An assassin named Al Simmons is double-crossed and murdered by his evil boss Jason Wynn. Al makes a deal with the devil and returns to earth as Spawn to see his wife. He is ordered by the devil's minion, The Clown, to kill Wynn. Wynn has made a deal with the clown too and is suppose to destroy the world with a deadly virus that will help start Armageddon and allow Hell to attack Heaven. Spawn must choose between Good & Evil. Written by
Keith Haney <firstname.lastname@example.org>
'The film was originally green-lit with a budget of $20 million. The scale of the visual effects led New Line to continually increase the project budget, which grew to $40 million-a third of which was spent on the effects. The shooting schedule was only 63 days. To cut production times by a week, Clint Goldman lent $1 million to engage John Grower's Santa Barbara Studios to develop the digitally produced Hell sequences. The visual effects shot count increased from 77 to over 400, created by 22 companies in the United States, Canada and Japan, requiring 70 people and nearly 11 months to complete. ILM did most of the work, creating 85 shots at a cost of $8.5 million. The most difficult sequences in the film to render included the Violator, Spawn's digital cape, and some of Spawn's transformations. More than half of the final effects shots were delivered two weeks before the film's debut. See more »
When Wynn first meets Clown in his office, there's an American flag in a triangular case on a shelf behind him. The flag's stars are impossibly aligned. See more »
The battle between Heaven and Hell has waged eternal, their armies fueled by souls harvested on Earth. The devil, Malebolgia, has sent a lieutenant to Earth to recruit men who will turn the world into a place of death in exchange for wealth and power, a place that will provide enough souls to complete his army and allow Armageddon to begin. All the Dark Lord needs now is a great soldier, someone who can lead his hordes to the gates of Heaven and burn them down.
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For about 1 frame and blurry in the opening credits, the name Terry Fitzgerald appears. See more »
Just Like the Comic - For the Right and Wrong Reasons.
This film is just like the comic that inspired it: Great visuals (I still really like McFarlane's superhero art style), but much like the majority of "Spawn" stories, it really doesn't go anywhere. The set looks good, the characters look good, the cape looks REALLY good, but the story? Other than telling the origin and the standard "must stop the bad guy" motive, it doesn't do as much as it should. And yes, I know it's a Hell-based movie, but the metal soundtrack just got distracting and annoying, instead of enhancing the story like it should have. John Williams or Danny Elfman it wasn't.
Need to see the film? It's a great visual ride. Just don't expect much more than that. It did make for some cool toys, though.
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