Stolen Women, Captured Hearts (1997)
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- TV-14
- 1h 27min
- Drama, Romance
- 16 Mar 1997 (USA)
- TV Movie
In 1868 Kansas, a Lakota Sioux warrior stubbornly refuses to free the 2 white women he kidnapped, triggering a war between his tribe and General Custer's rescuing troops.
Director:
Writer:
Photos and Videos
Cast
| Janine Turner | ... |
Anna Brewster-Morgan
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| Jean Louisa Kelly | ... |
Sarah White
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| Patrick Bergin | ... |
Daniel Morgan
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| William Shockley | ... |
General George Armstrong Custer
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| Michael Greyeyes | ... |
Tokalah
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| Rodney A. Grant |
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| Saginaw Grant | ... |
Chief Luta
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William Lightning | ... |
Cetah
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| Dennis Weaver | ... |
Captain Farnsworth
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| Kateri Walker | ... |
Manipi
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Selina Jayne | ... |
Kimimila
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| Apesanahkwat | ... |
Bloody Knife
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Peggy Freisen | ... |
Emma
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Elisabeth Ryall | ... |
Mary
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| Buck Baker | ... |
Dooley
(as Allen Baker)
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Betty Laird | ... |
Gertrude
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Jim Birdsall | ... |
Marshall
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Richard Lundin | ... |
Larraby
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| Paul Meier | ... |
Dr. Cyrus
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David Fritts | ... |
Young Lieutenant
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Nic Greene | ... |
Writer
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James Devney | ... |
Sergant Daggett
(as Jim Devney)
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Kevin Fewell | ... |
Porter
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| Rest of cast listed alphabetically: | |||
| Richard Neil | ... |
James
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| Ted Shackelford | ... |
Reverend Brewster
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| Deborah Daulton-Morton | ... |
Startled Woman (uncredited)
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| David Lee Garver | ... |
Military Musician-Drummer (uncredited)
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| Yvonne Russo | ... |
Peapod (uncredited)
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Directed by
| Jerry London | ||
Written by
| Richard Fielder | ... | (written by) |
Produced by
| Vanessa Greene | ... | producer |
| Leigh Murray | ... | executive producer |
Music by
| Dana Kaproff | ||
Cinematography by
| Frank Prinzi | ... | director of photography |
Editing by
| Bernard Gribble | ||
Editorial Department
| Blane Reese | ... | post-production executive |
Casting By
| Rene Haynes | ||
| Lisa London | ||
Production Design by
| Bryan Ryman | ||
Art Direction by
| William Pomeroy | ... | (as Bill Pomeroy) |
Set Decoration by
| Eric Weiler | ||
Costume Design by
| Richard La Motte | ||
Makeup Department
| Cheryl Eckert | ... | hair stylist |
| Cheryl Ann Nick | ... | makeup department head (as Cheryl Nick) |
| Tena Parker | ... | hair stylist (as Tena Parker-Liddiard) |
Production Management
| Craig Beaudine | ... | unit production manager |
| Robert Gros | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Clifford C. Coleman | ... | first assistant director (as Cliff Coleman) |
| Hope R. Goodwin | ... | second assistant director (as Hope Goodwin) |
| John Moio | ... | second unit director |
Art Department
| Billy W. Ray | ... | property master (as Billy Ray) |
| Linsel Greene | ... | additional props (uncredited) |
Sound Department
| Tim Chilton | ... | foley artist |
| Joe Melody | ... | sound editor (as Joseph A. Melody) |
| Stacy Brownrigg | ... | production sound mixer (uncredited) |
| Bob Costanza | ... | sound effects editor (uncredited) |
Special Effects by
| Mark Henderscheid | ... | special effects coordinator (uncredited) |
Stunts
| Justin Lundin | ... | stunt coordinator |
| Bobbi Jeen Olson | ... | stunt double |
| Rod Rondeaux | ... | stunt double |
| Kerry Wallum | ... | stunts |
| Audra Wise | ... | stunts |
Camera and Electrical Department
| Douglas L. Adam Jr. | ... | assistant camera |
| Gregory Paul Collier | ... | camera operator (as Greg Collier) |
| Tony Poston | ... | key grip |
| Felix Rivera | ... | gaffer |
| Christopher Smitty Smith | ... | grip (as Chris Smith) |
| Alan Wolfe | ... | first assistant camera |
| Erik L. Brown | ... | first assistant camera: second unit (uncredited) |
| Michael K. Bucher | ... | director of photography: second unit (uncredited) |
| Susie Masterson | ... | second assistant camera: second unit (uncredited) |
| Ralph Watson | ... | steadicam operator (uncredited) |
Casting Department
| Heather Laird | ... | casting: Kansas |
| Jack Wright | ... | casting: Kansas |
| Christian Heaton | ... | extras casting assistant (uncredited) |
Music Department
| Benoit Grey | ... | music preparation |
| Nancy Severinsen | ... | music editor |
| Malcolm McNab | ... | musician: trumpet (uncredited) |
Script and Continuity Department
| Pam Fuller | ... | script supervisor |
Transportation Department
| Brian Kay | ... | production van driver |
| Gracie Klein | ... | driver |
| John McLaughlin | ... | transportation local captain |
| Mike Painter | ... | transportation co-captain |
| Brian Steagall | ... | transportation coordinator |
Additional Crew
| Shelley Katz | ... | production assistant |
| Richard Lundin | ... | head wrangler |
| Rita Lundin | ... | wrangler |
| Bobbi Jeen Olson | ... | stand-in/photo double |
| Teresa Seina | ... | production assistant |
| Mark A. Butler | ... | set production assistant (uncredited) |
| Perry Santos | ... | assistant to director (uncredited) |
Production Companies
Distributors
- CBS Broadcast International (1997) (World-wide) (tv)
- CBS (1997) (United States) (tv) (original airing)
- Home Video Hellas (HVH) (1997) (Greece) (VHS)
- Pidax Film (2019) (Germany) (DVD)
Special Effects
Other Companies
- American Humane Association (animal action monitoring)
- CBS (author: purposes of copyright and other laws)
- Lightnin' Production Rentals (transportation equipment)
Storyline
| Plot Summary |
Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with Tokalah and her previous existence as the wife of farmer Daniel Morgan. Written by Robert |
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| Taglines | She was a beautiful woman abducted by a Sioux warrior. Now she must choose between the world she lost and the love she found. See more » |
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| Parents Guide | View content advisory » |
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Did You Know?
| Trivia | Historical records show that Anna Brewster, who was born on December 10th, 1844, married James Morgan in 1868 at the urging of her brother Daniel. One month after that, Sioux Indians raided her farm, wounded her husband and took her captive. On their way back to their village, the Sioux traded Anna to a band of Cheyenne Indians who already owned another captured white woman named Sarah White. Anna Brewster Morgan went to live with the Cheyenne and married one of their Chiefs with whom she became pregnant. Roughly one year after her capture, Anna was found by General George Custer. She was returned to her husband, James Morgan. She gave birth to a half-Indian son, Ira, who fell ill and died at age two. The Morgans had a daughter, Mary and two sons, Claud and Glen. Unhappy in her marriage to James, Anna left him and went to live with her brother, Daniel Brewster. After her divorce from James Morgan, Anna lived under a lifelong stigma because of her past with the Cheyenne. Later in life, she was admitted to a mental hospital where she died in 1902. She was buried next to her son Ira. See more » |
| Goofs | In the scenes where Anna and Sarah first escaped they were riding bareback then there were times you could see saddles on the horses, especially at the river where they're recaptured - you can see them bareback, but when Anna's horse goes down you can see a saddle on her horse. See more » |
| Quotes |
Tokalah:
You are a liar, a thief. Anna Brewster-Morgan: How dare you call me a thief? You are the thief! You stole me from my home! Tokalah: I gave you a better home. Anna Brewster-Morgan: I never asked to be taken from my husband. Tokalah: You did ask. I heard you ask. Anna Brewster-Morgan: You arrogant fool. Tokalah: What did you say? Anna Brewster-Morgan: [slaps at him] I said you thoughtless, arrogant fool! Tokalah: [yanks her head back by her hair] Never speak to me like that again. Anna Brewster-Morgan: I'll never speak to you any other way. [after an intense eye-lock they kiss passionately] Anna Brewster-Morgan: So afraid you wouldn't come after me. See more » |