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A single mother gives her son a beloved doll for his birthday, later they find out that the doll is possessed with the soul of a serial killer, who try to put his soul into the boy's body in order to become human.
Director:
Tom Holland
Stars:
Catherine Hicks,
Chris Sarandon,
Alex Vincent
A young married couple becomes stranded at an isolated motel and finds hidden video cameras in their room. They realize that unless they escape, they'll be the next victims of a snuff film
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Director:
James Wong
Stars:
Mary Elizabeth Winstead,
Ryan Merriman,
Kris Lemche
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
It has been two years since the tragic events at Woodsboro. Sidney Prescott and Randy Meeks are trying to get on with their lives, and are currently both students at Windsor College. Cotton Weary is out of prison, and is trying to cash in on his unfortunate incarceration. Gale Weathers has written a bestseller, "The Woodsboro Murders," which has been turned into the film, "Stab," starring Tori Spelling as Sidney. As the film's play date approaches, the cycle of death begins anew. Dewey Riley immediately flies out of Woodsboro to try to protect Sidney, his "surrogate sister." But in this sequel to the 1996 horror film, the number of suspects only goes down as the body count slowly goes up! Written by
Phil Fernando
How do you make a sequel to a horror film whose whole plot was made of in-jokes and film references? Easy: make the follow-up even more in-jokey and self-referential than its predecessor. This formula actually seems to work for Scream 2, at least in the first two acts.
The prologue is arguably a masterclass in self-irony: an African-American couple (Omar Epps and Jada Pinkett Smith) go to a movie theater where a new horror film, called Stab, is screening. This flick is based on Gale Weathers' (Courtney Cox) book The Woodsboro Murders, which recounts the events of the first Scream. As the movie begins, Smith's character complains about Stab being a film "with no black people in it" (just like Scream was), and, predictably, this leads to the two African-Americans being brutally murdered as the film-within-a-film's prologue (with Heather Graham replacing Drew Barrymore) is shown on the screen, so that the fictional and real deaths occur almost simultaneously. From there on, things take the usual turn: the media go crazy about the killings and once again Sidney Prescott (Neve Campbell) is in the spotlight, as she and her friend Randy (Jamie Kennedy) must protect themselves from the new foe, who is apparently mimicking what happened in the past (an obvious reference to the first film's "Movies don't create psychos" line).
The main charm of the original Scream was its ability to almost seamlessly combine clever in-jokes and a believable plot. This time around, the in-jokes are the best thing in the movie, while the story, particularly in the overblown conclusion, suffers from merely repeating key scenes from the first film. Now, this might be a satire on the lack of originality in most horror sequels, and it would work if the characters were developed correctly. Sadly, such a thing doesn't happen, with Sidney being reduced to the usual girl who keeps running and screaming (fitting, huh?) and everyone else (including Liev Schreiber, who gets more screen-time in the sequel) playing stereotypes, with the exception of David Arquette, very likable as the nice cop again trying to solve the case, and Kennedy, who has a great time stating the rules to follow in a sequel.
Ironically, the movie's funniest scene has a bunch of film students discussing follow-ups that are better than the originals. And while few could have anything bad to say about Aliens, Terminator 2 or The Godfather: Part II, it must be said that Scream 2, while fun and watchable, most certainly doesn't have the same sharpness that made its predecessor an above-average horror film.
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How do you make a sequel to a horror film whose whole plot was made of in-jokes and film references? Easy: make the follow-up even more in-jokey and self-referential than its predecessor. This formula actually seems to work for Scream 2, at least in the first two acts.
The prologue is arguably a masterclass in self-irony: an African-American couple (Omar Epps and Jada Pinkett Smith) go to a movie theater where a new horror film, called Stab, is screening. This flick is based on Gale Weathers' (Courtney Cox) book The Woodsboro Murders, which recounts the events of the first Scream. As the movie begins, Smith's character complains about Stab being a film "with no black people in it" (just like Scream was), and, predictably, this leads to the two African-Americans being brutally murdered as the film-within-a-film's prologue (with Heather Graham replacing Drew Barrymore) is shown on the screen, so that the fictional and real deaths occur almost simultaneously. From there on, things take the usual turn: the media go crazy about the killings and once again Sidney Prescott (Neve Campbell) is in the spotlight, as she and her friend Randy (Jamie Kennedy) must protect themselves from the new foe, who is apparently mimicking what happened in the past (an obvious reference to the first film's "Movies don't create psychos" line).
The main charm of the original Scream was its ability to almost seamlessly combine clever in-jokes and a believable plot. This time around, the in-jokes are the best thing in the movie, while the story, particularly in the overblown conclusion, suffers from merely repeating key scenes from the first film. Now, this might be a satire on the lack of originality in most horror sequels, and it would work if the characters were developed correctly. Sadly, such a thing doesn't happen, with Sidney being reduced to the usual girl who keeps running and screaming (fitting, huh?) and everyone else (including Liev Schreiber, who gets more screen-time in the sequel) playing stereotypes, with the exception of David Arquette, very likable as the nice cop again trying to solve the case, and Kennedy, who has a great time stating the rules to follow in a sequel.
Ironically, the movie's funniest scene has a bunch of film students discussing follow-ups that are better than the originals. And while few could have anything bad to say about Aliens, Terminator 2 or The Godfather: Part II, it must be said that Scream 2, while fun and watchable, most certainly doesn't have the same sharpness that made its predecessor an above-average horror film.