The 'Exotica' is a nightclub on the outskirts of Toronto, where Eric, DJ and MC, watches nightly as his ex-girlfriend Christina performs. Watches jealously, especially as far as the extra ... See full summary »
Imagine it is summer and that, for the last several days, Montreal has been swimming in sweltering heat and smog. Then imagine that you are in the city's downtown core and a woman holding a... See full summary »
Frédérick De Grandpré
Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother ... See full summary »
In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this ... See full summary »
A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up the their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing. Written by
Matthew Tichenor <email@example.com>
As indicated on Atom Egoyan's commentary track on the DVD, many people ask about the odd mask worn by the note-taker during the deposition scene. This is a Stenographer's Mask, an item which is used in real-life for the stenographer to record her own voice during the deposition. See more »
When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. See more »
As you see her, two years later, I wonder if you realize something. I wonder if you understand that all of us - Dolores, me, the children who survived, the children who didn't - that we're all citizens of a different town now. A place with its own special rules and its own special laws. A town of people living in the sweet hereafter.
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Atom Egoyan's The Sweet Hereafter is a drama of loss and internal conflict within and among the people of small town which has lost its children to a winter bus crash. The central figure is Mitchell Stephens (Ian Holm), a lawyer who comes to the town in the hope of putting together a lawsuit on behalf of the surviving families.
Egoyan drags bitter and emotional performances out of his excellent cast, and managed to make me fall in love with a group of characters who, on the surface, are less than appealing. Every major character in his adaptation of Russel Banks' novel is morally bifurcated and riven with doubt.
Particularly interesting from a social perspective is the treatment of Stephens' mission. I thought the lawyer's efforts to put together his suit were played even-handedly, somewhere between the greed of an ambulance-chaser cynically exploiting a local tragedy and the difficult but necessary effort to use a flawed legal system to achieve a kind of justice. But the friends who saw it with me saw Stephens strictly as a "slimeball," placed there to test and tempt the struggling townspeople. If that's the impression that most viewers get, then I'm disappointed.
Whatever your perspective on that social question, there's no denying the slow power of this film. It moves with the measured fascination of inevitability, and leaves you with a bitterness you can savor.
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