While restoring an old painting showing a woman and two men playing chess, Julia discovers the text "Who killed the knight" underneath the paint. The owner of the painting tells her that ... See full summary »
Journalist Floyd from US, Michael Henderson from UK and their teams meet the beginning of Bosnian war in Sarajevo. During their reports they find an orphanage run by devoted Mrs. Savic near... See full summary »
During the Bosnian War, Danijel, a soldier fighting for the Serbs, re-encounters Ajla, a Bosnian who's now a captive in his camp he oversees. Their once promising connection has become ambiguous as their motives have changed.
When the professor and writer Lola Sánchez is assigned to write a column in the newspaper about the Spanish Civil War, she researches and finds for the first time about the shooting of ... See full summary »
Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco ... See full summary »
Juan Diego Botto,
Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor ... See full summary »
Fernando Fernán Gómez,
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then ... See full summary »
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she ... See full summary »
Agustín Díaz Yanes
`Territorio Comanche' is a documental report rather than a novel: Márquez, the cameraman is waiting to film the blowing up of the bridge at Bijelo Polje in the middle of war-strewn Bosnia-Herzegovina. Arturo Pérez-Reverte writes of the horror of war in general, and of the Bosnia genocide in particular. Many of us can remember his face behind his huge glasses and a microphone reporting in from the battle-ground for the news desk on RTVE. And as a documentary, many of the figures in this book and the film, though several of the names were changed - are real people. The book itself is dedicated to José Luis Márquez, the cameraman.
Later, after the war and back in Spain, RTVE did not like the publication of this book and consequently Pérez-Reverte quit RTVE. All the better for the widely-read Spanish author both in and outside Spain. `La Niña Mimada' of the book is called Laura (Cecilia Dopazo) in the film, but represents the real life Angela Rodicio, one of the best correspondents on RTVE, but this was too much for the bosses at RTVE, and probably for Ms Rodicio herself.
As for the film, it is probably best to go back to the book. The film, at best, is a tasteless forage into a world which Gerardo Herrero and the leading actors Imanol Arias and Carmelo Gómez did not even begin to understand. The book was not written so that all the grizzly bits could be smeared over the screen.
I can remember my journey through the then Yugoslavia, down the Dalmatie and inland to Sarajevo, from Dubrovnik over the mountains to Peç and on to Skolpje, back in 1966. And tears came to my eyes when I saw the holocaust of that filthy war falling on the friendly innocent victims of greed, hatred and lust for power.
Look, the best thing you can do is read the following review by `Marinela'. I thoroughly go along with what she says.
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