Francis, whose daughter was murdered a few years ago, is always watching Christina dance in the night club Exotica. One night he is dared to touch the girl and ends up being thrown out. He then sends in Thomas to try and find explanations.
A lonely middle-aged catering manager spends all of his time studying tapes of an eccentric TV chef. Meanwhile, a young woman is making her way from Ireland to find her boyfriend, who moved... See full summary »
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
A struggling actor's job as a hotel custodian is a front for his real job: being rented out as a gigolo by his supervisor. A co-worker is obsessed with him, but he ignores and avoids her. ... See full summary »
Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a... See full summary »
A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up the their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing. Written by
Matthew Tichenor <firstname.lastname@example.org>
Author Russell Banks went on record saying that he thought the film was an improvement over his novel. See more »
When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. See more »
Mitchell Stephens, Esquire. Tell me, would you be likely to sue me if I was to beat you right now? I mean, beat you so bad you piss blood and couldn't walk for a month. Because that's what I'm about to do.
No, Mr. Ansel. I wouldn't sue you.
You leave us alone, Stephens. You leave the people of this town alone.
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"The Sweet Hereafter" was arguably the best film of the 1990s and is one of my twenty favorite movies of all time. Everything comes together perfectly: fine characterization and acting (especially by Ian Holm), beautiful photography, and a hypnotic musical score featuring Armenian folk instruments. The mood is deeply elegiac but never maudlin or weepy. There's not a false note in the movie.
But don't worry; I'm not going to start screaming, "If you don't like this movie, you just don't understand it! Go back to your Hollywood pablum, you cretinous moron!" That's a stupid argument in any case, and especially so here. There are going to be some people -- including a few art-house fans -- who will find this movie slow and tedious. For me and many others, however, the film is a masterpiece.
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