Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
A hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear. Written by
Jon Reeves <firstname.lastname@example.org>
In the movie, the fictional internet company that wants to advertise in the movie-within-a-movie is Bazoomer.com. To this day, if you go to www.bazoomer.com, you will see a white page with the phrase "Go You Huskies". This is a reference to a line said by several townspeople throughout the movie. There is also a link you can click on to find out why the 1975 Waterford Huskies didn't win the state championship. See more »
When the writer swears his oath, the clock shows 3:00. In the next shot, the clock shows 2:55. See more »
It's the truth that you should never trust anybody who wears a bow tie. Cravat's supposed to point down to accentuate the genitals. Why'd you wanna trust somebody whose tie points out to accentuate his ears?
See more »
At the very end of the closing credits, immediately following a brief jazzy instrumental, a voice (David Mamet) says, "Once more, and can you try to play the notes this time." See more »
Rebecca Pidgeon (Mamet's wife) has never been so winsome, nor Philip Seymour Hoffman so innocent. It is light fare, but the dialogue, thanks to Mamet's talent, nonetheless has an edge and intelligence missing from most romantic comedies.
The Hollywood crew, post-Entourage, seems almost dated, though David Paymer does a good job of seeming tough while remaining surprisingly vulnerable. Clark Gregg, on the town side, does an under-appreciated job of playing the jilted fiancé and future corrupt politician.
Contrasting this 10-year-old film with nonsense like (500) Days of Summer, you can see the difference between good light comedy and bad light comedy. Pidgeon and Hoffman at least hint at complexities of character that make their relationship an interesting prospect.
6 of 6 people found this review helpful.
Was this review helpful to you?