Failing to kill anymore because of his conscience, a troubled hit-man seeks aid from a forger to help him get papers to China. However, the drug-lord has hired replacements to finish the job and kill the hit-man.
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John Lee is the best hitman money can buy. But when John refuses to kill because of the seven year-old son of his target, John's bosses send someone after John to kill him and then take his place in the ring of hitmen. John then teams up with Meg Coburn to help him escape these "Replacement Killers." Written by
Mira Sorvino speaks fluent Mandarin Chinese. Yun-Fat Chow is a Cantonese Chinese native speaker but can also speak some Mandarin. Sorvino was able to help translate for Chow who was just learning English at the time. See more »
In the final scenes after the shoot out at the end, when Zedkov runs into John and Meg in the stairwell, Chinese characters are clearly visible all over the walls. However, in a few cuts during the confrontation, a two syllable Korean word is clearly painted on the walls. The word is "bah-boh" which loosely translates to "Dummy" in Korean. See more »
Makes Me Wanna Die
Written by Adrian Thaws, Eric B. (as Eric Barrier) and 'Rakim (I)' (as William Griffin)
Performed by Tricky
Courtesy of Island Records Ltd.
By Arrangement with Polygram Film & TV Licensing
Contains "To The Listeners"
Performed by Eric B. & Rakim
Courtesy of MCA Records
Under license from Universal Music Special Markets See more »
Hits the center of the bulls-eye with hair-raising accuracy.
Wild and absolutely menacing thriller involving Chow Yun-Fat (in his American film debut) as John Lee, a quiet yet resourceful hit-man who along with a sarcastic forger, Meg Coburn (Mira Sorvino), become involved when Lee refuses to take out someone close to a cop (Michael Rooker), who shot and killed his mobster boss' drug-dealing son during a drug bust and in the process, Coburn and Lee are also targeted by his superiors.
It's a brilliant debut for Yun-Fat and director Antoine Fuqua ("Bait", "Training Day"), both of whom show their skills with such respect. Some of the shoot-outs that take place in some areas that you wouldn't even think of (car wash, alley, movie theater, etc.). Plus, the cinematographer Peter Lyons Collister and composer Harry Gregson-Williams excell in making the movie even more entertaining. The scenery has a very colorful and artistic look to it and the music doesn't get too loud. I think of the movie as "Lethal Weapon" made like in the style of John Woo, who is one of the film's producers.
"The Replacement Killers" certainly hits the center of the bulls-eye with hair-raising accuracy.
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