Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant, ...
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Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his village with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things... See full summary »
Epic film about WWII, a sequel to Burnt by the Sun (1994). Evil Stalin is terrorizing people of Russia while the Nazis are advancing. Russian officer Kotov, who miraculously survived the ... See full summary »
Third film based on Boris Akunin's "Priklucheniya Erasta Petrovicha Fandorina" series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but ... See full summary »
The final part of Mikhalkov's trilogy about Divisional Commander Kotov finds him returning home during World War II having been betrayed, narrowly escaped execution for treason and nearly ... See full summary »
Cinematographic adaptation of classical Russian play "Dowry-less" by A. Ostrovsky. Noble but poor widow seeks to arrange marriage for her three daughters. She maintains "open house" or ... See full summary »
The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, ... See full summary »
Only one night with the stranger becomes the real delusion for the main character. This "sunstroke" doesn't release it even in most "damned days" of death of the Russian Empire - According ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or ... See full summary »
The film is based on the second book from the Adventures of Erast Petrovich Fandorin series of novels written by the Russian author Boris Akunin. The film takes place in 1877 during the ... See full summary »
Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant, who falls in love with a young Russian officer, André, and spends the next 10 years perfecting the harvester and pursuing her love, who has been exiled to Siberia. Written by
The title as it is shown in the credits uses old Russian orthography, abandoned after the October Socialist Revolution of 1917. See more »
In scenes that take place in 1885, the cadets are carrying Mosin-Nagant rifles. This rifle did not exist at the time. It was introduced into service in 1891. The standard Russian infantry arm in the 1880's was the Berdan rifle. See more »
This is not Mikhalkov's best film. Yet a Mikhalkov film is one that presents a story with a twinkle in the eye. His films come very near to the black comedy genre. Take his swipe at the average American not understanding Mozart's music--if it is taken literally, it will cloud the Mikhalkov perspective of life through cinema. That perspective is poles apart from the filmmaking of his half brother Andrei Mikhalkov Konchalovsky, who is serious and quite a bit of a perfectionist (he worked with Andrei Tarkovsky on his earlier movies), e.g. "Runaway Train" and "Shy People" made in Hollywood or "Siberiade" made in the former USSR.
Mikhalkov makes serious scenes seem light and a lark: the deportation to Siberia marked with opera singing; the dangerous duel that ends with a hero lying wounded in a Quixotic manner; a very tall Czar Alexander (the director) who puts down his queen with a most 'unroyal' remark. Mikhalkov and his half brother are great visualizers and have good ears for music--which is why the film is a treat to watch--natural splendors of Siberia, recreating a "Dr Zhivago" milieu with more authenticity than Mr Lean (who did a great job considering he could not shoot his film in the USSR).
I am a great admirer of good Russian cinema: especially the works of Tarkovsky, Kozintsev, Eisenstein, Konchalovsky, Talankin in that order. Mikhalkov is not the best but all his films are worth a view. But I have one suggestion--never take his films as what appears for there is a layer underneath the obvious--that needs to be seen tongue in cheek. And unlike Konchalovsky--the quality of direction is never consistent in Mikhalkov's works--it varies from the brilliant to the almost stupid.
But Mr Mikhalkov, what a pathetic waste of Richard Harris' talent to merely advertise his name in the credits for an insignificant role in a long movie...
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