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Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits(WGA) | ||
| Heinrich Harrer | (book) | |
| Becky Johnston | (screenplay) | |
Produced by | |||
| Jean-Jacques Annaud | .... | producer | |
| Michael Besman | .... | executive producer | |
| Richard B. Goodwin | .... | executive producer (as Richard Goodwin) | |
| Catherine Moulin | .... | producer: Himalaya | |
| David Nichols | .... | executive producer | |
| Iain Smith | .... | producer | |
| Diane Summers | .... | executive producer: Himalaya | |
| Alisa Tager | .... | associate producer | |
| John H. Williams | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Robert Fraisse | (director of photography) | ||
Film Editing by | |||
| Noëlle Boisson | |||
Casting by | |||
| Priscilla John | |||
| Francine Maisler | |||
Production Design by | |||
| Hoang Thanh At | (as At Hoang) | ||
Art Direction by | |||
| Claude Paré | (supervising art director) | ||
Set Decoration by | |||
| Jim Erickson | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist: Mr. Pitt, Argentina (as Jean Black) | |
| Christine Blundell | .... | makeup artist: Mr. Thewlis, Argentina | |
| Desideria Corridoni | .... | hair stylist: Argentina | |
| Maria Teresa Corridoni | .... | key hair stylist: Argentina | |
| Paul Engelen | .... | key makeup artist: Argentina | |
| Thom MacIntyre | .... | hair stylist: Canada (as Tom McIntyre) | |
| Stefano Nigro | .... | hair stylist: Argentina | |
| Barry Richardson | .... | hair stylist: Argentina | |
| Meg Speirs | .... | makeup artist: Argentina | |
| Alberto Moccia | .... | hair stylist (uncredited) | |
Production Management | |||
| Eleanor Chaudhuri | .... | production manager: Argentina | |
| Doro Geyer | .... | production manager: Austria | |
| Trevor Ingman | .... | unit manager: Argentina | |
| Philip Kohler | .... | production manager: Argentina | |
| Brent O'Connor | .... | production manager | |
| Edmon Roch | .... | production manager | |
| Michael Saxton | .... | post-production supervisor | |
| Araceli Segarra | .... | production manager: High Himalayas, Himalaya | |
| Barbara Factorovich | .... | assistant unit production manager (uncredited) | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
| Juan Pablo Laplace | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jim Brebner | .... | first assistant director: Canada | |
| Olivier Brejoux | .... | first assistant director: Himalaya | |
| Mark Egerton | .... | first assistant director | |
| Mark Egerton | .... | second unit director | |
| Javier Garrido | .... | second assistant director: Argentina | |
| Tenzin Chodak Gyalpo | .... | tibetan assistant director: Argentina | |
| Peter Heslop | .... | second assistant director: Argentina | |
| Nawang Khechog | .... | tibetan assistant director: Argentina | |
| Justin Muller | .... | first assistant director: second unit | |
| Allen Smith | .... | second unit director: Argentina and Canada | |
| Martin Sosa | .... | first assistant director: Argentina | |
| Sonam Tashi | .... | assistant director: Argentina | |
| Hernan Zayas | .... | second assistant director: second unit | |
| Martin Hodara | .... | third assistant director (uncredited) | |
Art Department | |||
| Gordon Brunner | .... | property assistant: Argentina | |
| James H. Chow | .... | property master (as Jim Chow) | |
| Francois-Pierre Deberre | .... | scenic painter supervisor: Argentina (as Francois Pierre Deberre) | |
| Gordon Izod | .... | supervising plasterer: Argentina | |
| Reginald Keywood | .... | assistant construction coordinator: Argentina (as Reg Keywood) | |
| Ignacio McBurney | .... | property assistant: Argentina | |
| Graciela Oderigo | .... | assistant art director: Argentina (as Graciela 'Coca' Oderigo) | |
| John Park | .... | supervising carpenter: Argentina | |
| John Paterson | .... | construction coordinator: Argentina | |
| Dave Philpott | .... | supervising carpenter: Argentina (as David Philpott) | |
| Pierre Queffelean | .... | supervising art director: Argentina | |
| Pippa Rawlinson | .... | draughtsman | |
| Maxime Rebière | .... | storyboard artist | |
| George Richardson | .... | supervising art director: Argentina | |
| Wayne Shepherd | .... | lead man | |
| Clementine Terramorsi | .... | art department researcher: Argentina | |
| Paul Wescott | .... | supervising painter: Argentina | |
| Victor J. Zolfo | .... | assistant set decorator: Argentina (as Victor Zolfo) | |
| Scott Calderwood | .... | leadman (uncredited) | |
| Anthony Caron-Delion | .... | set designer (uncredited) | |
| Patricio M. Farrell | .... | props buyer (uncredited) | |
| Gavin Gordon | .... | supervising carpenter: Argentina (uncredited) | |
| Catherine Leighton | .... | assistant property master (uncredited) | |
| Frank Matthews | .... | supervising plasterer (uncredited) | |
| Chris Sneddon | .... | construction foreman (uncredited) | |
| Mario Tomas-Niedworok | .... | scenic artist (uncredited) | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Colin Codner | .... | boom operator: Argentina | |
| Tim Hands | .... | additional sound editor | |
| Peter Holt | .... | foley editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| James Kusan | .... | boom operator: Canada | |
| Mark Lafbery | .... | sound re-recording mixer | |
| Andrés Mayo | .... | boom operator: second unit | |
| Christine Newall | .... | assistant foley editor | |
| Richard Patton | .... | sound mixer: Canada (as Rick Patton) | |
| Peter Pennell | .... | supervising sound editor | |
| Grahame Peters | .... | additional sound editor | |
| Julian Rodd | .... | additional sound editor | |
| Victoria Stevens | .... | assistant dialogue editor | |
| Ken Weston | .... | sound mixer: Argentina | |
| Tim Worth | .... | sound mixer: second unit | |
| Darren Brisker | .... | sound mixer: Canada (uncredited) | |
| Alan Snelling | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Dan Cervin | .... | special effects technician: Argentina | |
| André Dominguez | .... | special effects technician: Argentina | |
| Corbin Fox | .... | special effects technician: Argentina | |
| Dean Lockwood | .... | special effects | |
| Reg Milne | .... | special effects technician: Argentina (as Reginald Milne) | |
| Chris Clarke | .... | model maker (uncredited) | |
| Dave Dunaway | .... | effects rigger (uncredited) | |
Visual Effects by | |||
| Laurent Ben-Mimoun | .... | digital matte painter | |
| Dimitri Delacovias | .... | digital matte painter | |
| Antony Hunt | .... | visual effects producer | |
| Andrew Jeffery | .... | digital film controller | |
| Roger Lofting | .... | visual effects producer | |
| Phillippe Montagny | .... | digital effects supervisor | |
| Trevor Young | .... | film recording | |
| Simon Carr | .... | digital effects artist: Magic Camera (uncredited) | |
| Alan Church | .... | digital effects supervisor: Film Factory (uncredited) | |
| Max Dennison | .... | digital matte artist (uncredited) | |
| Andy Fowler | .... | visual effects producer (uncredited) | |
| José Granell | .... | director of miniature effects (uncredited) | |
| Sarah Marchant | .... | Inferno compositing artist (uncredited) | |
| Daniel Pettipher | .... | digital artist: The Magic Camera Company (uncredited) | |
| Sandra Roach | .... | digital effects artist (uncredited) | |
| Angie Wills | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Marc Cass | .... | stunts | |
| Ray De-Haan | .... | stunts (as Ray de Haan) | |
| David Forman | .... | stunts | |
| Nick Gillard | .... | stunt coordinator | |
| Vincent Keane | .... | stunts | |
| Jamie Payton | .... | stunts | |
| Andreas Petrides | .... | stunts | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Kathy Driscoll | .... | casting associate: Argentina (as Kathy Driscoll-Mohler) | |
| Roy Easdale | .... | extras casting: Argentina | |
| Lucky Englander | .... | casting: Austria | |
| Fritz Fleischhacker | .... | casting: Austria | |
| Liz Legum | .... | extras casting coordinator: Argentina | |
| Patricia Pao | .... | casting: Hong Kong (as Pat Pao) | |
| Lucinda Syson | .... | casting associate: Argentina | |
| Orla Maxwell | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gastone Grassi | .... | costume cutter: Argentina | |
| Kate Healey | .... | costumer: Canada | |
| Carla Hetland | .... | wardrobe manager: Argentina | |
| Paolo Scalabrino | .... | costume supervisor: Argentina | |
| Claudio Manzi | .... | assistant costume designer (uncredited) | |
| Maurizio Torti | .... | costume assistant (uncredited) | |
| Marisa Urruti | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Giles Gardner | .... | second assistant editor | |
| Christine Marier | .... | first assistant editor | |
| Giulia Maura | .... | post-production coordinator | |
| Tasha Pym | .... | second assistant editor | |
| Fabrice Rouaud | .... | assistant editor: avid | |
| Jeanne Valentine Viannay | .... | post-production secretary | |
| Steve Farman | .... | negative cutter (uncredited) | |
Music Department | |||
| Sally Boldt | .... | music editor | |
| Budd Carr | .... | executive in charge of music | |
| Jeff Charbonneau | .... | music editor | |
| Robin Clarke | .... | source music editor | |
| Sandy DeCrescent | .... | music contractor | |
| Phuntsok Namgyal Dhumkhang | .... | advisor: Tibetan music/art, Argentina | |
| Jonathan Enraght-Moony | .... | assistant music editor | |
| Yo-Yo Ma | .... | musician: cello solos | |
| Jill Meyers | .... | music clearances | |
| Shawn Murphy | .... | score mixer | |
| John Neufeld | .... | orchestrator | |
| Kenneth Wannberg | .... | supervising music editor (as Ken Wannberg) | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Shawn Murphy | .... | music recordist (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
| John Williams | .... | music producer (uncredited) | |
Transportation Department | |||
| Ricardo Avelluto | .... | picture car coordinator: Argentina | |
| Diego Conejero | .... | transportation coordinator: Argentina | |
| Arthur Dunne | .... | transportation manager: Argentina | |
| John Kavanagh | .... | transportation captain: Argentina | |
| Blue Angus | .... | transportation coordinator (uncredited) | |
| Victor A. Haddox | .... | production driver (uncredited) | |
| Paul Irvine | .... | transportation co-captain (uncredited) | |
Other crew | |||
| Ana Aizenberg | .... | production associate: Argentina | |
| Mercedes Alfonsín | .... | buyer: Argentina | |
| Laurence Duval Annaud | .... | advisor | |
| Laurence Duval Annaud | .... | script supervisor | |
| Stacy Arnold | .... | office assistant: Los Angeles and Argentina | |
| Pete Athans | .... | production assistant: High Himalayas, Himalaya | |
| G.D. Bakshi | .... | catering supervisor: Argentina | |
| Celia Bannerman | .... | acting coach | |
| Jasmine Barry | .... | production office coordinator: Canada | |
| Veronique Bataille | .... | assistant: Mr. Annaud, Paris/Argentina | |
| Leo Baumgartner | .... | location manager: Austria | |
| Steve Beeson | .... | production accountant: Argentina | |
| Bi Benton | .... | production office coordinator: Argentina | |
| Barbara Berkery | .... | dialogue coach: Argentina | |
| Charles Bodycomb | .... | armorer: Argentina | |
| Philippe Boutillier | .... | sculpture supervisor: Argentina | |
| David Breashears | .... | unit director: High Himalayan | |
| Brigitte Cardinal | .... | sculptor: Argentina | |
| Elias Eljiadue Castilla | .... | robes dyer: Argentina | |
| Tenzin Chogyal | .... | advisor: Tibetan religion, Argentina (as Ven. Tenzin Chogyal) | |
| Dale Clarke | .... | armorer: Argentina | |
| Geneviève Thomas Colvin | .... | assistant: Mr. Carr | |
| Horacio Cuervo | .... | unit doctor: Argentina (as Dr. Horacio Cuervo) | |
| Susan d'Arcy | .... | unit publicist: Argentina | |
| Paul Dallanegra | .... | security consultant: Argentina | |
| Jack W. Haddox | .... | production auditor (as Jack Haddox) | |
| Tarn Harper | .... | post-production accountant | |
| Ngawang Jimpa | .... | advisor: Tibetan history, Argentina (as Professor Ngawang Jimpa) | |
| David Lindsey | .... | security consultant: Argentina | |
| Iain Lowe | .... | supervising rigger: Argentina | |
| Domenico Mancino | .... | accessories specialist: Argentina | |
| Caito Martins | .... | location manager: Argentina | |
| Rakesh Mehra | .... | assistant location manager: Argentina | |
| Catherine Moulin | .... | producer: Himalaya | |
| Robin Mounsey | .... | location manager | |
| Robin Mounsey | .... | security officer | |
| G.D. Murthi | .... | production accountant: Argentina | |
| Anne Nevin | .... | production office coordinator: Argentina | |
| Frédéric North | .... | helicopter pilot: Austria (as Fred North) | |
| Mike O'Farrell | .... | catering coordinator: Argentina | |
| Linda Pearce | .... | assistant production office coordinator: Canada | |
| Marina Peralta Ramos | .... | production office coordinator: Argentina | |
| Rakra Tethong Rinpoche | .... | advisor: Tibetan tradition, Argentina | |
| John Robertson | .... | supervising rigger: Argentina | |
| Brigitte Schmouker | .... | script supervisor: second unit | |
| Tenzin Tethong | .... | advisor: Tibet | |
| Eric Valli | .... | unit director: Himalayan | |
| Chris Vickery | .... | unit nurse: Himalaya | |
| Juan Aguirre | .... | assistant accountant (uncredited) | |
| Patricia Aguirre | .... | assistant accountant (uncredited) | |
| Dama Claire | .... | production consultant (uncredited) | |
| Carolina Cortes | .... | production assistant (uncredited) | |
| Bennett Fidlow | .... | additional legal services (uncredited) | |
| Augusto Grassi | .... | jeweler (uncredited) | |
| Augusto Grassi | .... | leather work master (uncredited) | |
| Lejla Hadzimuratovic | .... | assistant to associate producer (uncredited) | |
| Ryan R. Johnson | .... | assistant to head of production (uncredited) | |
| Ajai Kapur | .... | production coordinator (uncredited) | |
| Alejandro Levi | .... | celebrity personal assistant (uncredited) | |
| Maeve Mannion | .... | assistant production accountant (uncredited) | |
| Sandra Matossi | .... | production accountant: Canada (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kim Smith | .... | assistant production accountant (uncredited) | |
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| Kundun | Seven Years in Tibet | Downfall | Amen. | Enemy at the Gates |
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First of all, Seven Years In Tibet is a very aesthetically pleasing film. The snowy Himalayas, the Tibetan villages, and the amazing costumes and religious ceremonies are all filmed beautifully, with rich colours and lighting. The music by John Williams is also excellent, and it's fascinating to hear how it blends with the unusual Tibetan music.
It's not all surface though, there's depth here too. Don't believe the negative comments about Brad Pitt's acting. Admittedly his accent slips a bit in places, but he does a great job as Heinrich, both the unpleasant, arrogant character at the beginning, and the more gentle and wise man that he becomes as the film progresses. His relationship with the young Dalai Lama (a very impressive actor) is an unusual one and refreshingly unsentimental. The film is well edited; scenes are not drawn out any longer than they need to be. As a whole, it is fast paced but also peaceful, tender and moving. You don't get bored but you're not bombarded with pointless action scenes either.
It's a pleasant surprise to see a Hollywood film where women and other cultures aren't treated as objects, and are allowed to be full, complex characters. It could be argued that this film has a Western perspective, but after all, it is adapted from a book written by a European living in Tibet, and intended for Western audiences. It treats the Tibetan culture with a great deal of respect, so I don't really see a problem with that. Similarly, those who have complained that it doesn't tell you enough about the Dalai Lama and too much about Heinrich, ultimately it is Heinrich's story, and that is its strength: that it is one man's tale, and not a political polemic. It gives you a great sense of how people's stories intersect and how the whole world is connected.
Overall, an unusual film, very involving and emotional without sentimentality, with wonderful music and outstanding cinematography. Highly recommended.