Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by...
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Seymour Polatkin is a successful, gay Native American poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear ... See full summary »
Michelle St. John,
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family (and his tough son Victor), and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains, but only if Thomas will also go with him. Thomas and Victor hit the road. Written by
During the shooting of Lucy and Velma driving backwards, Elaine Miles (Lucy) acquired the skill of driving the car backwards. Hence, no stunt driver was needed. Miles performed the driving herself. See more »
When Victor drops Thomas off at his home, you can see the shadow of the rear-view mirror, cast on the truck seat. In the next scene, when Victor stops at his home, the mirror is gone but the bracket is there. See more »
Good morning, this is Randy Peone on KREZ radio, the voice of the Coeur d'Alene Indian Reservation. And it's time for the morning traffic report on this rainy Bicentennial Fourth of July. Let's go out to Lester Fallsapart in the KREZ traffic van broken down at the crossroads.
Big truck just went by... now it's gone.
Well, there you go folks. Looks like another busy morning.
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Support HONOR/EARTH campaign. Support American Indian College Fund. Contributions from the profits of this film will be made to each of these organizations. See more »
Smoke Signals is a somewhat misunderstood film. The setting on an Indian reservation leads viewers to believe that Smoke Signals is about Indian issues or Indian philosophy. To be sure, the presence of Indian values and culture make this movie decidedly more enjoyable, but the movie is more transcendent, more universal than a purely Indian film. And, while this was heralded as the first movie to be written, directed and co-produced by Native Americans, there is something here for everyone, regardless of ethnicity.
More than anything else, this movie appealed to me as a writer. Taken from Sherman Alexie's brilliant collection "The Lone Ranger and Tonto Fist Fight in Heaven". it is beautifully written and expertly crafted from beginning to end. The first scene, narrated lyrically by Evan Adams as Thomas Builds-the-fire, sets the tone for a story handed down, as with Native American culture, in true oral tradition.
The French title, Le secret des cendres (The secret of the ashes) more accurately describes the book and the movie, both of which must be experienced to fully appreciate Alexie's genius. With multiple allusions to fire and ash, each having different meanings, as well as a well integrated use of Native American lore, Smoke Signals requires more than a little thought for the average American viewer.
The story revolves around two young Coeur d' Alene Indian men dealing with loss and the end of childhood innocence. The two men cope with loss in very different ways; Thomas though mysticism and legend, Victor through stoicism and denial. When Victor Joseph, brilliantly played by Adam Beach, learns that his estranged father has died, he and Thomas embark on a journey to claim the ashes, another allusion of the french title, and on the way get in touch with their identities as adults apart from their parents.
Evan Adams is stupendous as Thomas Builds-the-fire. His storytelling scenes are pure magic. By imbuing simple memories with mystical reverence, he elevates them, and thus both himself and his listeners, to a new spiritual level. His exaltation of the ordinary is the core of this delightful work of genius. It culminates with a reading, slightly modified, of Dick Lourie's poem "Forgiving Our Fathers". Lourie, who is a self-described unreconstructed beatnik poet, brings a fragile and elegant beauty to the film's emotional climax. The final scenes, driven by Adams' narration and haunting Native American chant and music, are nothing short of miraculous.
Adam Beach, strapping and stalwart as Victor Joseph, managed to parlay his appearance in Smoke Signals into a respectable film career. Evan Adams, diminutive and shy as Thomas Builds-the-fire, was not so lucky despite his masterful performance. Perhaps Admas' aspirations ran along different lines, as these days, even after starring in what is basically a sequel (The Business of Fancydancing, also by Alexie) Adams can now be called Dr. Adams, as he has become a respected and accomplished physician in British Columbia.
The supporting cast was equally magnificent, and each lends credibility and energy to the movie. An interesting sidenote is that Irene Bedard, who appears as Suzy Song, was the physical model for Pocahontas in the Disney animated feature.
I have seen this movie many times, and will undoubtedly watch it many more. Each time I am left in silent awe as I reflect on my own life, family, and philosophies.
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