Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth ... See full summary »
A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket... See full summary »
White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a ... See full summary »
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Middle-aged Mr.Badii is planning to commit suicide and desperately seeks anyone to assist him - he has already dug out the grave in the mountains, but the assistant will have to bury him when he will do the deed. He asks Kurd soldier, Afghan seminarian, but everyone refuses by some reason. Finally he finds an old Turkish taxidermist, who has a sick son and previously attempted suicide himself, and he agrees to assist Badii. Written by
The film's coda was to a certain extent unplanned, according to an interview with Kiarostami. After they had filmed preliminary versions of the final scene, they did the final scene proper, but the lab accidentally destroyed these final reels. Kiarostami then decided that the off-focus and colors of the test reels worked, and used those instead. See more »
In the opening scene, as Mr. Badhi is driving past laborers looking for work, the same middle-aged white haired man, wearing a checkered sweater vest, is seen twice. See more »
If you look at the four seasons, each season brings fruit. In summer, there's fruit, in autumn, too. Winter brings different fruit and spring, too. No mother can fill her fridge with such a variety of fruit for her children. No mother can do as much for her children as God does for His creatures. You want to refuse all that? You want to give it all up? You want to give up the taste of cherries?
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I was prepared to dislike this film. Instead, I wound up fascinated. The state can't help Mr. Badii, the church can't help him...and even though nature, in the form of Mr. Bagheri, tries, we do not know if it succeeds. Absolutely fascinating. It shows that a director doesn't need $200,000,000 and a raft of special effects and explosions to make a good film.
As for the shot-on-video ending, it's entirely possible that it's there to appease the Iranian censors. "Look! Here's Mr. Badii! Alive and well. It's just a movie!" Another subtle commentary on the state of affairs in Iran today, I'll wager. At least, that's how I chose to see it.
It seems to me that the title reflects Douglas Adams' techniques for flying--fall, and then distract yourself so that you don't hit the ground. It's not that the taste of cherry makes life worth living, per se, it's that simple things can distract you from your cares.
This movie was well-shot, well-directed, well-acted, and well-written. Highly recommended.
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