This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.
James Earl Jones,
Mary Stuart Masterson
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
El Chico del Apartamento 512
(Onscreen as "El Chico del Apartmento 512")
Written by A.B. Quintanilla (as A.B. Quintanilla III) and Ricky Vela
Produced by A.B. Quintanilla (as A.B. Quintanilla III)
Used by permission of EMI Blackwood Music Inc. (BMI) and Lone Iguana Music (BMI)
Courtesy of EMI Latin
Performed by Selena See more »
What a lovely biopic. I had barely heard of Selena when she was killed, and I'm no fan of Tejano music. But this picture was a wonderful tribute to the young talent. The movie is a celebration of her life, rather than fixating on her death, as one would expect with her family so involved (controlling) with the film. This approach also just felt right. I'm sure that Hollywood, if it had had its way, would have sensationalized this aspect to the max. I don't know how much of the film is factual, and how much is apocryphal. A local reviewer wrote that a true biography of Selena would have to wait a few years, and be done without a Quintanilla looking over both shoulders.
All I can do is rave about Jennifer Lopez. Her beauty, her talent, her sheer magnetism flows right out of the screen. She was amazing. Since her biography subject died so young, she was able to avoid the problems, inherent in the genre, of trying to age the actress to match the aging of the subject. Constance Marie, who I'm not familiar with, was quite good as Selena's mother, although she did have to deal with the question of appearing to age 15 years. Every cast member seemed right for their part, and everyone did very well. The film seemed well-directed, in that I never thought about the director at any time during the film.
Overall, the movie was very sweet, with obvious tragic overtones. Highly recommended.
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