This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful ... See full summary »
Charts the misadventures of expatriates in Rio in their bungled search for both personal pleasures and social justice. Each character reveals a different aspect of the fabled city, from Rio high society to favelas.
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ... See full summary »
Ruby, a young woman, arrives in a Florida resort town during the off season to make a fresh start. She gets work as a sales clerk in a souvineer shop run by Mildred Chambers. She dates, and... See full summary »
William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a ... See full summary »
Wendell B. Harris Jr.
Wendell B. Harris Jr.,
Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of ... See full summary »
This film is based on a true story about a British teenager who allegedly poisoned family, friends, and co-workers. Graham is highly intelligent, but completely amoral. He becomes ... See full summary »
At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Rossiter's camera follows Crisp about the streets of Manhattan, where ... See full summary »
Ten years after the landmark wine documentary Mondovino, filmmaker Jonathan Nossiter returns to the subject, documenting the drastic shifts that have affected the industry in the time since... See full summary »
This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences. Written by
The film's gritty outer-borough images of Queens, familiar to any born and bred New Yorker, got my attention instantly. But it was the film's two principal characters--both middle-aged, both survivors of difficult lives--that sustained it. He, an out-of-work middle management type, is a victim of corporate downsizing now living in a homeless shelter among a multiethnic, multiracial horde of down-and-outers, where he struggles to maintain bare-minimum standards of privacy and personal hygiene--and where remnants of his middle-class life set him apart from his surroundings. She, a faded beauty and still-struggling actress, maintains an oddly genteel life in a rundown two-family house nearby, surrounded by weedy lots and shuttered factories. As they meet and proceed to remove their masks, a kind of love story--brief, impossible, and ultimately doomed, is ignited. This is a beautifully shot and acted film, and a deeply affecting one.
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