A masked killer begins murdering teenagers in a small town, and as the body count rises, one girl and her friends contemplate the "rules" of horror films as they find themselves living in a real-life one.
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Two years after the events of Scream, Sidney Prescott and Randy are attending Windsor college. They are trying to get on with their lives...Until a new Ghostface killing spree begins. With the help of Dewey and Gale, Sidney must find out who's behind the murders. As the body count goes up, the list of suspects goes down.
In the movie trailer and television advertisements for the movie, the scene in which Sidney talks to the killer for the first time on the Lambda house telephone is altered. In the trailers, the killer replies to her question, "It's time, girlfriend!"; and in the theatrical-release version of the movie, the killer says, "I want you. It's show time." See more »
There is blood on the knife before Randy gets stabbed and each time the knife enters the body the blood on the knife stays the same. See more »
Film Class Guy #1:
No way. The first Terminator is historical.
Yeah... Sarah Connor. Yes.
Film Class Guy #2:
Alright, alright. House II: The Second Story.
[class hits him]
The entire horror genre was destroyed by sequels.
I got it, by the way. I got it. Godfather Part II.
[as Marlon Brando]
That's very good. Very good. That's an Oscar winning exception.
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How do you make a sequel to a horror film whose whole plot was made of in-jokes and film references? Easy: make the follow-up even more in-jokey and self-referential than its predecessor. This formula actually seems to work for Scream 2, at least in the first two acts.
The prologue is arguably a masterclass in self-irony: an African-American couple (Omar Epps and Jada Pinkett Smith) go to a movie theater where a new horror film, called Stab, is screening. This flick is based on Gale Weathers' (Courtney Cox) book The Woodsboro Murders, which recounts the events of the first Scream. As the movie begins, Smith's character complains about Stab being a film "with no black people in it" (just like Scream was), and, predictably, this leads to the two African-Americans being brutally murdered as the film-within-a-film's prologue (with Heather Graham replacing Drew Barrymore) is shown on the screen, so that the fictional and real deaths occur almost simultaneously. From there on, things take the usual turn: the media go crazy about the killings and once again Sidney Prescott (Neve Campbell) is in the spotlight, as she and her friend Randy (Jamie Kennedy) must protect themselves from the new foe, who is apparently mimicking what happened in the past (an obvious reference to the first film's "Movies don't create psychos" line).
The main charm of the original Scream was its ability to almost seamlessly combine clever in-jokes and a believable plot. This time around, the in-jokes are the best thing in the movie, while the story, particularly in the overblown conclusion, suffers from merely repeating key scenes from the first film. Now, this might be a satire on the lack of originality in most horror sequels, and it would work if the characters were developed correctly. Sadly, such a thing doesn't happen, with Sidney being reduced to the usual girl who keeps running and screaming (fitting, huh?) and everyone else (including Liev Schreiber, who gets more screen-time in the sequel) playing stereotypes, with the exception of David Arquette, very likable as the nice cop again trying to solve the case, and Kennedy, who has a great time stating the rules to follow in a sequel.
Ironically, the movie's funniest scene has a bunch of film students discussing follow-ups that are better than the originals. And while few could have anything bad to say about Aliens, Terminator 2 or The Godfather: Part II, it must be said that Scream 2, while fun and watchable, most certainly doesn't have the same sharpness that made its predecessor an above-average horror film.
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