A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
Ex-mob boss Christopher Walken is kidnapped by a group of four kids in a haphazard attempt at paying the ransom for another, separate kidnapping. Complexities arise as the group cannot seem to do anything right. Written by
Wells Oliver <email@example.com>
With the exception of the "Mickey Mantle" speech, Denis Leary improvised all of his dialogue. See more »
After the power goes out the first time the microwave clock is still going. See more »
A number of times, the only thing that kept me out of a satin box was I could size up the other guy maybe half a second quicker than he could me.
What the fuck are you talking about? You're taped to a chair! He saw us coming a mile away at the Plaza! Didn't you?
I admit I'm out of practice.
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The credits run like scratched up film is going through a projector (similar to the beginning of the film). The movie ends/post credits with this scratched film burning up and melting. See more »
"Suicide Kings" is an often enjoyable and compelling film, despite a few plot holes due to some twists at the end that the writers desperately threw in to surprise the audience, but didn't take the time to reflect on whether they made perfect sense or not. Nevertheless, it's a fun ride all the way through. The characters are all interesting, in their own way. People have referred to the Ira character as annoying and obnoxious, but he's also the character I most relate to. You'll never catch me throwing a party in my house when my parents are gone, because I'm incredibly paranoid about people wrecking the place and I can imagine how paranoid I'd be in Ira's situation with his friends keeping a gangster with his finger cut off captive in my parents' living room. The actors all do splendid jobs, and have a natural chemistry. As for Christopher Walken, when does he not please? He's one of the most intense, engaging, brilliant actors of all time and that's that! Once Walken's on screen, the dynamic completely changes for the better, whether it be a movie of this quality or one of the "Prophecy" sequels. Denis Leary is hilarious as Walken's right hand man whose running gag is the fact that he wears boots made from stingrays. People keep referring to them as "fish boots." He plays the same irritable, pugnacious, f-word-spewing character as in 90 percent of his work, but who cares? Some actors are so good at playing one character that they get away with it no matter how many times it's reprised. Leary is one of those actors. His talents mainly lie in stand-up comedy, so his range isn't that broad. But Leary's good at playing Leary, or an extension of himself, and I'd much rather see him in that role than as, say, a sensitive romantic lead. I loved watching him beat the guy up with a toaster and the other one with a golf club. I love to see Leary do stuff like that. Jay Mohr, a fellow stand-up comedian, is also good mainly at playing that particular role and that's what he does in this movie. Not a big stretch for him either, but it's what he's good at. It was also cool to see "Everybody Loves Raymond's" Brad Garrett in a more serious role, and using language he can't use on TV. The whole film is basically filled with 4-letter words, but it fits the testosterone-filled tone, being that the cast is predominantly male. There is as much excitement as there is dark humor. Director Peter O'Fallon balances those elements nicely. And I loved the theme song over the credit sequence. For some reason, it's still pounding in my head.
My score: 7 (out of 10)
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