Failing to kill anymore because of his conscience, a troubled hit-man seeks aid from a forger to help him get papers to China. However, the drug-lord has hired replacements to finish the job and kill the hit-man.
Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Natalie Would"; "Modivation"; "Put Asunder"; "Save The Wetlands"; "The Thief"; "... See full summary »
A high-octane procedural about a team of five experts associated with the CIA led by Eric Shaw who are deployed when a CIA operation goes bad to extract the ones involved before it's too ... See full summary »
R'n'B pop wunderkind Usher, captured here wowing the ladies with his infectious blend of rhymin' and jivin'. Hits include 'U Don't Have to Call', 'I Need a Girl', and 'You Make Me Wanna', among others.
Special will delve deep into the life and storied exploits Suge Knight, Death Row Records co-founder, as well as the volatile and highly influential era in music that he presided over. With... See full summary »
John Lee is the best hitman money can buy. But when John refuses to kill because of the seven year-old son of his target, John's bosses send someone after John to kill him and then take his place in the ring of hitmen. John then teams up with Meg Coburn to help him escape these "Replacement Killers." Written by
During production, Columbia Pictures felt that Antoine Fuqua was struggling to deliver suitable material and ordered a studio exec to be present during most of the filming to ensure that their money was being well spent. This angered Fuqua and made things tense between him and Columbia. 'Debra Hill' (II), a veteran producer, was called in by Columbia to cool things down. Lead actor Yun-Fat Chow stood by Fuqua the whole time and told the producers to trust him and his vision. The troubles didn't end after the production wrapped. When Fuqua delivered his initial cut, Columbia began testing the film. Test audiences struggled with the notion of a less than pure hero and the bi-racial relationship between Yun-Fat Chow and Mira Sorvino. They also had issues with most of the other characters back stories, so Columbia called in action editor 'Richard Francis Bruce' to tighten up the film. All romantic elements between Yun-Fat and Sorvino were removed, along with most of the characters' motivations. See more »
During the carwash shootout, the car that John and Meg jump into becomes riddled with bullet holes. Whenever the camera angle switches to the more distant view, as they drive off, the bullet holes are gone. See more »
This Hollywood debut for Hong Kong superstar Chow Yun Fat does no disgrace to the image of the cool as ice heroic persona established in his Chinese movies.He is not asked to do much here other than engage in long and protracted but beautifully filmed gunfights which he performs with consummate ease and establishes a persona which should serve him well in subsequent projects.A memo however to stupid British movie critics who called this a kung fu movie and referred to Mr.Fat as a martial arts star.There is no kung fu to speak of in this movie and the star is not famed for his skills in this field.Maybe British critics did not even bother to see this movie but just pretended they did assuming that it was a chop-socky flick.I wouldn't put it past them.
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