| Photos (See all 14 | slideshow) | Videos |
| Julia Stiles | ... | Ellie Christianson | |
| Louise Myrback | ... | Lena Anderson | |
| William R. Moses | ... | Ben Christianson | |
| Chelsea Field | ... | Karen Christianson | |
| Vanessa Zima | ... | Inger Christianson | |
| Patrick Muldoon | ... | Lawson Smith | |
| Linda Hart | ... | Mrs. Potter | |
| Casey Rion | ... | Leon | |
| Michael Parks | ... | Detective Boland | |
| Patrick McTavish | ... | Bobby Smith | |
| Connie Blankenship | ... | Mrs. Smith | |
| Venessa Verdugo | ... | Police Woman | |
| Kyle Sabihy | ... | Snuffy Holmes | |
| Sterling Macer Jr. | ... | Detective Ritchie (as Sterling Macer) | |
| Beano | ... | Forensic Cop | |
| Timothy McNeil | ... | Polygraph Monitor | |
| Sandra Kinder | ... | Assistant Principal | |
| Candace Hilligoss | ... | Horror Movie Actress (archive footage) | |
| Tom Morris | ... | Priest | |
| Mark Fontana | ... | Wedding Band | |
| Mark C. Sproull | ... | Wedding Band (as Mark Sproull) | |
| Tom Charles Maxwell | ... | Wedding Band (as Tom Maxwell) | |
| Bron Tieman | ... | Wedding Band | |
| rest of cast listed alphabetically: | |||
| Amaryllis Borrego | ... | Radio Dispatcher (voice) (uncredited) | |
| Matthew Hurley | ... | Bridal Party (uncredited) | |
Directed by | |||
| Michael Steinberg | |||
Writing credits(in alphabetical order) | ||
| Eric Weiss | writer | |
Produced by | |||
| Jamie Beardsley | .... | line producer | |
| Frank Beddor | .... | producer | |
| Greg Steinberg | .... | associate producer | |
Original Music by | |||
| Cliff Martinez | |||
Cinematography by | |||
| Bernd Heinl | |||
Film Editing by | |||
| Daniel Gross | |||
Casting by | |||
| Elaine J. Huzzar | |||
| Johanna Ray | |||
Production Design by | |||
| Dominic Watkins | |||
Art Direction by | |||
| Alan Petherick | |||
Set Decoration by | |||
| Cynthia Anne Slagter | (as Cindy Slagter) | ||
Costume Design by | |||
| Sara Jane Slotnick | (as Sarah Jane Slotnick) | ||
Makeup Department | |||
| Richard Rodier | .... | hair stylist: second unit | |
| Richard Rodier | .... | makeup artist: second unit | |
| Suzanne Rodier | .... | key hair stylist | |
| Suzanne Rodier | .... | makeup department head | |
| Karen Scherer | .... | hair stylist: second unit | |
| Karen Scherer | .... | makeup artist: second unit | |
Production Management | |||
| Jamie Beardsley | .... | unit production manager | |
| Margo Romero | .... | second unit manager | |
| Brian J. Smith | .... | production manager: second unit | |
| Greg Steinberg | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Michael A. Allowitz | .... | first assistant director (as Michael Allowitz) | |
| Susie Balaban | .... | second second assistant director | |
| Steven Buhai | .... | first assistant director | |
| Andrew Flaherty | .... | second second assistant director | |
| Gretchen D. Kinder | .... | second assistant director (as Gretchen Kinder) | |
| Dawn Massaro | .... | second assistant director | |
Art Department | |||
| Kasia Adamik | .... | storyboard artist | |
| Wayne Beswick | .... | construction coordinator | |
| Michael Broaddus | .... | property master | |
| Elizabeth Colomba | .... | storyboard artist | |
| Christine Craemer | .... | props assistant | |
| Allan Davis | .... | set dresser | |
| Jason Markle | .... | swing gang | |
| David Sandefur | .... | set designer | |
| Mark Sanger | .... | assistant set dresser | |
| Mark Summitt | .... | lead man | |
| Kathy Krantz | .... | art department assistant (uncredited) | |
| Kathy Krantz | .... | set dresser (uncredited) | |
| Colin Stewart | .... | set dresser (uncredited) | |
Sound Department | |||
| Beau Biggart | .... | adr mixer | |
| Gary Boatner | .... | boom operator | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Craig Clark | .... | supervising sound editor | |
| Chris David | .... | sound re-recording mixer | |
| Rob Disner | .... | additional production sound mixer | |
| Bryant Grizzell | .... | boom operator | |
| Ron Harris | .... | adr recordist | |
| Jon Johnson | .... | sound editor | |
| Aaron L. King | .... | adr mixer (as Aaron King) | |
| Aaron L. King | .... | foley mixer (as Aaron King) | |
| Paul Menichini | .... | sound editor | |
| Steuart Pearce | .... | sound mixer | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Scott Reed | .... | head sound manager | |
| Mark Relyea | .... | adr supervisor | |
| Colin Rogers | .... | adr recordist (as Colin Rodgers) | |
| Joseph T. Sabella | .... | foley artist (as Joe Sabella) | |
| Dirk Sanders | .... | assistant sound editor | |
| Allan Schultz | .... | sound editor (as Alan Schultz) | |
| Christopher Sposa | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
Visual Effects by | |||
| Todd Mahon | .... | visual effects supervisor | |
| Mindy Minkow | .... | optical camera | |
Stunts | |||
| José Ignacio Álvarez | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Damon Andres | .... | grip | |
| Danny Andres | .... | grip | |
| David Anthony | .... | first assistant camera: second unit | |
| Dan Ayers | .... | Steadicam operator | |
| Alan Cohen | .... | first assistant camera | |
| Wayne 'Woody' Cone | .... | best boy grip | |
| Shai Greenberg | .... | second assistant camera | |
| Jeffrey G. Hunt | .... | Steadicam operator | |
| Peter Iovino | .... | still photographer | |
| Tim Kane | .... | second assistant camera | |
| Alexandra Kravetz | .... | second assistant camera | |
| Dale Myron | .... | first assistant camera | |
| Todd England Nicodemus | .... | electrician (as Todd Nicodemus) | |
| John Paribello | .... | still photographer | |
| Christopher C. Pearson | .... | first assistant camera | |
| Jonathan Rho | .... | director of photography: second unit | |
| Josh Sinkoski | .... | third electrician | |
| Jeremiah Spinney | .... | grip | |
| Jamie Stephens | .... | film loader | |
| Rick Tucker | .... | key grip | |
| Toby Tucker | .... | grip | |
| Jeffrey L. Weaver | .... | director of photography: second unit | |
| Giovanni Zelko | .... | best boy electric | |
| John Zumpano | .... | gaffer | |
Casting Department | |||
| Mary Jane Fendler | .... | casting associate | |
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jim Hansen | .... | wardrobe supervisor | |
Editorial Department | |||
| George Delaney | .... | final colorist | |
| Ross Guidici | .... | additional editor | |
| Bob La Rossa | .... | color timer (as Robert J. La Rossa) | |
| Troy Takaki | .... | additional editor | |
| Michael A. Webber | .... | first assistant editor | |
Music Department | |||
| David Sabee | .... | orchestra contractor | |
| Jack Smalley | .... | orchestrator | |
| Leanne Ungar | .... | score mixer | |
| Diane DeLouise Wessel | .... | music supervisor | |
Transportation Department | |||
| Greg Dunklin | .... | driver | |
| Lonnie Hand | .... | transportation captain | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
1st watched 12/28/02 - 5 out of 10(Dir-Michael Steinberg): Ridiculously unsupported ending blows what for the most part was a very stylish, well acted, well-done horror/thriller movie. Julia Stiles does a superb job with her role of a tortured child with violent tendencies and the direction is sly and cunning, but for some reason the filmmakers decided to throw a curve in the last half hour that works for some movies but for this one destroyed all that had been built up to this point. To tell you much of the story wouldn't really matter because, just remember, the end isn't what is expected or should be unless the actors & actresses are lying to you throughout it. This is basically about a mother who becomes killed apparently by a break-in but through the twists and turns of the story-telling we are being led to believe that one of the children has something to do with it. That actress is then put through the paces and shown to be a definite possibility to the murder even to the point of imitating her mother after her death and definetly wanting to take her place. The movie should have been more about why she wanted to do this but we only get small hints about this. Then, all of a sudden, instead of exploring what I mentioned in the last sentence the aforementioned `stupid' & `meaningless' ending was thrown at us from left field. I think I've said enough, Yes I'm upset.(but I'll get by). Hopefully Steinberg will as well.