An assassin named Al Simmons is double-crossed and murdered by his evil boss Jason Wynn. Al makes a deal with the devil and returns to earth as Spawn to see his wife. He is ordered by the devil's minion, The Clown, to kill Wynn. Wynn has made a deal with the clown too and is suppose to destroy the world with a deadly virus that will help start Armageddon and allow Hell to attack Heaven. Spawn must choose between Good & Evil. Written by
Keith Haney <firstname.lastname@example.org>
When climbing the building after the reception battle, Spawn's hands change into a suction cup-like hand, in the following scene his hands are back to human-like, and then his hands switch back to the suction cups. See more »
The battle between Heaven and Hell has waged eternal, their armies fueled by souls harvested on Earth. The devil, Malebolgia, has sent a lieutenant to Earth to recruit men who will turn the world into a place of death in exchange for wealth and power, a place that will provide enough souls to complete his army and allow Armageddon to begin. All the Dark Lord needs now is a great soldier, someone who can lead his hordes to the gates of Heaven and burn them down.
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During the credits, at several points, there is a single frame inserted of a blurred, overexposed figure See more »
Written by Daniel Johns and Ben Gillies
Performed by Silverchair and Vitro
Produced by Silverchair and Vitro
Silverchair appears courtesy of Murmur/Epic Records
Vitro appears courtesy of Independiente
by arrangement with Sony Music Entertainment (Australia) Limited See more »
A few good scenes don't save this wreck of a story.
There are moments in Spawn that stand out with exceptional creativity, but what truly stands out about the movie is just how much of a mess it is.
The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.
It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.
Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.
Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.
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