SubUrbia (1996)

A group of suburbian teenagers try to support each other through the difficult task of becoming adults. Loosely based on the life of Eric the scriptwriter of the film.

Director:

Richard Linklater

Writers:

Eric Bogosian (play), Eric Bogosian (screenplay)

Stars:

Jayce Bartok, Amie Carey, Giovanni Ribisi

1 nomination.

Cast

Cast overview, first billed only:
Jayce Bartok	...	Pony
Amie Carey	...	Sooze
Nicky Katt	...	Tim
Ajay Naidu	...	Nazeer Choudhury
Parker Posey	...	Erica
Giovanni Ribisi	...	Jeff
Samia Shoaib	...	Pakeesa Choudhury
Dina Waters	...	Bee-Bee (as Dina Spybey)
Steve Zahn	...	Buff
Kitt Brophy	...	Sooze's Mom
Jonn Cherico	...	Shopping Channel Host
Keith Preusse	...	Officer Chip
Eric Park	...	Officer Gary
William Martin Hayes	...	Scuff
Bill Wise	...	George the Limo Driver

Storyline

Five young losers spend their days and nights wasting their lives away, hanging out in parking lots and occasionally mentioning that they might want to make something of themselves... someday. On this particular night, they are visited by an old high school friend who has escaped their suburban town to become a pop star.

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Plot Keywords:

friend | parking lot | hanging out | convenience store | rock star | 

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for strong language including sex and drug references, teen drinking and brief nudity

Details

Country:

USA

Language:

English

Release Date:

7 February 1997 (USA)

Also Known As:

subUrbi@

Filming Locations:

Austin, Texas, USA

Box Office

Opening Weekend:

$69,365 (USA) (7 February 1997)

Gross:

$482,665 (USA) (14 March 1997)

Company Credits

Production Co:

Castle Rock Entertainment, Detour Filmproduction

Technical Specs

Runtime:

121 min

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Sonic Youth wrote "Sunday" for this film in 1996. A re-recorded version of this song appears on their 1998 album "A Thousand Leaves."

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Quotes

Tim: Well, dad, she said she wanted to suck my cock.
Pony: Oh. Uh-huh.
Tim: She said you wanted to suck my cock, too.
Pony: I think I gotta go.
Tim: Don't go! You're not gonna suck my cock?

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Crazy Credits

Filmed entirely on location in Burnfield, USA (Burnfield was the fictional city.)

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Connections

Referenced in Waking Life (2001)

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Soundtracks

"Scum"
Written by Curt Kirkwood
Performed by Meat Puppets
Courtesy of London Records by arrangement with PolyGram Film & TV Licensing

User Reviews

Dead-on accurate

Linklater is treading in some of his familiar water ... one night in the night of a group of adolescents dealing with that difficult period at the end of high school, when one stops being what one must be and starts being what one chooses to be.

This film is not "Dazed and Confused", however, except that the two films share a spot-on accurate portrayal of familiar American characters. This movie is darker, preachier, deeper.

This time, instead of the rituals of the last night of high school, the film centers around the return of a former crony who has made it really big as a rock star. He's their friend, and the nicest guy in the world - just a former geek who struck it big and realizes how lucky he is - nobody could hate him.

And yet some do. Some hate him because he is a winner in the roll of the dice, and several of the gang are on their way toward becoming losers, and they know it. Their life consists of hanging around outside a convenience store.

For all its concern with the accuracy of its portrayals, the film has a curiously innocent denouement. The most simple and naive members of the group end up heading off to look for their dreams, and the cynical and jaded can see that their lives will repeat infinitely in their home town. In a sense, the succcess of the gentle stoned guy injects an almost impossible hopefulness in an otherwise despairing ending. As Graham Greene once wrote, baseless optimism is so much more appalling than despair.

Still, that was the choice of the filmmaker, and it wasn't an unfair one. Sometimes things do work out like that in real life, and this movie is all too close to real life. So close it can make you feel uncomfortable when you see yourself reflected in one character or another.

This and "Dazed" establish Linklater as an outstanding filmmaker with an uncanny eye for real situations and characters. One hopes he will soon realize his great potential with something better than The Newton Boys