Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
A hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear. Written by
Jon Reeves <email@example.com>
The movie, set in Vermont, was shot primarily in a seaside town in Massachusetts. See more »
When the PA accidentally erases the mayor's dinner from Tuesday (originally in red pen) on the calendar, she cleanly erases before rewriting it (in green pen). No day is visible whilst she is writing, however later in the scene it is clearly still for Tuesday and not for Wednesday. Later in the film, it appears under Wednesday (in green pen) and Tuesday is blank; later still, we see that both dates have the event written in their respective colors (and in very similar handwriting), with the red writing looking faded, as if only bits of it had been erased. See more »
You have a date, they call, you're doing business nine at o'clock at night.
I wasn't doing business.
Oh, well what were you doing then that was so important that you shouldn't call your fianc...
I... have to tell you that it is all over between us, Doug. I met somebody else, and it's very serious, and it's over.
Wait, so serious you couldn't call me and tell you'd be... what?
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At the very end of the closing credits, immediately following a brief jazzy instrumental, a voice (David Mamet) says, "Once more, and can you try to play the notes this time." See more »
I haven't been thoroughly following David Mamet's career, but just watching this film, "American Buffalo" and "Glengarry Glen Ross" I already get a feel of his unique style of writing. It's very witty, very original and he has certain trademarks, like quick exchanges of dialogue between actors and repeating of the same sentence of dialogue in a group of lines. Well, his uniqueness is quite evident in watching this movie and it works quite well.
First I'll mention the vast array of talented actors. I don't think the casting could've been any better. Character actor William H. Macy is brilliant as the almost unscrupulous director, who will do ANYTHING--and I'm not exaggerating the least bit--to get his picture done. Fellow character actor/fellow PT Anderson regular Philip Seymour-Hoffman turns in another brilliant, yet subtle performance as the shy but appealing and wildly creative screenwriter who is the fuel of this cinematic project. As I said, he's made a significant--and extremely impressive--transition from playing the airhead jerk in "Scent of a Woman" and "Twister" to playing deep character roles like this. He ranks among the top in my list of Best Underrated Actors (along with Macy) and I hope one of these days he'll become a household name. David Peymer, I think, delivers the best performance of his career as the fast-talking, sniveling producer. I've always known he was a good actor, but he truly flaunts his knack for acting and taking risks in this role. It figures that playwright Mamet would assemble a group of fine character actors, instead of simply casting people who "look good on camera." That's one of the advantages of having a playwright as a director.
The script is wildly original and kept me laughing. There are many interesting, memorable quotes. And this is just a fine adult comedy (Thank God!!). With the explosion of teen gross-out comedies, I'm sure audiences will cherish a comedy like this. It works in all aspects. Not only is it well-performed, but it's well-written (lots of comedies only contain one of those factors). And it's all done in good taste. So those of you expecting cheap sex jokes and low-brow gags involving bodily functions--sorry to disappoint you! There are no cliches. This movie is an explosion of Mamet's gift for creativity. Take for example, the relationship between Hoffman and the beautiful Rebecca Pidgeon. They don't have a sex scene. Most of their screen time is spent talking and getting to know each other, sharing their thoughts on writing, researching the town's history, finding out how much they have in common. Do we still see that in the movies? Character development in romance? In the scene where Hoffman is in the hotel room with Sarah Jessica Parker lying on the bed naked, and Pidgeon knocks on his door to greet him with a bouquet of flowers, there's no predictability. You would assume she would take one look at Parker's naked body and punch him in face. I'm not going to give away what happens, but that moment stuck in my mind, because it is the first film I've seen to go a different route with the whole "girlfriend catches you in bed with another girl" premise.
"State and Main" is pleasant, light-hearted, funny, original comedy and it's one I'd definitely recommend. If you want to see great performances and laugh at good, tasteful humor--you can't go wrong!
My score: 7 (out of 10)
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