| Manuel Alexandre | ... | Candelario | |
| Carmen Arbex | ... | Melany | |
| Terrylou Arizábal | ... | Filipina | |
| Neus Asensi | ... | Carmela | |
| Javier Belda | ... | Cura | |
| Marta Belenguer | ... | Lola | |
| Jaroslav Bielski | ... | Bergachovic | |
| Raúl Cerro | ... | Borjita | |
| Queta Claver | ... | Titi | |
| Adriana Davidova | ... | Milena | |
| Juan Echanove | ... | Pepe | |
| Juan Luis Galiardo | ... | Juan | |
| Gerardo Giacinti | ... | Héctor | |
| Javier Gurruchaga | ... | Lanzagorta | |
| Mulie Jarju | ... | Baku | |
| Francisco Maestre | ... | Bene | |
| Luis Marín | ... | Perales | |
| Sara Mora | ... | Sonsoles | |
| Bruto Pomeroy | ... | Taxista | |
| Kino Pueyo | ... | Barrendero | |
| Luis Pérezagua | ... | Cliente | |
| Rosa Maria Sardà | ... | Angélica | |
| Carmen Segarra | ... | Mujer asilo | |
| Tina Sáinz | ... | Luchi | |
| Juan Jesús Valverde | ... | Delegado de servicios | |
| Fernando Vivanco | ... | Comisario |
Directed by | |||
| José Luis García Sánchez | |||
Writing credits(in alphabetical order) | ||
| Rafael Azcona | screenplay | |
| Rafael Azcona | story | |
| José Luis García Sánchez | story | |
Produced by | |||
| José María Calleja | .... | executive producer (as José M. Calleja) | |
Original Music by | |||
| Chano Domínguez | |||
Cinematography by | |||
| Hans Burman | |||
Film Editing by | |||
| Pablo González del Amo | |||
Art Direction by | |||
| Miguel Chicharro | |||
Costume Design by | |||
| Ángela Pallín | |||
Makeup Department | |||
| Mara Collazo | .... | hair stylist | |
| Concha Martí | .... | makeup artist | |
Production Management | |||
| Ángel García | .... | unit manager | |
| José Garijo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Susana González | .... | second assistant director | |
| Salvador Pons | .... | assistant director | |
Art Department | |||
| Francisco Escribano | .... | prop man | |
| José Eugeni Marchesi | .... | assistant art director | |
| Ricardo Mengíbar | .... | property master | |
| Tomás Serrano | .... | set constructor | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| Antonio Illán | .... | sound re-recordist (as António Illán Aldea) | |
| Jesús Peña | .... | sound effects | |
| Alfonso Pino | .... | sound mixer | |
| Miguel Ángel Polo | .... | sound | |
| Jaime Puig | .... | stereo sound consultant: Dolby | |
| Óscar Segovia | .... | boom operator | |
Visual Effects by | |||
| Carlos J. Santos | .... | opticals | |
Camera and Electrical Department | |||
| Wolfgang Burmann | .... | camera operator (as Wolfgang Bürmann) | |
| Pablo Bürmann | .... | assistant camera | |
| Mari Carmen Hernández | .... | photographer: making-of (as Mª Carmen Hernández) | |
| Mari Carmen Hernández | .... | still photographer (as Mª Carmen Hernández) | |
| Francisco Medina | .... | gaffer | |
| Carlos Parra | .... | electrician | |
| Miguel Valcárcel | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| David Fraile | .... | wardrobe assistant | |
| Peris | .... | wardrobe | |
Editorial Department | |||
| Pablo G. Plant | .... | assistant editor | |
Music Department | |||
| Alberto Martínez | .... | music recording engineer | |
Other crew | |||
| Víctor García León | .... | script supervisor | |
| Roberto Herraiz | .... | production assistant | |
| Eduardo López | .... | administrator | |
| Aurora Martínez | .... | second production assistant | |
| María Dolores Pascual | .... | production secretary (as Mª Dolores Pascual) | |
| Adán Ruiz | .... | assistant production trainee | |
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| Suspiros de España (y Portugal) | Goodbye from the Heart | The Green March | La mujer de tu vida 2: La mujer cualquiera | Pasodoble |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb Spain section |
I was so surprised when i see it on tv. This movie is the sequel of "Suspiros de España (y Portugal)", another great movie that i recommend also. All the cast were so good, especially Echanove and Rosa María Sardá. Maybe it is difficult to understand for non-spanish public, but i give it a 10/10.