The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent ... See full summary »
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
Romantic comedy set during the European football championships in 1996, where football fan Martin finds his life is going from bad to worse after losing his job and splitting up with his ... See full summary »
John Gordon Sinclair
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows. Written by
A song, "To Love and be Loved", written by John Barry and Tim Rice and sung by Corina Brouder, was recorded too late to be included in the film. However, it is on the film's soundtrack album. See more »
A picture for those who care more for sound stories than for special effects
The British have dedicated themselves lately to film their wonderful 19th century novels: Jane Austen, Thomas Hardy, and have come now into the 20th for a Joseph Conrad short story with a strong 19th century flavor. It's their answer to the special effects-oriented Hollywood film. And they are catering to the older audiences, those who care more for story values and literary qualities than for the display of technical advances in films. Any one who cared for Sense and Sensibility, The Return of the Native and Persuasion, will have a real feast in Swept from the Sea. The Conrad story is beautiful, and the adaptation is intelligent. A memorable musical score by John Barry, the breathtaking photography and the magnificent scenery are real assets for those who pursue an esthetic experience in the movies. Old fashioned? Perhaps. But the emotional experience is second only to that of Wuthering Heights, which it resembles in certain secondary aspects. Forget the unfavorable reviews you may have read, practically all of them oriented toward teenagers. Swept from the Sea is a film for mature audiences.
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