Francis, whose daughter was murdered a few years ago, is always watching Christina dance in the night club Exotica. One night he is dared to touch the girl and ends up being thrown out. He then sends in Thomas to try and find explanations.
A lonely middle-aged catering manager spends all of his time studying tapes of an eccentric TV chef. Meanwhile, a young woman is making her way from Ireland to find her boy friend, who ... See full summary »
A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up the their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing. Written by
Matthew Tichenor <firstname.lastname@example.org>
Premiere voted this movie as one of "The 25 Most Dangerous Movies." (In the description for the list, the magazine stated, "These are movies about which you could say, "That's Not Entertainment." They're not "rides" or "diversions." They are galvanizing experiences that place squarely in your face all the stuff Hollywood usually presumes you go to the movies to get away from. Films that rearrange your head, that challenge your bedrock ideas about life and love and the big sleep. Consciousness-expanders, in other words, but rarely in a pleasant way. Thank God for them.") See more »
When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. See more »
"The Sweet Hereafter" was arguably the best film of the 1990s and is one of my twenty favorite movies of all time. Everything comes together perfectly: fine characterization and acting (especially by Ian Holm), beautiful photography, and a hypnotic musical score featuring Armenian folk instruments. The mood is deeply elegiac but never maudlin or weepy. There's not a false note in the movie.
But don't worry; I'm not going to start screaming, "If you don't like this movie, you just don't understand it! Go back to your Hollywood pablum, you cretinous moron!" That's a stupid argument in any case, and especially so here. There are going to be some people -- including a few art-house fans -- who will find this movie slow and tedious. For me and many others, however, the film is a masterpiece.
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