:

DEM 193,823 (Germany) (26 June 1998)

Gross:

DEM 193,823 (Germany) (26 June 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In 2012, while presenting the Academy Award for Best Actress, Colin Firth made reference (though not by title) to this movie while announcing Michelle Williams' nomination. Firth and Williams both had roles in A Thousand Acres; Williams was sixteen years old at the time (in his introduction, Firth misremembered her age as twelve). See more »

Goofs

At the beginning of the movie Larry Cook asks why Ty is cultivating the corn. A good question since the corn is chest high and cultivating it without killing it would be impossible. See more »

Quotes

Ginny: It was Rose who dropped things through the grates. It was Rose who sang.
See more »

Connections

Featured in The 55th Annual Golden Globe Awards (1998) See more »

Soundtracks

Stabroek Woman
(1997)
Written and Performed by William Topley
Courtesy of Mercury Nashville Records
By Arrangement with PolyGram Film and TV Licensing
See more »

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User Reviews

 
It couldn't have worked, but did it have to be this tedious?
12 November 2001 | by (Canberra, Australia) – See all my reviews

The story is derived from "King Lear"; the setting is a farm in Iowa. Here's a test for this kind of thing: if you find yourself asking, "Why did so-and-so do such-and-such," and the answer is, "because that's what happened in 'King Lear'," you know that the film has failed. Well, that IS what happens here. The father figure in this story isn't living his own life, he's mimicking a fictional one. But there's more wrong with the film than this.

Jocelyn Moorhouse is ambitious - far more ambitious than I think she realises. She's trying to take the King Lear story and completely change the setting. This is a task in itself. The likeliest result is that the transplanted story will die, and nobody will quite be able to work out why (although there are enough successful transplants, like "West Side Story", to make it worth trying). But she's ALSO attempting a revisionist retelling. In the version of "King Lear" she wishes to create, Reagan and Goneril command our sympathy, and Cordelia is a villain. This is a task in itself, too.

Succeeding at either task is hard; succeeding at both at once is impossible. In fact, succeeding at one while so much as attempting the other, is impossible. If we are to look on the very same events from a different moral perspective then the events must BE the very same events - which means there can be no tampering with setting. If the story is to be transplanted, alive, into a different setting, its moral heart must keep beating the whole while - which means there can be no tampering with ethical perspective. Moorhouse was bound to fail in not just one but in both of her endeavours. And so she did. ...Naturally, it's possible to attempt both tasks, fail at both tasks, yet by some fluke hit upon a work of art that's good for independent reasons. I mention this because I haven't read Jane Smiley's novel, which, for all I know, IS good for independent reasons. But the film isn't. If there was nothing else wrong with it, there would still be no getting around the fact that it's just so thoroughly, excruciatingly DULL. The very fields of corn are even more boring than they would be in real life - which needn't be the case, since off the top of my head I can think of four films ("The Wizard of Oz", "North by Northwest", "The Straight Story", "Kikujiro") in which the cornfields aren't boring at all.


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