Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear. Written by
Jon Reeves <email@example.com>
A quote from this film inspired the name of the production company Gift for Fiction entertainment, which produced the films "Less Like Me" and "Smile." See more »
Reflected in car window near end of the picture. See more »
[Marty eats a piece of bread]
Mm, this is good. Have you tried it?
Oh, like I'm really going to eat carbohydrates.
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During the closing credits, after the end of the song, "The Song of the Old Mill," a fictional interviewer speaks to Howie Gold (played by Jonathan Katz) about the song. Gold says the song can no longer be called "The Song of the Old Mill," since the movie's title has been changed from "The Old Mill" to "The Fires of Home." See more »
Rebecca Pidgeon (Mamet's wife) has never been so winsome, nor Philip Seymour Hoffman so innocent. It is light fare, but the dialogue, thanks to Mamet's talent, nonetheless has an edge and intelligence missing from most romantic comedies.
The Hollywood crew, post-Entourage, seems almost dated, though David Paymer does a good job of seeming tough while remaining surprisingly vulnerable. Clark Gregg, on the town side, does an under-appreciated job of playing the jilted fiancé and future corrupt politician.
Contrasting this 10-year-old film with nonsense like (500) Days of Summer, you can see the difference between good light comedy and bad light comedy. Pidgeon and Hoffman at least hint at complexities of character that make their relationship an interesting prospect.
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