Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
Gino, an Italian-American shoe-shiner with a remarkable similarity to a certain mafia don, is paid to take the rap for a murder. Jerry, a two-bit gangster on probation, is given a chance ... See full summary »
Claire is a tough gang member that has to find the Boss' mistress, Kitty, who ran away from him. She is accompanied by Boss' trigger-happy son Jimmy. Claire's colleague gangster Nick is ... See full summary »
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young... See full summary »
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear. Written by
Jon Reeves <firstname.lastname@example.org>
A quote from this film inspired the name of the production company Gift for Fiction entertainment, which produced the films "Less Like Me" and "Smile." See more »
When the PA accidentally erases the mayor's dinner from Tuesday (originally in red pen) on the calendar, she cleanly erases before rewriting it (in green pen)). No day is visible whilst she is writing, however later in the scene it is clearly still for Tuesday and not for Wednesday. Later in the film, we see that both dates have the event written in their respective colors (and in very similar handwriting), with the red writing looking faded, as if only bits of it had been erased. See more »
During the closing credits, after the end of the song, "The Song of the Old Mill," a fictional interviewer speaks to Howie Gold (played by Jonathan Katz) about the song. Gold says the song can no longer be called "The Song of the Old Mill," since the movie's title has been changed from "The Old Mill" to "The Fires of Home." See more »
In the pantheon of David Mamet's films, I'd say State and Main ranks somewhere in the middle, but it's a good middle. The rhythm and pace is more like a sitcom than a feature film, sharply edited and light on its feet and with a sort of whitebread jazz motif loitering in the background, but the cast is certainly above average, and Mamet's screenplay is very charming punctuated with some funny sub-plots and a few very good (maybe even great) one-liners.
The story concerns a film production crew, running out of money, who blows into the quaint provincial town of Waterford, Vermont on a location shoot after getting run out of New Hampshire (for reasons that are very hush-hush). The wellspring of much of the humor is in the byplay between the corruptness of the film people and the "purity" of the locals, who turn out to be as rotten as some of the Hollywood crowd. There are also some hilarious insides on the world of show-biz and film-making (i.e. the associate producer's credit, the product placement for a dot.com in a movie set in the 1800's, the cinematographer who can't get the shot he wants, Sarah Jessica Parker's character who finds religion and won't show her breasts in the film - unless the producers pay her an additional 800 grand).
Mamet is not quite in the Woody Allen class of gagwriting, but he proves to be assured and witty without being too self-consciously clever (as he is in "Heist"). Some favorite lines: "I remember my lines. I just don't remember which order they come in."; "You don't like children, do you?" "Never saw the point of 'em."; and, of course "Whatever happened to 1975?"
William H. Macy gives a good funny performance as the wheeler-dealer director (as good as his work in "Fargo" or "The Cooler"), and Philip Seymour Hoffman and Rebecca Pidgeon are wonderful as the would-be lovers. This is a not great, but a good middlebrow satire of different worlds, very pleasant and expertly written, though just not savage enough to be brutally memorable. 3 *** out of 4
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