Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
Gino, an Italian-American shoe-shiner with a remarkable similarity to a certain mafia don, is paid to take the rap for a murder. Jerry, a two-bit gangster on probation, is given a chance ... See full summary »
Claire is a tough gang member that has to find the Boss' mistress, Kitty, who ran away from him. She is accompanied by Boss' trigger-happy son Jimmy. Claire's colleague gangster Nick is ... See full summary »
Joey Breaker is a fast-talking, ambitious, workaholic agent representing actors, screenwriters, and comedians for the New York firm of Morgan Creative. He is callous and intolerant, but ... See full summary »
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young... See full summary »
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear. Written by
Jon Reeves <email@example.com>
The character of the Fake Judge is credited to "Jerry Graff," which is the name of an unseen character in David Mamet's "Glengarry Glen Ross." A credit for Jerry Graff also appears in three other Mamet-directed movies: "The Spanish Prisoner," "Homicide," and "Things Change," which may make him the George Spelvin of Mamet films. See more »
When the PA accidentally erases the mayor's dinner from Tuesday (originally in red pen) on the calendar, she cleanly erases before rewriting it (in green pen)). No day is visible whilst she is writing, however later in the scene it is clearly still for Tuesday and not for Wednesday. Later in the film, we see that both dates have the event written in their respective colors (and in very similar handwriting), with the red writing looking faded, as if only bits of it had been erased. See more »
Rebecca Pidgeon (Mamet's wife) has never been so winsome, nor Philip Seymour Hoffman so innocent. It is light fare, but the dialogue, thanks to Mamet's talent, nonetheless has an edge and intelligence missing from most romantic comedies.
The Hollywood crew, post-Entourage, seems almost dated, though David Paymer does a good job of seeming tough while remaining surprisingly vulnerable. Clark Gregg, on the town side, does an under-appreciated job of playing the jilted fiancé and future corrupt politician.
Contrasting this 10-year-old film with nonsense like (500) Days of Summer, you can see the difference between good light comedy and bad light comedy. Pidgeon and Hoffman at least hint at complexities of character that make their relationship an interesting prospect.
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