| Photos (See all 31 | slideshow) | Videos (see all 2) |
| Gwyneth Paltrow | ... | Helen | |
| John Hannah | ... | James | |
| John Lynch | ... | Gerry | |
| Jeanne Tripplehorn | ... | Lydia | |
| Zara Turner | ... | Anna | |
| Douglas McFerran | ... | Russell | |
| Paul Brightwell | ... | Clive | |
| Nina Young | ... | Claudia | |
| Virginia McKenna | ... | James's Mother | |
| Kevin McNally | ... | Paul | |
| Terry English | ... | Kind Cabbie | |
| Paul Stacey | ... | Man on Tube | |
| Peter Howitt | ... | Cheeky Bloke | |
| Joanna Roth | ... | Suspicious Girl | |
| Neil Stuke | ... | Defensive Bloke | |
| Theresa Kartell | ... | Rachael | |
| Evelyn Duah | ... | Receptionist | |
| Linda Broughton | ... | Theatre Nurse | |
| Charlotte Fryer | ... | Doctor | |
| Pip Miller | ... | Consultant | |
| Christopher Villiers | ... | Steve | |
| Merryn Jones | ... | Mother | |
| Ella Jones | ... | Child | |
| Julie McDowell | ... | Concerned Diner | |
| rest of cast listed alphabetically: | |||
| David Burrows-Sutcliffe | ... | Bob (uncredited) | |
| Carlton Jarvis | ... | Anaesthetist (uncredited) | |
| Barry Lee-Thomas | ... | Local MP (uncredited) | |
| Alex Reid | ... | Waiter (uncredited) | |
| Vivienne Soan | ... | Nurse (uncredited) | |
Directed by | |||
| Peter Howitt | |||
Writing credits(in alphabetical order) | ||
| Peter Howitt | writer | |
Produced by | |||
| Helen Booth | .... | line producer | |
| Philippa Braithwaite | .... | producer | |
| Guy East | .... | executive producer | |
| William Horberg | .... | producer | |
| Sydney Pollack | .... | producer | |
| Sandy Poustie | .... | associate producer | |
| Nigel Sinclair | .... | executive producer | |
| David Wisnievitz | .... | co-producer | |
Original Music by | |||
| David Hirschfelder | |||
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| John Smith | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Martyn John | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Tina Earnshaw | .... | key makeup designer | |
| Rebecca Lafford | .... | makeup artist | |
| Lisa McDevitt | .... | makeup artist | |
| Graham Pownall | .... | hair stylist | |
| Zoe Tahir | .... | hair stylist | |
| Simon Thompson | .... | key hair stylist | |
Production Management | |||
| Stephen Barker | .... | post-production supervisor | |
| Andy Richards | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sara Desmond | .... | second assistant director | |
| Emma Griffiths | .... | third assistant director | |
| Richard Whelan | .... | first assistant director | |
Art Department | |||
| Bruce Bigg | .... | property master | |
| Peter Bigg | .... | dressing props | |
| Mick Boleyn | .... | construction manager (as Michael Boleyn) | |
| Liliana Cifonelli | .... | art department assistant | |
| Alan Clifford | .... | stagehand | |
| Laura Dishington | .... | art department runner | |
| Judy Ducker | .... | property buyer | |
| Jim Dyson | .... | stand-by painter | |
| Lee Hosken | .... | stand-by carpenter (as Lee Hoskens) | |
| Douglas Ingram | .... | storyboard artist | |
| Tatiana Macdonald | .... | stand-by art director (as Tatiana Lund) | |
| Mitch Niclas | .... | stand-by props | |
| Simon Robilliard | .... | stagehand | |
| Ray Rose | .... | props storeman | |
| Ted Stickley | .... | dressing props | |
| Warren Stickley | .... | stand-by props | |
| Kevin Woodhouse | .... | art department trainee (uncredited) | |
Sound Department | |||
| Craig Burns | .... | sound trainee | |
| David B. Cohn | .... | sound editor (as David B. Cohen) | |
| Tammy Fearing | .... | foley editor | |
| Robin Harlan | .... | foley artist | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Laura Lovejoy | .... | adr editor | |
| Laura Lovejoy | .... | dialogue editor | |
| John Midgley | .... | sound mixer | |
| Sarah Monat | .... | foley artist | |
| Robert Morrisey | .... | assistant sound editor | |
| June Prinz | .... | boom operator | |
| Carolyn Sauer | .... | foley recordist | |
| Christian Scallan | .... | sound engineer (as Chris Scallan) | |
| Christian Scallan | .... | sound mixer (as Chris Scallan) | |
| Randy Singer | .... | foley mixer (as Randy K. Singer) | |
| Thomas W. Small | .... | supervising foley editor (as Thomas Small) | |
| Beth Sterner | .... | sound editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Bob Hollow | .... | special effects supervisor | |
Stunts | |||
| Roy Alon | .... | stunts | |
| Helen Caldwell | .... | stunt coordinator | |
| Helen Caldwell | .... | stunts | |
| Adrian O'Neil | .... | stunts | |
| Seon Rogers | .... | stunts | |
Camera and Electrical Department | |||
| John Arnold | .... | key grip | |
| Alex Bailey | .... | still photographer | |
| James Bloom | .... | clapper loader | |
| Julian Bucknall | .... | focus puller | |
| Matthew Dowler | .... | electrician | |
| Ian Franklin | .... | electrician | |
| Jeremy Gee | .... | camera operator | |
| Camille Griffin | .... | second clapper loader | |
| Barrie More | .... | best boy | |
| Jay Jay Odedra | .... | second focus puller | |
| Mark Richards | .... | stand-by rigger | |
| William Richards | .... | stand-by rigger (as Bill Richards) | |
| Mitch Spooner | .... | best boy | |
| Alf Tramontin | .... | Steadicam operator | |
| Jim Wilson | .... | gaffer | |
| Adam Dale | .... | aerial camera operator (uncredited) | |
| Martyn Welland | .... | electrician (uncredited) | |
| Jimmy Wilson | .... | gaffer (uncredited) | |
Casting Department | |||
| Julia Gale | .... | casting assistant | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Green | .... | costume trainee | |
| Jane Hamnett | .... | costume design assistant | |
| Charlotte Sewell | .... | costumer | |
Editorial Department | |||
| Adam Barton | .... | second assistant film editor | |
| Paul Knight | .... | first assistant editor | |
| Joanna Nodwell | .... | first assistant film editor | |
| Vaughn Mullady | .... | negative cutter (uncredited) | |
Music Department | |||
| Anita Camarata | .... | music supervisor | |
| Ricky Edwards | .... | orchestrator | |
| John Finklea | .... | music editor | |
| Sienna Finklea | .... | assistant music editor | |
| Kaylin Frank | .... | music coordinator | |
| David Hirschfelder | .... | orchestrator | |
| Sam Schwartz | .... | music notator | |
| Con Frantzeskos | .... | music administrator (uncredited) | |
| Paul Gillon | .... | music consultant (uncredited) | |
| Tony Lewis | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| David Barry | .... | unit driver | |
| Ray Chambers | .... | driver: minibus | |
| Terry English | .... | unit driver | |
| Gerry Floyd | .... | unit driver | |
| Jim Magill | .... | driver: Ms. Paltrow | |
| Jay Nicol | .... | driver: minibus | |
| Bill Nixon | .... | stand-by transport | |
Other crew | |||
| Jordan Archer | .... | unit nurse | |
| John Beharrell | .... | production accountant | |
| Penelope Beharrell | .... | assistant production accountant | |
| Barbara Berkery | .... | dialogue coach | |
| Stuart Carter Lambert | .... | assistant: Philippa Braithwaite | |
| Stephanie Comer | .... | assistant: William Horberg | |
| Ros Davidson | .... | production coordinator | |
| Paul Davis | .... | Intermedia Films | |
| Tony Denham | .... | security officer | |
| Ceri Evans | .... | script supervisor (as Ceri Evans Cooper) | |
| Laura Evans | .... | assistant production coordinator | |
| Will Evans | .... | representative: Intermedia Films | |
| Max Glickman | .... | production runner | |
| Kathy Goodman | .... | Intermedia Films | |
| Ruth Halliday | .... | legal clearances | |
| Tim Haslam | .... | Intermedia Films | |
| Douglas McFerran | .... | script consultant | |
| Wink Mordaunt | .... | assistant location manager | |
| Chas Newens | .... | river coordinator | |
| Anya Noakes | .... | unit publicist | |
| Alex Oakley | .... | floor runner | |
| Donna Ostroff | .... | assistant: Sydney Pollack | |
| Claire Parish | .... | production secretary | |
| Sophie Shand | .... | assistant: Gwyneth Paltrow (as Sophie Loudoun Shand) | |
| Suzie Shearer | .... | production secretary | |
| Matt Steinmann | .... | location manager | |
| Carlton Jarvis | .... | medical advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
It seems difficult, for me anyway, to imagine Gwyneth Paltrow as anything other than the wife of Coldplay front-man Chris Martin. She seems as famous for giving her children strange names as she is for her acting career, which seems to have stalled in recent years. But go back to 1998 and she seemed to be everywhere, normally playing an English character. This, arguably, is her finest hour as this is a romantic movie with a rare intelligence and a daring approach to telling its story.
Paltrow plays Helen, a twenty-something PR executive living with her writer-boyfriend Gerry (John Lynch) in London. One day, she goes into work to find out that she's been fired. Distressed, she goes to catch a Tube train back home and it's at this point that the film takes an unusual twist. First, we see Helen board the train and then a second Helen misses it. The film then continues telling Helen's story from both angles which run simultaneously, showing how much can change after such a simple difference.
"Sliding Doors" is to be commended for daring to do something different, basically providing two films for the price of one. Unfortunately, neither film is a runaway success. It's only when they intersect and cross each other's paths that you appreciate the film for what it is. Paltrow works hard in the dual lead roles but the only real difference between the two Helens are their haircuts. Keeping pace with both stories at the same time is tricky, at first, but all the more rewarding when you get your head around it. Her co-stars, Lynch and John Hannah, are less impressive. Lynch is suitably slimy as Helen's boyfriend while Hannah comes across exactly like a Scottish Hugh Grant, stammering in all the right places and getting suitably tongue-tied at the right moments. The other problem I have with "Sliding Doors" is that it isn't a side-splitting romantic comedy. It has its moments, though I can't think any at the moment. It's more of a serious study into relationships than a hilarious dual-layered comedy - it's not exactly "There's Something About Mary", still my favourite rom-com.
There aren't many films like "Sliding Doors" out there. Rom-coms aren't known for being intelligent and different but this film deserves attention for trying to break free from the usual conventions. Unfortunately, it's not a great film - it feels far longer than its 100 minute duration and it isn't as entertaining as it should be. I also felt it had a strong anti-men feel to it as the few male characters in the film are either spineless worms, lying cheaters or leering lager louts. Even the bitchy ex (Jeanne Tripplehorn), despite being a thoroughly nasty piece of work, gets a smoother ride than the men. It's definitely a chick-flick (like most of my Better Half's DVD collection) but I would still just about recommend "Sliding Doors", purely because it's a refreshing change from the norm. I just think that it could have been so much better - there is so much potential here, writer/director Peter Howitt doesn't quite know what to do with it. Persevere and maybe watch it twice, in case you don't get it the first time.