Karchy (Brad Renfro) is a boy in school who has moved from Hungary to America in the 1960's. He is struggling in school and trying to adjust to America's culture. He then hears about a ... See full summary »
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin ... See full summary »
Robert Sean Leonard,
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Karchy (Brad Renfro) is a boy in school who has moved from Hungary to America in the 1960's. He is struggling in school and trying to adjust to America's culture. He then hears about a radio DJ Billy Magic (Kevin Bacon) who holds a contest for a Student Hall of Fame every week. When Karchy finally wins after several weeks, he spends more time with Billy Magic...a man with money, girls, and glam. Karchy thinks that by spending time with Magic, he can become "cool". He then starts telling lies, to make himself seem greater than he really is. But when his lies begin hurting the people he cares about, he realizes that it isn't worth telling lies if it affects your friends. Afterwards, he learns to accept himself for the person he is, and gives up lying. And as for Billy Magic, it turns out that he pays his price for all the lies that he has told as well.... Written by
The "Rodney Dangerfield" of "Coming of Age" Movies
Why this little gem didn't get major studio distribution is a real mystery. One terrific performance (Kevin Bacon)four very good ones (Maxmillian Schell, Calista Flockhart, Paul Dooley)and a solid, if not totally convincing one from Brad Renfro (where's the TRACE of an accent?) coupled with a right on script by Joe Eszterhas (rarely has the era been so well captured) makes for a surprisingly entertaining and accessible movie. No where does the movie cop out. The ending is convincing and slightly bittersweet. The dilemmas faced by the underpaid, exploited disc jockeys (in fact, most members of the musical profession) of the era is thoroughly examined. This is a great movie. Can you believe I got it as a bonus with my DVD MPEG Decoder card?
Hey, see it for the CARS if nothing else?
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