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Talk of Angels (1998)

PG-13  |   |  Drama, Romance, War  |  30 October 1998 (USA)
6.1
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Ratings: 6.1/10 from 667 users  
Reviews: 14 user | 8 critic

This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930'... See full summary »

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Cast

Cast overview, first billed only:
...
Mary Lavelle
...
Francisco Areavaga
...
Dr. Vicente Areavaga
...
Conlon
Ruth McCabe ...
O'Toole
...
Doña Consuelo
Francisco Rabal ...
Don Jorge
...
Pilar (as Penelope Cruz)
...
Beatriz
...
Elena (as Rossy De Palma)
Britta Smith ...
Duggan
Anita Reeves ...
Harty
Veronica Duffy ...
Keogh
Leyre Berrocal ...
Milagros (as Leire Berrocal)
Jorge de Juan ...
Jaime
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Storyline

This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland. Written by BOB STEBBINS <stebinsbob@aol.com>

Plot Summary | Add Synopsis

Taglines:

Some passions cross all boundaries.

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG-13 for some politically motivated violence | See all certifications »
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Details

Official Sites:

Country:

Language:

|

Release Date:

30 October 1998 (USA)  »

Also Known As:

Angyalok beszéde  »

Filming Locations:


Box Office

Opening Weekend:

$6,876 (USA) (30 October 1998)

Gross:

$15,546 (USA) (6 November 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

When Conlon is reading the newspaper in the tobacco shop, the Philips ad on the back of the paper has a modern font rather than the stockier block or script type that the company would have used in that era. See more »

Quotes

[first lines]
Mary Lavelle: [disembarking from train] We came through a valley and into this great hubbub of noise. And for a minute I saw it all the very clearly. The family I was about to join. A country in turmoil. And my own life turned upside down. And then I thought, it's why you came. It's what you wanted. And that's how it all began.
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User Reviews

Fascist Passion
10 April 2006 | by (Virginia Beach) – See all my reviews

It may be the oldest storytelling device in the world.

You take external events, usually a war or some political oppression. You draw grand sweeps that show passion and scope and boundless consequence.

And in this opulence of effect you place a love story, folded within if you wish.

After all, there is no emotion in existence that is stronger than romantic love and all its twists and perversions. But these are impossible to display because they are internal. So these internal locomotives are given the external clothes of the other fold.

How many of our great stories are thus framed? How many films?

Well, here's one. I suppose you judge these things on how powerful the emotions are that the love story evokes. This is a sort of "Casablanca" with the genders reversed. The woman needs to stunt her passions and "give" her lover to the higher fold, and live forever with the memory of one encounter.

I admit, this rings solidly for me. I shake when I shape it in my heart.

Back to the judgment: how effectively is this expressed in a way that the film plumbs and guides the waters of the heart it pulls. Does the thing give us tides?

Well, the people are beautiful. But oddly, we know these actors from elsewhere and they have been more beautiful there. In particular we depend on Polly Walker here. She has an extraordinary appeal in other projects. "8 1/2 Women" was a difficult movie to survey, but once it sticks, it is Polly who pulls us through the canals of desire. "Enchanted April" was slight but she was powerful.

She acts with her brow and has one of the most appealing brows in film.

But, alas. Although lots of money was spent. And the sets are effective, we have something like "Head in the Clouds" where we know what we are supposed to get. And we might get it by mere suggestion but the film actually gets in the way.

So the bad guys win this time. No passion.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.


11 of 17 people found this review helpful.  Was this review helpful to you?

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