Arriving at work one morning, Helen discovers that she had been unjustifiably sacked from her PR job. She is returning home when an amazing thing happens, time reverses itself for a few seconds and a second version of herself is created. In one reality Helen catches the tube train, meets James and arrives home to find her loathsome Lothario lover Gerry cheating on her with his ex-girlfriend Lydia. In the other reality, Helen misses the tube train, gets mugged, goes to hospital and eventually arrives home to find Gerry alone in the shower. The two realities move forward in tandem; in one Helen leaves Gerry and forms a happy, new, loving relationship with James; in the other Helen's live becomes more and more wretched as she takes on two jobs to support her worthless, cheating boyfriend as he supposedly writes his novel but in fact carries on a torrid affair with Lydia. Written by
Mark Smith <email@example.com>
The book Helen spills tea on and reads later is "To Kill A Mockingbird" by Harper Lee. See more »
In the scene where Helen catches Gerry and Lydia having sex she confronts Lydia. A camera is briefly visible in the mirror behind Lydia. See more »
Look, James. Maybe I shouldn't be here. I'm sorry, I'm not being fair. You know, under normal circumstances, etcetera... You're really nice - and funny. My friend Anna thinks you're cute...
Wait. Wait! Your friend Anna thinks I'm cute? Your friend ANNA thinks I'm cute? Shit, I just blew - wait
[looks at menu]
I don't remember reading a thing about this movie when it originally appeared, and that's odd because I enjoy Gwyneth Paltrow's work. I caught up with it on DVD, and I thought it was a superior movie with an extremely interesting premise and splendid performances by Paltrow's co-stars. Without giving too much away, the film deals with two separate scenarios that evolve from Paltow's (a) catching or (b) missing a subway train. The director manages skillfully to lay the two stories down alongside one another without confusing either one. Although the two Paltrows are distinguished by different hair styles, even that isn't really necessary. She (becomes) happy in one story, desperately unhappy in the other. She succeeds (eventually) in one story, fails in the other. She is the same character but entirely different. As she proved in "Shakespeare in Love," this girl can act. There aren't many films where chance causes alternate fates that are followed through to a rather surprising end. Worth seeing for that reason alone. Plus Gwyneth Paltrow, of course.
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