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Two down-and-out Hollywood screenwriters living together in a self-storage facility suspect that the man who rents space next to them is the infamous Costume Killer--a serial murderer who stalks the streets of Los Angeles decked out in ridiculous rented outfits. Using their neighbor's misdeeds for inspiration, the two friends desperately try to write a hit screenplay... at any cost. Written by
Based on the stage play "Self Storage", directed by Dan Lauria, which played at The Odyssey Theatre, Los Angeles, California (May 1990). See more »
[in phone booth]
Ted! Are you home? Ted! Are you there Ted? It's Max and Tiger on the prowl. Ya home? You out drinking, you waste product? What, are you screening your calls? Ted. Ted. Ted!
No wait, hold it! Hold it! Hold it! One more. Just. Just. Just stay.
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A broke would be screenwriter and his would be agent (Tom Wood and Arye Gross) are forced to live in a self storage facility run by an eccentric and intimidating manager (Ron Perlman) whom they come to believe is the serial murderer that is terrorizing the city, the "Costume Killer" (so named because, after injecting his victims with Windex, he dresses them in silly costumes). They convince him his life story would make a great film and gather together a group of misfit wannabe film makers (John Considine, Joe Pantoliano, Kristy Swanson) and discover that the art of movie making can be murder.
There is more to this movie but it was unfortunately left on the editing room floor and it shows (rumor is the studio wanted a "lighter" dark comedy). Our loss (and the actors, who all do fine jobs and deserve better) as this has the makings of an exceptional black comedy but only rises to mediocre cute.
If you're a Ron Perlman fan this is absolutely worth getting just for his performance. His comedic timing is excellent and he has the chance to do some really great impressions (he wasn't kidding when he said on the Hellboy movie commentary that he needed an intervention when he gets into Jerry Lewis mode). He's just simply fun to watch in this one.
David Dukes also shines in a two-scener (but pivotal) role.
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