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An elite mercenary is killed, but comes back from Hell as a reluctant soldier of the Devil.



(comic book), (screen story) (as Alan McElroy) | 2 more credits »
1,721 ( 497)
1 win & 5 nominations. See more awards »



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Cast overview, first billed only:
Glen, Zack's Dad
XNN Reporter (as Robia La Morte)
African Liaison (as John Cothran Jr.)
Caroline Gibson ...
News Anchor
Marc Robinson ...
Punk #1


An assassin named Al Simmons is double-crossed and murdered by his evil boss Jason Wynn. Al makes a deal with the devil and returns to earth as Spawn to see his wife. He is ordered by the devil's minion, The Clown, to kill Wynn. Wynn has made a deal with the clown too and is suppose to destroy the world with a deadly virus that will help start Armageddon and allow Hell to attack Heaven. Spawn must choose between Good & Evil. Written by Keith Haney <>

Plot Summary | Plot Synopsis


From flesh to steel. From blood to blade. From Spawn. See more »


Action | Horror

Motion Picture Rating (MPAA)

Rated R for violence and crude humor | See all certifications »

Parents Guide:



Official Sites:



Release Date:

1 August 1997 (USA)  »

Also Known As:

O Justiceiro das Trevas  »

Box Office


$40,000,000 (estimated)

Opening Weekend:

$21,210,131 (USA) (1 August 1997)


$54,967,359 (USA) (28 November 1997)

Company Credits

Show detailed on  »

Technical Specs


| (director's cut)

Sound Mix:

| |


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


John Leguizamo revealed in a interview, one day while he was shooting he had to go to the restroom very badly. However it took almost a hour to get out of the suit he was wearing. Leguizamo wound up reliving himself while in the suit by accident due to it taking so long to get the suit off. See more »


The white border on the 'necro-armor' appears to change in the film. When it first appears, the borders appear to have an extended hook. During the rooftop scene on the cathedral, it appears the hooks have gone, and the angles are merely cornered. See more »


[first lines]
Cogliostro: The battle between Heaven and Hell has waged eternal, their armies fueled by souls harvested on Earth. The devil, Malebolgia, has sent a lieutenant to Earth to recruit men who will turn the world into a place of death in exchange for wealth and power, a place that will provide enough souls to complete his army and allow Armageddon to begin. All the Dark Lord needs now is a great soldier, someone who can lead his hordes to the gates of Heaven and burn them down.
See more »

Crazy Credits

For about 1 frame and blurry in the opening credits, the name Terry Fitzgerald appears. See more »


Referenced in Midnight Screenings: X-Men: First Class (2011) See more »


One Man Army
Written by Liam Howlett (as L. Howlett), Tom Morello (as T. Morello), Maxim Reality (as Maxim)
Performed by The Prodigy (as Prodigy) and Tom Morello
Produced and Mixed by Liam Howlett
Liam Howlett/Prodigy appear courtesy of XL Records
Tom Morello appears courtesy of Epic Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A flawed but enjoyable absurdist horror-comic book film
25 January 2005 | by (New York City) – See all my reviews

Al Simmons (Michael Jai White) is one of the top operatives for Jason Wynn (Martin Sheen), who is the head of an organization called A6. When Simmons becomes aware that A6 might be a little shady, he learns the hard way that he isn't allowed to quit A6. This leads to his transformation into Spawn, a superhero with a background and motivations that are just as morally ambiguous as A6. The film largely concerns Spawn discovering and exploring his new identity, while working to uncover a nefarious plot and attain revenge.

If you read my reviews frequently enough over time, you'll notice that my ratings often change on repeated viewings. My rating for Spawn has definitely gone down since my last viewing, but currently, I'm giving it a generous 8 out of 10. There are a lot of things that are brilliant about the film, at least for viewers with particular, odd tastes similar to mine, but there are also too many unfortunate missteps to allow for a higher score.

Let's look at the missteps first. The main problem with the film is that screenwriter Alan McElroy and writer/director Mark A.Z. Dippe tried to squeeze far too much plot and too many characters into a 90-minute film. In retrospect, it would have been better to make one film covering everything up to Spawn's transformation (or the beginning of the transformation), and then save the other material (which comprises the bulk of the story here) for later films. Maybe Todd McFarlane, who created the comic books upon which this film was based, was worried that he wouldn't receive funding for sequels, so a multi-film plan wasn't attractive. As it is, there have been no live action sequels to date (there have been animated versions of Spawn), but I think there may have been if the first film would have been handled differently.

As the film stands, too much time has to be spent explaining the plot. The A6 plot is complicated enough, but there is a very high-concept idea behind the creation of Spawn that also has to be explained, too. Also, a lot of characters, most critically Cogliostro (Nicol Williamson--one of my favorite character actors), are basically wasted. There just isn't time to get into them.

A further problem is that both Sheen and White use odd affectations in their speech. I suppose it's supposed to be over-the-top in a comic book way, but on this last viewing, at least, it was more distracting to me. Also, a lot of the cgi-heavy effects already look very dated, and there's a weird cheesiness to most of the scenes in Hell. On the other hand, I personally like that kind of weird cheesiness, so I didn't subtract any points for that.

And speaking of weird cheesiness, I'm sure a lot of people hate John Leguizamo's character in the film (Clown/Violator), but I love it. It's exactly the kind of surreal campiness--part horror, part humor--that I cherish. As Mike Mayo has said, he's like (an evil) Krusty the Klown on acid. That works well for me, but if you're not the kind of person who loves films like Killer Klowns from Outer Space (1988), you probably won't like this Killer Klown either.

There is also a great campy quality to the material overall, including some of the dialogue (a scene where a father yells at a son in "Rat City" for spitting out a meal they retrieved from the garbage because it's "wasting good food" is a treasure). Spawn, the comic, is really a bizarre amalgamation of a number of different influences, from horror to twisted fairy tales, and the film is not afraid to indulge in that.

The best part of the film, though, aside from Leguizamo's character, is Spawn as superhero. The costume and devices of the costume are fantastic, the cgi for the costume is excellent (I especially loved the cape), and White (as well as the stunt person(s)) does a great job physically. All of the action sequences involving Spawn were incredible. I wanted to see a lot more of that kind of material. In fact, the visual style of the film overall is admirably creative, all the way down to the opening and ending credits.

In the end, the film teeters between being something that's "so bad, it's good" and being just a good film with some unfortunate flaws, but in either case, it's still very enjoyable to watch. You just need to approach it not expecting a realist dramatic masterpiece, but rather with a love for the absurd.

50 of 85 people found this review helpful.  Was this review helpful to you?

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