Ex-mob boss Christopher Walken is kidnapped by a group of four kids in a haphazard attempt at paying the ransom for another, separate kidnapping. Complexities arise as the group cannot seem to do anything right. Written by
Wells Oliver <email@example.com>
During the director's audio commentary, Peter O'Fallon and Wayne Allan Rice recall the creation of the son for the flashback scene in Max's mustan with Elise, which was "? written for the movie, due to budet constraints". They refer to the band as "? a uy named Frankie Blue, and no you can't buy the record because they decided not to do a record deal". The song is actually "Shattered" by Remy Zero, who have been together for 14 years and have released multiple albums. See more »
When Heckle and Jekyll are making the deal with the mystery person, the big balloon in the background says on it "Mountasia Family Fun Center" which is in Valencia /Santa Clarita California, not New York. See more »
The premise of Suicide Kings - four young and privileged men kidnap a retired mob boss played by Christopher Walken - is appealing. So much so that it makes me wish it made for a better film.
Suicide Kings tries to be a psychological thriller focusing on mental cat-and-mouse games between the mobsters and his kidnappers, and the actors are good enough to pull it off - in fact, they're good enough to make you think that there's any psychological depth to the film, when really there's none. Walken and the talented young cast - Denis Leary, Jay Mohr, Sean Patrick Flanery (The Boondock Saints), Jeremy Sisto (Law & Order), Johnny Galecki (The Big Bang Theory) and Henry Thomas (E.T's Elliot all grown up) - all deliver their lines with so much passion and conviction that you almost don't notice how messy and shallow the script really is.
This fine group of actors - and Walken's wildly charismatic performance most of all, from an actor so powerful he can dominate the film while being tied to a chair for all but a few minutes of it - is more than enough to make the film entertaining, even very enjoyable. The weak script, which deteriorates into cheap twists and conspiracies towards the end - makes it entirely forgettable. A quick comparison to Danny Boyle's Shallow Grave is a testament to how much more comfortable the British are with theatrical minimalism. With a great director and a great script, Suicide Kings could have been something wonderful. As it is, it's good enough for one pleasurable watch, but leaves no mark and no impression.
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