Where are we humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called... See full summary »
A plain, ordinary man tells us about his work as a real-estate broker, his dead father, his ordinary home and so on in a naturalistic voice, lacking any emotions, looking straight into the ... See full summary »
An innocent young man witnesses violence breaks out after an isolated village is inflamed by the arrival of a circus and its peculiar attractions, a giant whale and a mysterious man named "The Prince".
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
Jean, a farm lad, wants to escape his silent father; he runs to Paris to his older brother, Georges, who's away covering the war in Kosovo. Angry, he throws a bag of half-eaten pastry into ... See full summary »
A family on a ski holiday in the French Alps find themselves staring down an avalanche during lunch one day; in the aftermath, their dynamic has been shaken to its core, with a question mark hanging over their patriarch in particular.
Lisa Loven Kongsli,
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation. Written by
Fredrik Klasson <firstname.lastname@example.org>
A magician screws up and saws a volunteer from the audience in half. A man is trying to claim insurance from the shop he burnt down himself, while outside a procession of flagellants whip themselves into a frenzy. The city is plagued by an enormous traffic jam because for some inexplicable reason, everybody seems to be heading in the same direction.
In a series of loosely connected, beautifully shot, meticulously framed and brilliantly designed tableaux vivants, director Roy Anderson gives his unique vision on Western civilization, a vision that is often angry, absurd, dark, surreal and hilariously funny. It is set in a gray, sombre, anonymous city filled with grey sombre anonymous people who are all lonely, frustrated and searching in vain for salvation in a cold and uncaring universe. If there is a better metaphor for Mankind at the end of the twentieth century - or the beginning of the twenty-first - than this movie's final image I have not seen it.
'It's not easy being human' says one of the characters in this movie. No, but it's movies like these that make it worthwhile.
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