5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
In the distant future high school kids are encouraged to become citizens by joining the military. What they don't know is that they'll soon be engaged in a full scale war against a planet of alien insects. The fight is on to ensure the safety of humanity. Written by
Christopher Van Pelt
The fort defense scene contains many references to Zulu (1964): "We're all gonna die!", "Fire at will" and "Fall back into the compound", along with some similar camera angles. See more »
During training when the drill instructor throws the knife at Ace, blood appears on Ace's hand before the knife hits. See more »
Young people from all over the globe are joining up to fight for the future.
I'm doing my part.
I'm doing my part.
I'm doing my part.
Young kid dressed up as a soldier:
I'm doing my part too.
They're doing their part. Are you? Join the Mobile Infantry and save the world. Service guarantees citizenship.
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On one level this is a pure action flick at its best. Amazing effects, mindless violence by the tanker-load and the good-guy gets the girl. Nothing more to say, really.
However, this isn't a pure sci-fi action film; this is military sci-fi in all its fascist glory. Guns, warriors, alien scum and pretty explosions rendered in a disciplined manner. I wouldn't call it tongue-in-cheek, its too hardened for that. I wouldn't call the satire in your face or subtle; its more... subliminal. Sublety by another name perhaps. I don't read so far into films as others do; maybe I'm right for it, maybe I'm not. You just cant get it so wrong. Certainly people spend less time actually reviewing films.
Uncharacterized enemies, a one sided view the situation, rampant jingoism, those are the trademarks of militarism. This film catches them well in a futuristic setting. A little slow to start but still enjoyable, with just the right sense of innocence and its loss, replaced with the hardened edge that invariably lies within success. When the action finally gets going, it really gets going. The effects are stunning for 1996 when they were made, and even 10 years on they'll still be impressive. I thought Casper van Dien was more impressive than the film really shows; certainly the screen test on the DVD seemed to show a greater depth IMO. Denise Richards was a little too wide smile for the film, but Dina Meyer pulled off the 'chick with a gun' more convincingly than any other woman I've seen on film (they always seem uncomfortable with it, but Meyer carried herself naturally). Her character was pretty good too ;-) . Clancy Brown clearly enjoyed himself, hamming up the stereotypical drill-instructor pleasingly, and Michael Ironside was wonderful as the hard-nosed and competent Leiutenant. The cheesiness beloved of action films was there but it never became too cheesy to detract from the work (unlike say 2004's King Arthur). Another thing that takes this to the level of military sci-fi.
Basically, brilliant. As clever as the others here say, depending on the level you watch it, but maybe not subtle in the way some like to think. If you want a working definition of the military sci-fi I've been harping on about, this the one i refer you too. I just wish there were more examples like this.
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