| Photos (see all 6 | slideshow) |
| Sam Neill | ... | Henry Bell | |
| Helena Bonham Carter | ... | Karen Knightly | |
| Kristin Scott Thomas | ... | Imogen Staxton-Billing | |
| Rupert Graves | ... | Oliver Knightly | |
| Martin Clunes | ... | Anthony Staxton-Billing | |
| Steve Coogan | ... | Bruce Tick | |
| John Wood | ... | Col. Marcus | |
| Liz Smith | ... | Winnie | |
| Anita Dobson | ... | Daphne Teal | |
| Charlotte Coleman | ... | Norma | |
| Adrian Scarborough | ... | Percy Cutting | |
| Sandra Reinton | ... | Hilary Tick | |
| Zoe Hilson | ... | Lydia | |
| Jamie O'Brien | ... | Damien Tick | |
| François Domange | ... | Wine Waiter | |
| Dicken Ashworth | ... | Lorry Driver |
Directed by | |||
| Malcolm Mowbray | |||
Writing credits(in alphabetical order) | ||
| Alan Ayckbourn | play | |
| Malcolm Mowbray | writer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Romain Winding | |||
Film Editing by | |||
| Barrie Vince | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Stuart Walker | |||
Art Direction by | |||
| Charmian Adams | |||
| Diane Dancklefsen | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Anushia Nieradzik | |||
Makeup Department | |||
| Nuala Conway | .... | hair stylist: Sam Neill | |
| Nuala Conway | .... | makeup artist: Sam Neill | |
| Sallie Jaye | .... | key makeup artist | |
| Norma Webb | .... | chief hair stylist | |
Production Management | |||
| Mark Huffam | .... | production supervisor | |
| Alison Odell | .... | post-production supervisor | |
| Kathy Sykes | .... | production supervisor: new scenes | |
Second Unit Director or Assistant Director | |||
| Konrad Jay | .... | assistant director | |
| Richard Styles | .... | second assistant director | |
| Lizzie Turvey | .... | third assistant director | |
Art Department | |||
| Joe Alley | .... | carpenter | |
| Lawrie Ayres | .... | dressing props | |
| Will Ayres | .... | dressing props | |
| Roy Biggs | .... | stand-by stagehand | |
| Darryl Carter | .... | stand-by carpenter | |
| Jack Carter | .... | construction manager | |
| Mick Crowley | .... | props runaround | |
| Trevor Dyer | .... | chargehand supervisor | |
| Tom Early | .... | storyboard artist | |
| Liz Griffiths | .... | production buyer | |
| Kate Grimble | .... | art department assistant | |
| Robert Harper | .... | supervising painter | |
| Kevin Herbert | .... | stand-by props | |
| Jim Hogan | .... | prop storeman | |
| John Hogan | .... | property master | |
| Kenneth Langridge | .... | chargehand stagehand | |
| Neil Murrum | .... | stand-by props | |
| Tom Read | .... | dressing props | |
| Lee Shelley | .... | painter | |
| Jeff Sullivan | .... | stand-by painter | |
Sound Department | |||
| Alan Bell | .... | supervising sound editor | |
| Roy Birchley | .... | assistant sound editor | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Sarah Ellis | .... | assistant sound editor | |
| Graham Farrow | .... | assistant sound editor | |
| Stephen Gilmour | .... | sound maintenance | |
| Peter Glossop | .... | production sound mixer | |
| Tim Hands | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Gerard McCann | .... | sound editor | |
| Tony Message | .... | foley editor | |
| Hugo Middleton | .... | sound editor | |
| Shaun Mills | .... | boom operator | |
| Shirley Shaw | .... | dialogue editor | |
Special Effects by | |||
| Kevin Draycott | .... | special effects supervisor | |
| Manex Efrem | .... | special effects technician | |
| Jody Taylor | .... | special effects assistant | |
| Joss Williams | .... | lead special effects supervisor | |
Visual Effects by | |||
| Martin Body | .... | optical cameraman | |
| John Swinnerton | .... | optical camera operator (uncredited) | |
Stunts | |||
| Helen Caldwell | .... | stunt double | |
| Mark Lisbon | .... | stunt double | |
| Lee Millham | .... | utility stunts | |
| Greg Powell | .... | stunt coordinator | |
| Mark Southworth | .... | stunt double | |
Camera and Electrical Department | |||
| Danny Cohen | .... | focus puller: second unit | |
| Tim Cousins | .... | crane operator | |
| Dominique Dehoua | .... | gaffer | |
| Rickie Gauld | .... | camera operator: second unit | |
| Robert Gurney | .... | rigger | |
| Elly Harrowes | .... | focus puller: second unit (as Ellie Harrows) | |
| Sid Hinson | .... | stand-by rigger | |
| Julie Lemasson | .... | camera trainee | |
| Liam McGill | .... | best boy | |
| Simon Mein | .... | still photographer | |
| Stephen Sadler | .... | clapper loader | |
| Mel Sansom | .... | chargehand rigger | |
| Ronnie Savory | .... | generator operator (as Ron Savory) | |
| Kim Seber | .... | focus puller | |
| Colin Strachan | .... | grip | |
| Derek Strachan | .... | crane grip | |
| Nick Wall | .... | still photographer | |
| John Ward | .... | Steadicam operator | |
| Martyn Welland | .... | electrician | |
| Iwan Williams | .... | electrician | |
Casting Department | |||
| Julia Gale | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Heather Howell | .... | wardrobe mistress | |
| Kimberley Phillips | .... | wardrobe assistant | |
Editorial Department | |||
| Jeremy Gibbs | .... | associate editor | |
| Jon Hammond | .... | assembly editor | |
| Kelly Messias | .... | post-production secretary | |
| Sophia Wellington | .... | assistant editor | |
| Barbara Zosel | .... | editor trainee | |
| Simon Astbury | .... | colorist (uncredited) | |
Music Department | |||
| Alexandre Desplat | .... | orchestrator | |
| Bernard Gérard | .... | additional orchestrator (as Bernard Gerard) | |
| Jan Piepenstock | .... | assistant music engineer | |
| Phil Rowlands | .... | assistant music engineer | |
| Shari Schwartz | .... | music editor | |
| Paul Talkington | .... | orchestra manager | |
| John Timperley | .... | music recording engineer | |
| Ray Williams | .... | executive music producer | |
Transportation Department | |||
| Gary Birmingham | .... | transportation coordinator | |
| Mark White | .... | transportation | |
Other crew | |||
| David Boardman | .... | location manager | |
| Chris Brock | .... | additional location manager | |
| Peta Browne | .... | publicist | |
| Hazel Crombie | .... | production accountant | |
| Steve Dent | .... | horse master | |
| Lil Heyman | .... | production coordinator | |
| Maurice Landsberger | .... | assistant production accountant | |
| Susanna Lenton | .... | script supervisor | |
| Marshall Leviten | .... | director's production assistant | |
| Lulu Morgan | .... | assistant production coordinator | |
| Alex Oakley | .... | floor runner | |
| Roger Phillips | .... | title designer | |
| Emma Pill | .... | assistant location manager | |
| Flore Rougier | .... | production assistant | |
| Claudia Schon Maier | .... | assistant to producer (as Claudia Schön-Maier) | |
| Isobel Thomas | .... | production runner | |
| Julia Wilson Dickson | .... | dialogue coach (as Julia Wilson Dixon) | |
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| A Fish Called Wanda | Dead Again | Kind Hearts and Coronets | Faithful | Twin Town |
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Like Harvey Fierstein's TORCH SONG TRILOGY, this two-part play almost demanded a name change before lensing, but all except the US market chose to do so (SWEET REVENGE, to us Yanks). Alan Ayckbourn's cutting comic caper concerns two desperate losers who opt for revenge instead of a midnight dive into the Thames. Fine Britress Helena Bonham Carter is the controlling "she" while sedate Ozian Sam Neil is the duller "he". Stick insect Kristin Scott Thomas replaces the much-missed Joanna Lumley from the stage version while a mopey Rupert Graves is serviceable as the wayward brother. This is only one of three Ayckbourn plays (out of 69) to make it to the big screen (A CHORUS OF DISAPPROVAL and SMOKING/NO SMOKING, the other two) and it's compression proves it's failing. The quaint Liz Smith is antic as the doddering maid. In the end, though, the fabric has been sliced and mended till the narrative is less than satisfying.