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Paradise Lost (1997) More at IMDbPro »Shitsurakuen (original title)

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2012 | 2011 | 2010

2 items from 2012


Berlin Review: Miguel Gomes' 'Tabu' Delivers a Brilliantly Poetic Look at Colonialism, But What's With the Crocodiles?

15 February 2012 3:13 AM, PST | Indiewire | See recent Indiewire news »

A head-scratchingly lyrical immersion into colonialist metaphor and historical memory, Portuguese director Miguel Gomes' third feature "Tabu" reaches for the dreamlike experiences of Apichatpong Weerasethakul's oeuvre with a bold structure that defies genre specifics. At the same time, for all its confusing and erratic qualities, Gomes ("Our Beloved Month of August") has made a decisively cinematic work, tapping into classic film traditions while subverting them with consistent narrative invention. Not to be confused with the F.W. Murnau movie of the same name, "Tabu" nonetheless borrows the expressionistic style of the earlier film's period, using luxurious black-and-white photography to alternately drain the life out of a boring world and transcend it with the magic realism of the alternate reality that eventually takes over. Gomes breaks his movie into two very different parts: The first, entitled "A Lost Paradise," serves »

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Berlinale 2012 Diary: Day #1

10 February 2012 11:28 PM, PST | SoundOnSight | See recent SoundOnSight news »

Opening with a bit of a historic snooze fest yet also offering greatness… While costumes and pictures of opening film Les Adieux à la Reine (Farewell My Queen) by Benoït Jacquot were absolutely stunning the story itself was more on the boring side. The film focuses on Léa Seydoux as Sidonie Laborde, Queen Marie Antoinette’s (Diane Krüger) reader, during the days of the French Revolution. The director however is clearly more interested in his female protagonists’ shapes and an overall composed aesthetic than in actually constructing an engaging story; when the camera isn’t busy resting on mademoiselle Sydoux well-shaped breasts there is a lot of slow rushing through Versailles and very little story development going on. In a way it feels like everyone’s hurrying to get off the Titanic, except Versaille is a much more impressive set.

Frédéric Videau’s A Moi Seule (Coming Home) – also in »

- Merle Fischer

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2012 | 2011 | 2010

2 items from 2012


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