The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
The whole village knows that Mashti Hassan loves his cow to death. One day he goes to the Tehran. His cow dies. The villagers are afraid of what might happen once Hassan finds out his cow is dead. What will happen when he finds out?
Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure ... See full summary »
When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the ... See full summary »
Middle-aged Mr.Badii is planning to commit suicide and desperately seeks anyone to assist him - he has already dug out the grave in the mountains, but the assistant will have to bury him when he will do the deed. He asks Kurd soldier, Afghan seminarian, but everyone refuses by some reason. Finally he finds an old Turkish taxidermist, who has a sick son and previously attempted suicide himself, and he agrees to assist Badii. Written by
Abbas Kiarostami shot each of his actors separately with him either sitting in the driver's or passenger seat. He would instigate conversations with his non-professional actors and film the responses. See more »
In the opening scene, as Mr. Badhi is driving past laborers looking for work, the same middle-aged white haired man, wearing a checkered sweater vest, is seen twice. See more »
If you look at the four seasons, each season brings fruit. In summer, there's fruit, in autumn, too. Winter brings different fruit and spring, too. No mother can fill her fridge with such a variety of fruit for her children. No mother can do as much for her children as God does for His creatures. You want to refuse all that? You want to give it all up? You want to give up the taste of cherries?
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I was prepared to dislike this film. Instead, I wound up fascinated. The state can't help Mr. Badii, the church can't help him...and even though nature, in the form of Mr. Bagheri, tries, we do not know if it succeeds. Absolutely fascinating. It shows that a director doesn't need $200,000,000 and a raft of special effects and explosions to make a good film.
As for the shot-on-video ending, it's entirely possible that it's there to appease the Iranian censors. "Look! Here's Mr. Badii! Alive and well. It's just a movie!" Another subtle commentary on the state of affairs in Iran today, I'll wager. At least, that's how I chose to see it.
It seems to me that the title reflects Douglas Adams' techniques for flying--fall, and then distract yourself so that you don't hit the ground. It's not that the taste of cherry makes life worth living, per se, it's that simple things can distract you from your cares.
This movie was well-shot, well-directed, well-acted, and well-written. Highly recommended.
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