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The Sweet Hereafter (1997)

R | | Drama | 21 November 1997 (USA)
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0:31 | Trailer

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A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems.

Director:

Writers:

(novel), (screenplay)
Nominated for 2 Oscars. Another 33 wins & 52 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Caerthan Banks ...
...
Tom McCamus ...
...
...
Risa
...
Wendell
...
Allison
Kirsten Kieferle ...
Stewardess
...
Wanda
Earl Pastko ...
Hartley
...
Bear
David Hemblen ...
Abbott
...
Sarah Rosen Fruitman ...
Jessica
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Storyline

A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up the their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing. Written by Matthew Tichenor <mticheno@direct.ca>

Plot Summary | Add Synopsis

Plot Keywords:

bus | lawyer | child | anger | school | See All (201) »

Taglines:

There is no such thing as the simple truth. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

21 November 1997 (USA)  »

Also Known As:

El dulce porvenir  »

Box Office

Budget:

CAD 5,000,000 (estimated)

Opening Weekend:

$31,149 (USA) (10 October 1997)

Gross:

$4,306,697 (USA) (3 April 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Caerthan Banks is the daughter of Russell Banks, who wrote the novel (also titled "The Sweet Hereafter") that the film is based on. See more »

Goofs

When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. See more »

Quotes

Dolores: I remember wrenching the steering wheel to the right and slapping my foot against the brake petal. I wasn't the driver anymore. The bus was like this huge wave about to break over us. Bear Otto, the Lambston kids, the Hamiltons, the Prescotts, the teenaged boys and girls from Bartlett Hill Road, Pete, Suzy, Laura, Rick, Sean Walker, Nicole Burnell, Billy Ansel's twins, Jessica and Mason... all the children of my town.
[begins sobbing]
Mitchell Stephens: Then what happened?
See more »

Connections

Spoofed in There's Something About Mary (1998) See more »

Soundtracks

The Sweet Hereafter
Music by Mychael Danna and Sarah Polley
Lyrics by Robert Browning
Performed by The Sam Dent Band
See more »

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User Reviews

 
Tragic and beautiful masterpiece
24 October 2000 | by (Bochum, Germany) – See all my reviews

The Sweet Hereafter is as tragic, sad and matter-of-fact as movies get, but it's still so very beautiful that it becomes a film that's virtually impossible to forget.

The story makes no secret of the fact what terrible tragedy will happen, right from the outset. A lesser filmmaker than Atom Egoyan would've jumped at the chance to shock the audience with the freak accident that robs the town of Sam Dent of nearly all their children, by telling the story in a linear fashion. Not Egoyan. The story is fragmented, thus enhancing the true point: This is not about the overwhelming power of loss, it is about the overwhelming power of survivor's guilt (nicely represented in Browning's poem The Pied Piper Of Hamelin, which is referred to in the movie). It's all about people who grieve not only for the ones they've lost, but also for themselves, how empty their lives have become because of their tragedies. In focussing on that point, the film refrains from manipulative sentiment (which so many others don't), and presents true and unintrusive emotion, that, in the end, despite all the terror, shines a light of hope, for the sweet hereafter is not only the peaceful afterlife, it's also the peaceful future, the continuation of life...

The performances speak for themselves. Ian Holm and Sarah Polley shine in particular, through nicely subdued and subtle acting. Polley also excels as a fantastic singer-songwriter. The songs in the movie were written and performed all by herself.

Egoyan's direction is simply masterful in its beauty, elegance and evocation.

One of the best films of the 1990s.

10 out of 10.


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